In Broadcast - March 2016 - 65


65

www.inbroadcast.com | Vol: 6 - Issue 3 | March 2016

InAudio

Jünger Audio Full Range On Show

A

t CABSAT 2016, Jünger Audio will
show its full range of loudness
control and audio processing products
for the broadcast and pro audio sectors.
The line-up includes Jünger Audio's
D*AP4 (four-channel) and D*AP8
(eight-channel) processors featuring
the company's proprietary Level
Magic algorithm, which offers audibly
transparent
loudness
processing
without
colouration,
pumping,
breathing or distortion.
These processors allows broadcaster
to take full control of loudness and
level in stereo and surround, to deliver
exceptional audio quality while staying
within loudness regulations.
Jünger Audio will also be showing the
D*AP 8 MAP EDITION, an eight-channel
surround monitoring audio processor
that delivers truly comprehensive
surround audio and Dolby programme
monitoring. With D*AP 8 MAP EDITION
on board, broadcasters can audition
their stereo or surround mixes, check
compliance with relevant loudness
standards and verify critical Dolby
Digital metadata parameters.

Decoding, encoding and transcoding
audio from or to any Dolby format is
another key requirement of today's
broadcast market. Jünger Audio's
D*AP8 CODEC EDITION, the newest
addition to the company's D*AP family,
is ideally suited to these applications
and can also manage, generate or
emulate all metadata parameters.
Given that Dolby recently discontinued
its DP series of products, Jünger
Audio's D*AP8 CODEC EDITION fills the
gap, providing a viable replacement
for any of the legacy Dolby hardware
processors.
For voice processing applications
Jünger Audio has the D*AP4 VAP
EDITION, a two-channel voice audio
processor that balances the need for
EQ correction and compression with
the requirement for natural sound.

Jünger Audio D*AP 8 digital audio processor

What makes this processor so
special, particularly for TV voiceover
and feature film ADR, is Jünger
Audio's proprietary Spectral Signature
dynamic EQ. This offers automatic and
dynamic EQ control to balance spectral
differences. By analysing incoming
audio and comparing its spectrum
with
individually
predetermined
voice 'fingerprints', the unit can
automatically apply dynamic EQ
corrections to give a consistent sound.
The D*AP4 VAP EDITION is equally
interesting to radio broadcasters
who want to create an aural identity
for their radio stations. The same
spectral sound management principles
allow the unit to measure specific
voice recordings and use these sound
fingerprints as a reference. The

Spectral Signature algorithm matches
all subsequent live recordings to
create a dedicated 'station sound'.
Jünger Audio processors can be
customised by broadcasters to
precisely suit their requirements
and this option will be highlighted at
CABSAT. By choosing either a four
or eight-channel D*AP FLX base unit
with true peak limiting, customers can
then select from a range of optional
processes and licences including
loudness, dynamics, EQ, upmix/
downmix, failover, voiceover and FM
transmission conditioning.
Also
available
are
loudness
management software plugins for both
Mac and PC and modular hardware
products with new, more efficient and
powerful card options.
http://www.inbroadcast.com http://jungeraudio.com/ http://www.ntp.dk/
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