In Broadcast - March 2016 - 39


39

www.inbroadcast.com | Vol: 6 - Issue 3 | March 2016

InMedia

MEDIAPRO's SAM Kahuna
4K El Clásico

M

EDIAPRO Group has produced
the first 4K version of El Clásico,
the iconic football match between
archrivals Madrid and FC Barcelona,
using core SAM technology.
The
game
was
produced
simultaneously in HD and 4K, the latter
supported by a new mobile production
vehicle equipped specifically for 4K.
SAM supplied its Kahuna 9600
enterprise level production switcher,
along with the Maverik modular
control panel. Kahuna's unique

Specially prepared OB

FormatFusion3 technology
enables
multi-format
operations, supporting any
combination of SD, HD,
1080p (level A & B) and 4K.
MEDIAPRO had complete
confidence that it could
handle any formats without
the need for external
conversion. This meant not
only cost savings but also
faster setup times.
Sitting at the heart of the dedicated
4K mobile production unit, the
Kahuna handled 4K signals from
10 Panasonic AK-UC3000 cameras,
which supplied 4K and HD signals
simultaneously.
It
integrated
seamlessly with five EVS XT3
servers, an XFile 3 system for file
transcoding, a Sony PWS-4400 AV
storage unit and a For-A FT-ONE
for Super Slow Motion as well as
graphics systems from Vizrt, which
was controlled by SportStat CG

El Clásico was produced in HD and 4K

application from WTVision.
Francisco José De la Fuente, CEO
of MEDIAPRO Portugal, who is
responsible for the entire fleet of
MEDIAPRO Group OB vans, said: "The
Kahuna switcher combined with the
Maverik panel is one of the most
comprehensive solutions available on
the market and it really came in to its
own during this project. It was able
to handle any and all formats that we
needed so we had complete confidence
during the live production process."

Neil
Maycock,
EVP
Marketing at SAM, said,
"Sports is where we're
likely to see the strongest
initial traction for live
4K production - recent
activity in the US market
echoes that - and Kahuna
provides exactly the level
of reliability that our
customers need in this
type of high pressure
environment. There are
challenges with 4K but our
technology and experience is here to
help our customers make a smooth
transition."
The 4K feed was made available
worldwide via the Hispasat 1D satellite
using MPEG-4 AVC (H.264) encoding.
Movistar+
was
among
those
providing 4K match coverage,
delivered to its fibre pay-TV
customers using the new HEVC (H.265)
compression standard.
The HD signal was distributed to 170
countries with an estimated audience
of 600 million viewers.


http://www.inbroadcast.com https://www.youtube.com/watch?v=2XXfNvFoZ3g http://www.mediapro.es/eng/index.php http://www.appeartv.com http://www.appeartv.com

Table of Contents for the Digital Edition of In Broadcast - March 2016

In Broadcast - March 2016 - Intro
In Broadcast - March 2016 - Cover1
In Broadcast - March 2016 - Cover2
In Broadcast - March 2016 - 3
In Broadcast - March 2016 - 4
In Broadcast - March 2016 - 5
In Broadcast - March 2016 - 6
In Broadcast - March 2016 - 7
In Broadcast - March 2016 - 8
In Broadcast - March 2016 - 9
In Broadcast - March 2016 - 10
In Broadcast - March 2016 - 11
In Broadcast - March 2016 - 12
In Broadcast - March 2016 - 13
In Broadcast - March 2016 - 14
In Broadcast - March 2016 - 15
In Broadcast - March 2016 - 16
In Broadcast - March 2016 - 17
In Broadcast - March 2016 - 18
In Broadcast - March 2016 - 19
In Broadcast - March 2016 - 20
In Broadcast - March 2016 - 21
In Broadcast - March 2016 - 22
In Broadcast - March 2016 - 23
In Broadcast - March 2016 - 24
In Broadcast - March 2016 - 25
In Broadcast - March 2016 - 26
In Broadcast - March 2016 - 27
In Broadcast - March 2016 - 28
In Broadcast - March 2016 - 29
In Broadcast - March 2016 - 30
In Broadcast - March 2016 - 31
In Broadcast - March 2016 - 32
In Broadcast - March 2016 - 33
In Broadcast - March 2016 - 34
In Broadcast - March 2016 - 35
In Broadcast - March 2016 - 36
In Broadcast - March 2016 - 37
In Broadcast - March 2016 - 38
In Broadcast - March 2016 - 39
In Broadcast - March 2016 - 40
In Broadcast - March 2016 - 41
In Broadcast - March 2016 - 42
In Broadcast - March 2016 - 43
In Broadcast - March 2016 - 44
In Broadcast - March 2016 - 45
In Broadcast - March 2016 - 46
In Broadcast - March 2016 - 47
In Broadcast - March 2016 - 48
In Broadcast - March 2016 - 49
In Broadcast - March 2016 - 50
In Broadcast - March 2016 - 51
In Broadcast - March 2016 - 52
In Broadcast - March 2016 - 53
In Broadcast - March 2016 - 54
In Broadcast - March 2016 - 55
In Broadcast - March 2016 - 56
In Broadcast - March 2016 - 57
In Broadcast - March 2016 - 58
In Broadcast - March 2016 - 59
In Broadcast - March 2016 - 60
In Broadcast - March 2016 - 61
In Broadcast - March 2016 - 62
In Broadcast - March 2016 - 63
In Broadcast - March 2016 - 64
In Broadcast - March 2016 - 65
In Broadcast - March 2016 - 66
In Broadcast - March 2016 - 67
In Broadcast - March 2016 - 68
In Broadcast - March 2016 - 69
In Broadcast - March 2016 - 70
In Broadcast - March 2016 - 71
In Broadcast - March 2016 - 72
In Broadcast - March 2016 - S1
In Broadcast - March 2016 - S2
In Broadcast - March 2016 - S3
In Broadcast - March 2016 - S4
In Broadcast - March 2016 - S5
In Broadcast - March 2016 - S6
In Broadcast - March 2016 - S7
In Broadcast - March 2016 - S8
In Broadcast - March 2016 - S9
In Broadcast - March 2016 - S10
In Broadcast - March 2016 - S11
In Broadcast - March 2016 - S12
In Broadcast - March 2016 - S13
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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