In Broadcast - March 2016 - 65
65 www.inbroadcast.com | Vol: 6 - Issue 3 | March 2016 InAudio Jünger Audio Full Range On Show A t CABSAT 2016, Jünger Audio will show its full range of loudness control and audio processing products for the broadcast and pro audio sectors. The line-up includes Jünger Audio's D*AP4 (four-channel) and D*AP8 (eight-channel) processors featuring the company's proprietary Level Magic algorithm, which offers audibly transparent loudness processing without colouration, pumping, breathing or distortion. These processors allows broadcaster to take full control of loudness and level in stereo and surround, to deliver exceptional audio quality while staying within loudness regulations. Jünger Audio will also be showing the D*AP 8 MAP EDITION, an eight-channel surround monitoring audio processor that delivers truly comprehensive surround audio and Dolby programme monitoring. With D*AP 8 MAP EDITION on board, broadcasters can audition their stereo or surround mixes, check compliance with relevant loudness standards and verify critical Dolby Digital metadata parameters. Decoding, encoding and transcoding audio from or to any Dolby format is another key requirement of today's broadcast market. Jünger Audio's D*AP8 CODEC EDITION, the newest addition to the company's D*AP family, is ideally suited to these applications and can also manage, generate or emulate all metadata parameters. Given that Dolby recently discontinued its DP series of products, Jünger Audio's D*AP8 CODEC EDITION fills the gap, providing a viable replacement for any of the legacy Dolby hardware processors. For voice processing applications Jünger Audio has the D*AP4 VAP EDITION, a two-channel voice audio processor that balances the need for EQ correction and compression with the requirement for natural sound. Jünger Audio D*AP 8 digital audio processor What makes this processor so special, particularly for TV voiceover and feature film ADR, is Jünger Audio's proprietary Spectral Signature dynamic EQ. This offers automatic and dynamic EQ control to balance spectral differences. By analysing incoming audio and comparing its spectrum with individually predetermined voice 'fingerprints', the unit can automatically apply dynamic EQ corrections to give a consistent sound. The D*AP4 VAP EDITION is equally interesting to radio broadcasters who want to create an aural identity for their radio stations. The same spectral sound management principles allow the unit to measure specific voice recordings and use these sound fingerprints as a reference. The Spectral Signature algorithm matches all subsequent live recordings to create a dedicated 'station sound'. Jünger Audio processors can be customised by broadcasters to precisely suit their requirements and this option will be highlighted at CABSAT. By choosing either a four or eight-channel D*AP FLX base unit with true peak limiting, customers can then select from a range of optional processes and licences including loudness, dynamics, EQ, upmix/ downmix, failover, voiceover and FM transmission conditioning. Also available are loudness management software plugins for both Mac and PC and modular hardware products with new, more efficient and powerful card options.
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