In Broadcast - January 2016 - 57


57

www.inbroadcast.com | Vol: 6 - Issue 1 | January 2016

InTech

Studio And Reference Monitors
PreSonus Eris E66 two-way active
MTM studio monitor

between the two woofers minimises
phase displacement to improved
spatial resolution and a wide sweet
spot.
TSL Products has introduced
newly redesigned MPA (Monitor
Plus Audio) family. Rebuilt from the
ground up to "offer greater ease of
use and excellent sound quality", the
new audio monitoring range offers
solutions for established I/O while
also embracing the industry's move to
Audio-over-IP workflows with Dante
and Ravenna supported.
The new products are available in
two models: Solo offers the ability
to listen to any channel, while Mix
enables the user to create a simple
monitoring mix. The shallow unit depth
of 100mm makes them both ideal for

the broadcast OB environment.
The built-in web server enables all
units to be configured, monitored
and controlled remotely via an
intuitive web interface.
"In redesigning the MPA family,
we have really focused on intuitive
and easy use, in order to make the
range efficient, precise and able to
create workflow-specific solutions,"
says Pieter Schillebeeckx, TSL
Products.
At IBC2015, JBL Professional
announced that its new 7 Series Master
Reference Monitors are in production
and now shipping. Developed to
meet the requirements of broadcast
and post-production facilities that
produce content in immersive audio
formats, the LSR708i and 705i Master
Reference Monitors are the heart of a
complete, modular system that can be
scaled to any size production room and
any number of channels, according to
the manufacturer.
"The 7 Series is the result of
extensive R&D and collaboration with
our post and broadcast clients," says

Peter Chaikin, Senior Manager, JBL
Professional Recording and Broadcast.
"The system is receiving tremendous
response and solving challenges in
enterprise and boutique level facilities
alike."
Finally, a welcome return to an old
friend - the Auratone Super Sound
Cube reference monitor. Built by
Jack Wilson in his California garage in
1958, the Auratone Super Sound Cube
reference monitor is a legend in the
recording, broadcasting, and motion
picture industries for its unfailing
ability to represent mixes as they often
appear in the "real world" - on smallformat, zero-crossover loudspeakers.
Alex Jacobsen, Jack Wilson's
grandson, has now taken the helm of
Auratone. With the help of other family
members, Alex provides Super Sound
Cube components from contemporary
suppliers in the USA, to build a
modern 5C Super Sound Cube that
has the exact same sound and magical
properties of the vintage Auratone
cubes.
"When I first heard that the

cont'd...

Auratones were being provided
by Alex, I asked for a vintage pair
and a new production pair to play
around with in my office," explained
Brad Lunde, founder and president
of TransAudio Group, Auratone's
new U.S. distributor. "I put up some
great mixes and some terrible mixes
and some individual tracks, and it's
obvious why so many engineers
swear by Auratones. They make good
mixes obviously good and bad mixes
obviously bad. Moreover, and unlike
the cheap Auratone knock-offs, Alex's
new production sounds exactly like
the vintage Auratones. There was no
attempt to improve or alter the sound
at all."

Alex Jacobsen, at the helm of Auratone


http://www.inbroadcast.com https://youtu.be/4kgocO9cgaY http://www.auratonesoundcubes.com/ http://egripment.com/ http://egripment.com/

Table of Contents for the Digital Edition of In Broadcast - January 2016

In Broadcast - January 2016 - Intro
In Broadcast - January 2016 - Cover1
In Broadcast - January 2016 - Cover2
In Broadcast - January 2016 - 3
In Broadcast - January 2016 - 4
In Broadcast - January 2016 - 5
In Broadcast - January 2016 - 6
In Broadcast - January 2016 - 7
In Broadcast - January 2016 - 8
In Broadcast - January 2016 - 9
In Broadcast - January 2016 - 10
In Broadcast - January 2016 - 11
In Broadcast - January 2016 - 12
In Broadcast - January 2016 - 13
In Broadcast - January 2016 - 14
In Broadcast - January 2016 - 15
In Broadcast - January 2016 - 16
In Broadcast - January 2016 - 17
In Broadcast - January 2016 - 18
In Broadcast - January 2016 - 19
In Broadcast - January 2016 - 20
In Broadcast - January 2016 - 21
In Broadcast - January 2016 - 22
In Broadcast - January 2016 - 23
In Broadcast - January 2016 - 24
In Broadcast - January 2016 - 25
In Broadcast - January 2016 - 26
In Broadcast - January 2016 - 27
In Broadcast - January 2016 - 28
In Broadcast - January 2016 - 29
In Broadcast - January 2016 - 30
In Broadcast - January 2016 - 31
In Broadcast - January 2016 - 32
In Broadcast - January 2016 - 33
In Broadcast - January 2016 - 34
In Broadcast - January 2016 - 35
In Broadcast - January 2016 - 36
In Broadcast - January 2016 - 37
In Broadcast - January 2016 - 38
In Broadcast - January 2016 - 39
In Broadcast - January 2016 - 40
In Broadcast - January 2016 - 41
In Broadcast - January 2016 - 42
In Broadcast - January 2016 - 43
In Broadcast - January 2016 - 44
In Broadcast - January 2016 - 45
In Broadcast - January 2016 - 46
In Broadcast - January 2016 - 47
In Broadcast - January 2016 - 48
In Broadcast - January 2016 - 49
In Broadcast - January 2016 - 50
In Broadcast - January 2016 - 51
In Broadcast - January 2016 - 52
In Broadcast - January 2016 - 53
In Broadcast - January 2016 - 54
In Broadcast - January 2016 - 55
In Broadcast - January 2016 - 56
In Broadcast - January 2016 - 57
In Broadcast - January 2016 - 58
In Broadcast - January 2016 - 59
In Broadcast - January 2016 - 60
In Broadcast - January 2016 - 61
In Broadcast - January 2016 - 62
In Broadcast - January 2016 - 63
In Broadcast - January 2016 - 64
In Broadcast - January 2016 - S14
In Broadcast - January 2016 - S1
In Broadcast - January 2016 - S2
In Broadcast - January 2016 - S3
In Broadcast - January 2016 - S4
In Broadcast - January 2016 - S5
In Broadcast - January 2016 - S6
In Broadcast - January 2016 - S7
In Broadcast - January 2016 - S8
In Broadcast - January 2016 - S9
In Broadcast - January 2016 - S10
In Broadcast - January 2016 - S11
In Broadcast - January 2016 - S12
In Broadcast - January 2016 - S13
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