In Broadcast - January 2016 - 60
60
www.inbroadcast.com | Vol: 6 - Issue 1 | January 2016
InTech
Telestream's Wirecast Go
Mobile Live Streaming App
T
elestream, a leading provider of
digital media tools and workflow
solutions, has announced that Wirecast
Go, a mobile live streaming application
that converts any iPhone into a live
broadcast studio is now available for
download from the Apple App store.
Building on Telestream's experience
in live streaming with Wirecast - the
streaming production software used by
hundreds of thousands of webcasters
- Wirecast Go is suited for both
professional and amateur iPhone users
who want to broadcast breaking news
and live events.
"Wirecast Go offers a level of
professional production that other
consumer mobile streaming apps
don't offer," said Barbara DeHart,
Vice President of Desktop Business
at Telestream. "With the hunger for
instant knowledge ever increasing,
Wirecast Go fills a huge need for those
who want to deliver professional
live streams to the world from their
iPhone."
Wirecast Go combines ease of use
with professional features, and offers
robust live video streaming to multiple
destinations, along with the ability to
intuitively brand streams, add a range
of graphics, and edit shots.
Available in two versions - a free
Wirecast Go standard and a paid for
Wirecast Go premium.
The standard version of Wirecast
Go is free and enables unlimited live
streaming to YouTube from an iPhone.
It allows insertion of images, logos and
graphics from a user's photo library;
social chat and sharing; and the ability
to save two shots in a shot list.
The premium version features
of Wirecast Go can be unlocked
on a payment. These enable live
streaming to any RTMP (Real Time
Messaging Protocol) destination, as
well as private or unlisted broadcasts
on YouTube. Users can also switch
between unlimited numbers of shots,
and capture and replay highlights from
the live production with just a few taps
on the iPhone, which is great for sports
and other live events.
Whether they are watching a
live concert, or participating in a
spontaneous flash mob, Wirecast Go
lets users share their experience in a
professional-looking
production
directly to YouTube or to any RTMP
server with just a few taps.
For professional TV news journalists
and Electronic News Gathering teams,
Wirecast Go offers the ability to shoot
high quality video footage to produce
professional quality live video that can
be streamed to multiple destinations,
live from the event.
Telestream Wirecast Go
offers live streaming
Video Devices Update Boosts
PIX-E Features
V
ideo Devices has announced
Firmware Version 1.10 for
the PIX-E Series of 4K-compatible
recording monitors.
With this latest firmware update, the
PIX-E5 and PIX-E5H monitors now offer
higher frame rate recording via HDMI,
enhanced playback capabilities, and
anamorphic desqueeze.
Additionally, the PIX-E5 will also
offer 6G-SDI to support 4K over a
single SDI cable.
"We pay close attention to feedback
from our customers, and we've
used these suggestions to add
several key features, such as with
our latest firmware 1.10 update,"
says Paul Isaacs, Director of Product
Management and Design, Sound
Devices, LLC. "We're committed to
offering new firmware with enhanced
features to better assist our customers
on the job."
With firmware v1.10, the PIX-E Series
now supports the higher frame rate
of 1080p 120fps for high-definition
recording, which is ideal for capturing
slow motion footage. The update also
enables a 4:3 anamorphic desqueeze
feature to the LCD and SDI/HDMI
outputs during both monitoring input
and playback. This process stretches
out the horizontally squeezed images
that result from cameras using
anamorphic lenses, such as the
Panasonic LUMIX GH4.
The firmware also includes many
PIX-E Series enhancements for
playback, such as 16x fast forward and
16x rewind functionality, the ability to
jog through playback frame-by-frame,
and shuttle in slow or fast motion.
The new shuttling capability provides
efficient navigation of playback
forward or backward at rates from 1/8
speed to 32 times normal speed.
Audio monitoring is even retained
while shuttling forward from 1/8x to
2x. This update also has the ability to
select next or previous recorded files
from Stop by pressing Rewind or Fast
Forward soft key buttons.
Latest firmware update for PIX-E Series
For the PIX-E5 monitor, v.1.10
now offers users 6G-SDI support of
recording 4K over a single SDI cable
for cameras like the Blackmagic URSA,
plus the added ability to enable or
disable a Lookup Table (LUT) on an SDI
output.
On both PIX-E models, this version
of firmware also features a new 3:2
pulldown removal option for input to
file conversion, as well as more options
for using external timecode. When set
to 3:2 Pulldown, PIX-E Series monitors
will automatically apply 3:2 pulldown if
it detects a 3:2 cadence in an incoming
1080i 59.94 signal.
External timecode options now
include Linear Timecode (LTC) via
the 3.5 mm line inputs, and HDMI
timecode. The LTC from the line inputs
may also be striped to Line In 1 or Line
In 2 audio tracks.
The PIX-E Series of 4K recording
monitors includes two released fiveinch models, PIX-E5 and PIX-E5H,
as well as the upcoming seven-inch
PIX-E7.
Both the PIX-E5 and PIX-E7 monitors
have SDI and HDMI I/O, while the PIXE5H has HDMI I/O only.
http://www.inbroadcast.com
https://vimeo.com/149307282
http://www.videodevices.com/
Table of Contents for the Digital Edition of In Broadcast - January 2016
In Broadcast - January 2016 - Intro
In Broadcast - January 2016 - Cover1
In Broadcast - January 2016 - Cover2
In Broadcast - January 2016 - 3
In Broadcast - January 2016 - 4
In Broadcast - January 2016 - 5
In Broadcast - January 2016 - 6
In Broadcast - January 2016 - 7
In Broadcast - January 2016 - 8
In Broadcast - January 2016 - 9
In Broadcast - January 2016 - 10
In Broadcast - January 2016 - 11
In Broadcast - January 2016 - 12
In Broadcast - January 2016 - 13
In Broadcast - January 2016 - 14
In Broadcast - January 2016 - 15
In Broadcast - January 2016 - 16
In Broadcast - January 2016 - 17
In Broadcast - January 2016 - 18
In Broadcast - January 2016 - 19
In Broadcast - January 2016 - 20
In Broadcast - January 2016 - 21
In Broadcast - January 2016 - 22
In Broadcast - January 2016 - 23
In Broadcast - January 2016 - 24
In Broadcast - January 2016 - 25
In Broadcast - January 2016 - 26
In Broadcast - January 2016 - 27
In Broadcast - January 2016 - 28
In Broadcast - January 2016 - 29
In Broadcast - January 2016 - 30
In Broadcast - January 2016 - 31
In Broadcast - January 2016 - 32
In Broadcast - January 2016 - 33
In Broadcast - January 2016 - 34
In Broadcast - January 2016 - 35
In Broadcast - January 2016 - 36
In Broadcast - January 2016 - 37
In Broadcast - January 2016 - 38
In Broadcast - January 2016 - 39
In Broadcast - January 2016 - 40
In Broadcast - January 2016 - 41
In Broadcast - January 2016 - 42
In Broadcast - January 2016 - 43
In Broadcast - January 2016 - 44
In Broadcast - January 2016 - 45
In Broadcast - January 2016 - 46
In Broadcast - January 2016 - 47
In Broadcast - January 2016 - 48
In Broadcast - January 2016 - 49
In Broadcast - January 2016 - 50
In Broadcast - January 2016 - 51
In Broadcast - January 2016 - 52
In Broadcast - January 2016 - 53
In Broadcast - January 2016 - 54
In Broadcast - January 2016 - 55
In Broadcast - January 2016 - 56
In Broadcast - January 2016 - 57
In Broadcast - January 2016 - 58
In Broadcast - January 2016 - 59
In Broadcast - January 2016 - 60
In Broadcast - January 2016 - 61
In Broadcast - January 2016 - 62
In Broadcast - January 2016 - 63
In Broadcast - January 2016 - 64
In Broadcast - January 2016 - S14
In Broadcast - January 2016 - S1
In Broadcast - January 2016 - S2
In Broadcast - January 2016 - S3
In Broadcast - January 2016 - S4
In Broadcast - January 2016 - S5
In Broadcast - January 2016 - S6
In Broadcast - January 2016 - S7
In Broadcast - January 2016 - S8
In Broadcast - January 2016 - S9
In Broadcast - January 2016 - S10
In Broadcast - January 2016 - S11
In Broadcast - January 2016 - S12
In Broadcast - January 2016 - S13
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