In Broadcast - October 2014 - 58

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 36 - OCTOBER 2014

N E W S

InGEAR

Freefly Ships MoVI M15
F

reefly Systems, known for
pioneering next generation
handheld camera stabilisers, adds
the new MoVI M15 to its line-up,
which includes the smaller M10 and
M5 units.
Inspired by cameras like the
Sony F55 and ARRI Alexa M, the
M15 is compatible with most
popular professional camera/lens
combinations.
The M15 offers a maximum
payload of 15 pounds/7kg yet itself
weighs just 5.4 pounds/2.47 kg.
The M15 features a fully enclosed
camera cage (203mm long x 203mm
wide x197 high) for maximum rigidity
and shot stability, as well as fully
protected wiring with an adjustable
camera plate.
Other advancements include
simplified tool-less balancing and
a quick release top handle for
rapid adjustment. Similar to the
M5 and M10, the M15 may also
be configured in "Inverted Mode"
for a more comfortable eye-level
camera angle.
The MoVI's patent-pending
Majestic Mode allows for a single

58

operator to intuitively control the
pointing of the stabiliser by moving
the handles, without compromising
the stabilisation of the image.
The MoVI takes the operator's
movements and intelligently
converts them into stabilised pan
and tilt movements.
This allows for very low profile
single operator setup and accurate
framing in tight situations. In Dual
Operator Mode, the MoVI stabiliser's
framing can be controlled by a
second operator, who controls
pan and tilt remotely using the
MoVI Controller.
Freefly Systems' proprietary
software and brushless direct
drive system allow the MoVI M15
to stabilise footage in demanding
shooting environments. The
stabiliser is 100% custom designed
in-house by the Freefly engineering
and production teams at the
company's new headquarters in
Woodinville, Washington.
Freefly Systems develops next
generation systems in camera
stabilisation and movement. Freefly
Systems' products include the MoVI

line of handheld camera stabilisers
and the CineStar line of multi-rotor
aerial camera platforms.
With over a decade of experience
in the professional cinematography

MoVI M15 stabilises
footage in demanding
environments

i n d u s t r y,
Freefly Systems
develops and bring
innovative products to
market that serve both cinema
and aerial professionals.
Freefly Systems say that limited
shipping of the M15 had begun in
September and "wider availability"
was anticipated by the end
of October.

TM

FIA Formula E Comes To FAL Systems For System Integration
F

AL Systems was commissioned
to build a complete flyaway
broadcast system by Hayfi sher
Pro du c tio n s ba s e d in the
West Midlands who have been
contracted by Aurora Media to
provide broadcast facilities for the
Formula E FIA fully-electric racing
series.
FAL's brief was quite challenging
in that not only were they to provide
all means for acquiring all the audio
and video for the transmission
but that they were to do so in
such a way as to have minimal
environmental impact.
All aspects of design and build
were handled by FAL's in house
team. The objective was to provide
a full 'truck-like' operational space
in a 2.5 metre x 2 metre intermodal
pod. Whilst keeping weight down
to a minimum was a dominant
factor that had to be balanced with

providing maximum flexibility and
future proofing. It was a challenge
that the FAL team was able to
successfully overcome with each
of the technical pods eventually
coming in at 50% below the max
weight allowed. Careful choice of
equipment has also enabled FAL to
keep the powering requirements as
low as possible using energy saving
devices wherever possible.
FAL has deployed 14 Grass
Valley HD Elite camera channels,
12 channels of Gigawave HD RF
cameras including on board feeds.
A Miranda hybrid HD router is
featured with full embedding and
de-embedding plus Miranda's
Kaleido integrated multi viewers.
An extensive Audio distribution
network was also created. The team
employed four Focusrite Rednet
6 MADI to DANTE providing 512
audio paths whilst two Yamaha
CL5 audio consoles
with Dante capability
deal with the mixing
duties and Yamaha
Rio stage boxes
deliver the analogue
audio interface. For
the comms systems
the team went for a
72 x 72 Clear-Com
tailback system.
No race series or
any sporting event
for that matter would
FAL provided a complete flyaway broadcast facility

The broadcast engineering
technical pods

be complete without replay facilities
and the FAL Systems' solution
was to deploy three Grass Valley
K2 Dyno servers providing six-in
two-out with flex share. Miranda's
Densite modular range was
chosen for distribution and format
conversion. Grass Valley's Karrera
software based video production
centre provides the vision mixing
and was chosen because it uses
up to 50% less power than other
alternatives re-emphasising the
'green' ethos of the whole project.
FAL also built three storage pods
with bespoke stowage solutions
for all the equipment and cables

required. To maximise the space
available in production, this area has
been built as a flyaway and will be
built into a portable building hired
for each race.


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In Broadcast - October 2014

Table of Contents for the Digital Edition of In Broadcast - October 2014

In Broadcast - October 2014 - Intro
In Broadcast - October 2014 - Cover1
In Broadcast - October 2014 - Cover2
In Broadcast - October 2014 - 3
In Broadcast - October 2014 - 4
In Broadcast - October 2014 - 5
In Broadcast - October 2014 - 6
In Broadcast - October 2014 - 7
In Broadcast - October 2014 - 8
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In Broadcast - October 2014 - 10
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In Broadcast - October 2014 - 18
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In Broadcast - October 2014 - 85
In Broadcast - October 2014 - 86
In Broadcast - October 2014 - S1
In Broadcast - October 2014 - S2
In Broadcast - October 2014 - S3
In Broadcast - October 2014 - S4
In Broadcast - October 2014 - S5
In Broadcast - October 2014 - S6
In Broadcast - October 2014 - S7
In Broadcast - October 2014 - S8
In Broadcast - October 2014 - S9
In Broadcast - October 2014 - S10
In Broadcast - October 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
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https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
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https://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
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https://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
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