In Broadcast - November 2014 - 50

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 37 - NOVEMBER 2014

N E W S

InPREVIEW

Great Expectations: Inter BEE 2014
By Kieron Seth
Contributing Editor

N

50

ovember's Inter BEE 2014
is a major landmark on the
broadcast calendar. With the
build-up to the 2020 Olympics
and Paralympics in Tokyo and
the unexpectedly fast charge
towards 4K acquisition and even
broadcasting, all eyes are on Japan.
When the focus is on the Far East,
NHK is typically centre stage and this
year will be no exception. Interest in
the organisation is at near fever pitch
since its 8K 120fps demonstrations
at IBC2014. The new camera and
recording technology were used
in collaboration with FIFA for the
World Cup in Brazil, early proof of
the viability of the format. At Inter
BEE, NHK will again doubtless
set the tone.
Its recent 8K demonstrations
included the KTV Technical Fair 2014
where Kansai Telecasting showed
off an 8K transmission experiment
using optical cabling. Showing
the potential for cost-effective
delivery, optical wavelength division
multiplexing video transmission
equipment used 1.5Gbps fibre to
connect a video from an 8K camera
installed on the roof of NHK Osaka
bureau. The signal was broadcast
effectively by bonding eight existing
channels, a relatively cost sensitive
and highly practical approach.

free marketplace, will be exhibiting
with visitors now able to benefit from
its improved search engine powered
by Pixolution which now uses new
powerful visual similarity search
technology. This is claimed to help
stock media buyers find relevant
content faster and more accurately.
A range of storage manufacturers
will be lining up at the show,
including GB Labs, Dynamic Drive
Pool, NextoDI and EMC Japan.
Eyes will also be on Promise
Technology which announced Proof
of Concept (PoC) this September. An
IP surveillance solution, it is a joint
initiative with Milestone Systems,
Samsung Techwin, Brand-Rex, Allied
Telesis and Eaton. Using Promise's
storage, PoC simplifies the process
of identifying which software and
hardware will work best together
in any given installation. It also
provides an excellent opportunity
for IT managers to identify the
ideal line-up for their

Media Assets
However, like every other territory,
HD, let alone UltraHD or 4K is still
the primary day-to-day concern.
As such, the Hitachi Group booth
will focus on real-world file-based
workflows. Its stand will see
demonstrations with Amberfin iCR
transcoder software, StorNext's
SAN file sharing system and a
render farm management tool
from Qube! In addition, a third
party supplier will show how Hitachi
technology can integrate with data
transfer infrastructure solutions,
content loss prevention software,
data protection middleware, and
backup and archiving devices.
Motion Elements, Asia's royalty-

Thomson's ViBE XT1000
Xtream high density video transcoder

Panasonic's AJ-PX800 HD system
uses the P2 system transcoder

video surveillance deployment
where overall parameters such
as bandwidth, storage capacity,
re c o rd i n g , p l a y b a c k , a n d
redundancy throughout the solution
are identified and accommodated.
Thomson Video Networks' ViBE
XT1000 Xtream high-density video
transcoder for OTT, cable, and
telco applications is designed
to allow broadcasters to launch
new turnaround services quickly
and cost-effectively. ViBE XT1000
supports up to 54 HD channels or
180 SD channels with transcoding
from any format
to any format
including MPEG2 and MPEG-4/
AVC, making it
suited to linear
broadcasts on
cable, IPTV, DTH,

IDX's Robert Holland demonstrates its
new battery range

lower priced broadcast batteries.
The Lithium Ion-based Endura Cue
system meets the requirements for
civil aviation and are protected by
reassuring warranties. A discharge
cut-off prevents the batteries being
damaged by products without
a voltage sensing shutdown
mechanism while four bright power
status LEDs provide a quick check
of remaining power capacity. The
range also includes battery circuit
protection that guards against
misuse such as overcharging and
discharging and exposure to high
temperatures. The system appears
to be a good compromise between
safety, quality and cost, to deliver a
compelling offering in an increasingly
cut throat market.

and DTTV services, as well as multiscreen delivery.

Production Technology
Hitachi Kokusai Electric, meanwhile,
will be looking to take advantage
of the impressive launch of the
SK-UHD4000 UltraHD camera
system. Its success was signalled
by the announcement of the
sale of 50 units to Gearhouse
Broadcast. The first
batch is set for use at
the 2015 AFC Asian
Cup international
football tournament
in Australia . SKUHD4000 is a
broadcast ultraHD camera system
which can take the
2/3-inch B4 mount lenses
used in conventional HD broadcast
cameras, meaning that users can
use existing TV lenses. Equipped
with newly developed 2/3-inch
CMOS sensors, the camera can
produce video images with high
sensitivity and high resolution. It
can output HD and 4K video signals
in parallel, which means that it can
be used in HD environments and
capture material in 4K for future use.
Another 4K camera showing
considerable maturity at IBC and
sure to be centre stage at Inter BEE
was Panasonic's VariCam 4K; its
triple recording system and large
dynamic range makes it an attractive
proposition. The manufacturer will
also be demonstrating its new AJPX800 broadcast 2/3" P2 camcorder.
Aggressively priced and unusually
lightweight, it's a news camera that
should also appeal to freelancers
and documentary makers alike.
In the face of growing competition
from commodity manufacturers,
IDX has released a new range of

Rycote's Cyclone suspension system

R y c o t e 's n e w C y c l o n e
windshield system features a
durable, lightweight design, with
advancements in wind and shock
isolation performance. A unique
"multi-suspension" design provides
isolation against all forms of
handling noise. Shock protection
is provided by the Rycote Lyre
Microphone Suspension System,
plus the all-new Floating-Basket
Suspension with technology that
provides isolation between the
basket structure and the microphone
suspension. A two-piece, Z-Locking
design magnetically affixes the
basket around the microphone for
instant and secure attachment to, or
detachment from, the suspension.
Increased transparency is achieved
due to the cone-like shape, that
aims to reduce reflective parallel
surfaces, and this unique design
of the basket should give ample
wind-noise protection, without the
need for a fur windjammer.
CONTINUED ON PAGE 52


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0 http://WWW.INBROADCAST.COM http://idx-europe.co.uk/ http://www.rycotecyclone.com/ http://business.panasonic.co.uk/professional-camera/p2hd/camera-recorder/AJ-PX800 https://www.thomson-networks.com/en/products/encoding-transcoding/high-density-transcoder

In Broadcast - November 2014

Table of Contents for the Digital Edition of In Broadcast - November 2014

In Broadcast - November 2014 - Intro
In Broadcast - November 2014 - Cover1
In Broadcast - November 2014 - Cover2
In Broadcast - November 2014 - 3
In Broadcast - November 2014 - 4
In Broadcast - November 2014 - 5
In Broadcast - November 2014 - 6
In Broadcast - November 2014 - 7
In Broadcast - November 2014 - 8
In Broadcast - November 2014 - 9
In Broadcast - November 2014 - 10
In Broadcast - November 2014 - 11
In Broadcast - November 2014 - 12
In Broadcast - November 2014 - 13
In Broadcast - November 2014 - 14
In Broadcast - November 2014 - 15
In Broadcast - November 2014 - 16
In Broadcast - November 2014 - 17
In Broadcast - November 2014 - 18
In Broadcast - November 2014 - 19
In Broadcast - November 2014 - 20
In Broadcast - November 2014 - 21
In Broadcast - November 2014 - 22
In Broadcast - November 2014 - 23
In Broadcast - November 2014 - 24
In Broadcast - November 2014 - 25
In Broadcast - November 2014 - 26
In Broadcast - November 2014 - 27
In Broadcast - November 2014 - 28
In Broadcast - November 2014 - 29
In Broadcast - November 2014 - 30
In Broadcast - November 2014 - 31
In Broadcast - November 2014 - 32
In Broadcast - November 2014 - 33
In Broadcast - November 2014 - 34
In Broadcast - November 2014 - 35
In Broadcast - November 2014 - 36
In Broadcast - November 2014 - 37
In Broadcast - November 2014 - 38
In Broadcast - November 2014 - 39
In Broadcast - November 2014 - 40
In Broadcast - November 2014 - 41
In Broadcast - November 2014 - 42
In Broadcast - November 2014 - 43
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In Broadcast - November 2014 - 78
In Broadcast - November 2014 - 79
In Broadcast - November 2014 - 80
In Broadcast - November 2014 - 81
In Broadcast - November 2014 - Cover4
In Broadcast - November 2014 - S1
In Broadcast - November 2014 - S2
In Broadcast - November 2014 - S3
In Broadcast - November 2014 - S4
In Broadcast - November 2014 - S5
In Broadcast - November 2014 - S6
In Broadcast - November 2014 - S7
In Broadcast - November 2014 - S8
In Broadcast - November 2014 - S9
In Broadcast - November 2014 - S10
In Broadcast - November 2014 - S11
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