In Broadcast - March 2016 - 69


69

www.inbroadcast.com | Vol: 6 - Issue 3 | March 2016

InFocus

Update: Lenses And Accessories cont'd...
Support
Also at the BVE expo, Tiffen
International unveiled the latest
Steadicam products, the Steadicam
Pilot 2 and the Steadimate gimbal
adapter.
The Pilot 2 is a Steadicam camera
stabiliser designed for a versatile
user base. It can be purchased as the
sled alone, or with two arm and vest
options for varying classes of camera
weight. With the SOLO arm and vest
option it has a payload capacity of

Steadicam Pilot 2 camera stabiliser

4.5kg, or with the Zephyr arm and
vest option it has a payload capacity
of 8.5kg. Battery mount types for the
Pilot 2 include standard mounts like
V-Lock and Anton Bauer, as well as a
variety of DV battery mount options.
The Pilot 2 is offered with or without
a 1000 nit HD monitor, and comes
with a D-Tap power port on the stage
for camera and accessory power. The
detachable base makes for a sled or
system that is easy to break down,
transport, and rig.
The Steadimate arm and vest
adapter is designed for use with
gimbals such as the DJI Ronin,
increasing the usability of the Ronin.
The Steadimate takes the load off the
operator's arms allowing operation for
hours on end, and allows for effortless
tilting of the camera. Operators can
interchange between hand-held use
or arm and vest use. It is sold as the
adapter only or as a complete system
with an arm and vest. Adding the
Steadimate and a Pilot 2 system to
your toolkit creates a well-rounded
package for modern cinematographers
and programme makers.

Transvideo & Aaton
Digital

S

ister companies Transvideo and
Aaton Digital presented their
line-up of new products and new
technologies at the recent BSC Expo.
The star product on show was the
new Transvideo StarliteRF 5-inch
3G-SDI touch screen OLED wireless
monitor-recorder with an inbuilt
wireless receiver.
Free of cables, it's the perfect choice
for directors, assistant directors, focus
pullers and DOPs and a must have for
rental houses, production companies,
OB companies and broadcasters.
The wireless video connectivity is
low loss and with no delay. It has the
ability to record dailies in H264 on an
SD card. It's suitable for mounting on
ARRI's Wireless Compact Unit WCU-4,
and with a range of 200 metres (LOS)
it could also serve as a programme
feed monitor. The Titan HD2 wireless
system will work with three to five
receivers.
The new Transvideo StargateFHD
high-end monitor-recorders has
a 3G HD/SD 1920 x 1080 full HD

display with a bright 1000 Nits screen,
and is compatible with 4K. It has the
ability to record dailies (H264 -> MP4/
MKV) on SD cards, and has built in
tools: job-oriented views, focus helper,
peaking, markers, 3D LUTS, zoom and
tally.
Transvideo
has
collaborated
with ARRI to adapt the Transvideo
StarliteHD recorder-monitor to control
the ARRI ALEXA Mini and the ARRI
AMIRA cameras.
The
Transvideo
CineMultiTrack
is the new focus puller's assistant.
This
innovative
tool
provides
instantaneous, precise measurements
for the operator.
Aaton Digital featured the production
model of its CantarX3 location 24 track
digital audio recorder for professional
sound recordists.
Transvideo
StarliteRF 5-inch
monitor-recorder

Miller Fluid Heads (Europe) has
introduced its Compass 23 Fluid
Head and Cineline 2090 Tripod
System. The Compass 23 Fluid
Head is an affordable entry
model into the 100mm ball
levelling range. It is intended
for use with medium size large
sensor cameras to provide
users with the portability,
rigidity and professional
features they seek in a
lightweight system.
The complete Cineline
2090 tripod system includes
a HD Mitchell Base one-stage
alloy tripod and HD alloy ground
spreader to complement the
robust Cineline 70 Fluid Head. This
system provides videographers and
cinematographers with stability, plus
smooth and consistent pan & tilt that
are a must, while offering additional
portability at an aggressive price point.
"With the Compass 23 Fluid Head
and Cineline 2090 Tripod System we
are looking to offer a range of camera
support solutions from large-scale
cinematic dramas all the way down to

more ENG/reality style applications,"
says Mike Lippmann, European
Manager, Miller Fluid Heads
(Europe).
"Regardless of the
situation, users can be
assured that Miller's products
are designed to meet the
unique needs and challenges
of these applications, while
always providing the 'right
feel' that the company is
known for."
Miller
The Cineline 2090's
Cineline
tripod features a high2090
tripod
capacity leg-lock system,
system
deploying
turn-lock
levers
with
rapid
lock/release action, as well as a
heavy duty base with built-in bubble
level, offering a fast and easy setup.
Built with the strength and torsional
rigidity to take on heavy payloads,
the 2090 tripod system has a capacity
from 4.5kg (9.9 lbs) to 37.5kg (82.5
lbs), providing stability and security
when supporting varying rigging
configurations. Designed for rapid
setup and pull-down, the sturdy HD
alloy ground spreader easily attaches
to the alloy tripod and is optimal for
use on flat surfaces.


http://www.inbroadcast.com http://www.millertripods.com/event_read_more.php?id=447 https://vimeo.com/101403284 http://www.transvideo.eu/StarliteRF http://www.truelens.co.uk/ http://www.truelens.co.uk/

Table of Contents for the Digital Edition of In Broadcast - March 2016

In Broadcast - March 2016 - Intro
In Broadcast - March 2016 - Cover1
In Broadcast - March 2016 - Cover2
In Broadcast - March 2016 - 3
In Broadcast - March 2016 - 4
In Broadcast - March 2016 - 5
In Broadcast - March 2016 - 6
In Broadcast - March 2016 - 7
In Broadcast - March 2016 - 8
In Broadcast - March 2016 - 9
In Broadcast - March 2016 - 10
In Broadcast - March 2016 - 11
In Broadcast - March 2016 - 12
In Broadcast - March 2016 - 13
In Broadcast - March 2016 - 14
In Broadcast - March 2016 - 15
In Broadcast - March 2016 - 16
In Broadcast - March 2016 - 17
In Broadcast - March 2016 - 18
In Broadcast - March 2016 - 19
In Broadcast - March 2016 - 20
In Broadcast - March 2016 - 21
In Broadcast - March 2016 - 22
In Broadcast - March 2016 - 23
In Broadcast - March 2016 - 24
In Broadcast - March 2016 - 25
In Broadcast - March 2016 - 26
In Broadcast - March 2016 - 27
In Broadcast - March 2016 - 28
In Broadcast - March 2016 - 29
In Broadcast - March 2016 - 30
In Broadcast - March 2016 - 31
In Broadcast - March 2016 - 32
In Broadcast - March 2016 - 33
In Broadcast - March 2016 - 34
In Broadcast - March 2016 - 35
In Broadcast - March 2016 - 36
In Broadcast - March 2016 - 37
In Broadcast - March 2016 - 38
In Broadcast - March 2016 - 39
In Broadcast - March 2016 - 40
In Broadcast - March 2016 - 41
In Broadcast - March 2016 - 42
In Broadcast - March 2016 - 43
In Broadcast - March 2016 - 44
In Broadcast - March 2016 - 45
In Broadcast - March 2016 - 46
In Broadcast - March 2016 - 47
In Broadcast - March 2016 - 48
In Broadcast - March 2016 - 49
In Broadcast - March 2016 - 50
In Broadcast - March 2016 - 51
In Broadcast - March 2016 - 52
In Broadcast - March 2016 - 53
In Broadcast - March 2016 - 54
In Broadcast - March 2016 - 55
In Broadcast - March 2016 - 56
In Broadcast - March 2016 - 57
In Broadcast - March 2016 - 58
In Broadcast - March 2016 - 59
In Broadcast - March 2016 - 60
In Broadcast - March 2016 - 61
In Broadcast - March 2016 - 62
In Broadcast - March 2016 - 63
In Broadcast - March 2016 - 64
In Broadcast - March 2016 - 65
In Broadcast - March 2016 - 66
In Broadcast - March 2016 - 67
In Broadcast - March 2016 - 68
In Broadcast - March 2016 - 69
In Broadcast - March 2016 - 70
In Broadcast - March 2016 - 71
In Broadcast - March 2016 - 72
In Broadcast - March 2016 - S1
In Broadcast - March 2016 - S2
In Broadcast - March 2016 - S3
In Broadcast - March 2016 - S4
In Broadcast - March 2016 - S5
In Broadcast - March 2016 - S6
In Broadcast - March 2016 - S7
In Broadcast - March 2016 - S8
In Broadcast - March 2016 - S9
In Broadcast - March 2016 - S10
In Broadcast - March 2016 - S11
In Broadcast - March 2016 - S12
In Broadcast - March 2016 - S13
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