In Broadcast - October 2014 - 56

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 36 - OCTOBER 2014

N E W S

InGEAR

K5600 Evolution Kit Packs A Punch
T

he Evolution kit is hailed as
the ideal lighting package,
especially in the Pro Combo
configuration. This kit includes
one Alpha 200, one Joker Bug 200
Evolution and accessories: lenses,
light bank, Focal Spot.
Both fixtures are designed to use
either a 5600K or 3200K bulb newly
developed by Havells-Sylvania.
The Joker Bug 200 Evolution has
been redesigned to accept this
new bulb and makes use of all
the existing accessories of the
Joker family, including Lightbanks,
Lanterns, Softubes.
The Alpha 200 is the newest
member of the Alpha line.
Configured with a removable
Fresnel lens which produces the
classic light quality expected of
Fresnels, it can also be used in an
Open Face mode to create hard and
crisp shadows. The quick and easy
set-up of the Focal Spot turns the
Alpha 200W into a precise profile
light for projecting gobos.
Olivier Madar is a videographer
specialising in corporate films for

56

the medical world. He was the first
user of the Alpha 200. Owning most
of the K5600 products, he gives
his impressions about this new
fixture: "Versatile, lightweight and
affordable. These are really the three
adjectives that come to my mind
when someone asks me what I think
about the new Alpha 200.
"In the Fresnel configuration, it
produces the hard and high quality
light distinctive of the Fresnels. Its
powerful beam, light weight and
low power consumption allows
me to place the Alpha 200 almost
anywhere I want to: for instance,
you can line up five or six on
a 10-metre length, without any
problem. Focusing the light is very
simple and the system is practical. It
allows me to vary the power without
the use of a dimmer.
"The Open Face configuration is
the most efficient solution I know
for anyone who needs to light
widely and homogeneously. With
the aluminium reflector, the Alpha
200 beam is less wide than the
one produced by the bigger Alphas

and their Quartz reflectors. But it's
enough to make the Alpha 200
the perfect tool for green screens,
especially when distance between
the screen and the light source is
extremely reduced. The angle is very
wide, around 160 degrees, which
allows the user to evenly light tight

spaces," says Madar.
"Even though it is small and
lightweight, the Alpha 200 is
powerful. It's perfect for stage
lighting and with the Focal Spot, I
gladly compare it to a 750W tungsten
Source four, without the excess
weight and the overheating."

K5600 Alpha 200 - versatile, lightweight and affordable

Cloud Rental Management Software Offers One Centralised System
S

ince the launch of Current
RMS (Rental Management
Software) many rental businesses
have taken the opportunity to sign
up to the free 30-day trial on offer,
experiencing at first-hand the
benefits of operating in the cloud.
"Having our rental software in
the cloud allows our team to
communicate and work on projects
together whether in the office,
warehouse, on the road, or on
location in a different time zone. Our
technicians and bookers can view

Current RMS details view

and work on the same quotation
as it is put together, dramatically
saving paper and time," said
Andrew Morgan, Gripvan.
Research prior to product
development, along with customer
feedback since launch, supports
the opinion that, from a technology
point of view, the broadcast and
events sector is moving even
further towards a fully automated
online environment - embracing
cloud technologies, understanding
the comprehensive security
measures actually placed
around data in the cloud and
that cloud software helps keep
businesses streamlined, updated
and scalable.
Get your head in the cloud:
By implementing cloud
rental management software,
businesses no longer have to
think about setup
costs or software
installation,
system upgrades
or data backups
- Current RMS
covers it all,
allowing you to
focus on the job
at hand and the
Current RMS
Team to focus
on delivering a
service of value,
continuously
upgrading your

system with new features and
functionality.
One system
for all: One
centralised rental
management
system covering
the
entire
rental cycle
from enquir y
through
to
quotation stage,
equipment
availability
planning, and
scheduling
activities
for
staf f,
logistics and
invoicing. One
management system
covering it all, no longer
forcing you to juggle multiple
systems that don't talk to
one another, having you to
deal with duplicated data.
Along with specialist broadcast
solution Gripvan, Director of
Blackflag TV, Stuart Keasley
describes the business benefits of
rental management software: "It is
the foundation of our day to day
business operations, looking after
the complete rental life cycle.
"Current RMS provides us with
a lightweight, streamlined but
highly functional solution to meet
our business needs. The simplicity

Product
availability
planning

and standardisation of the intuitive
interface allows us to work quickly
and efficiently, the customisable
back end allows us to mould the
tool to our way of doing things."
Two very different broadcast
businesses benefiting from software
in the cloud, highlighting the ability
of one system working across a
multitude of specialist broadcast
and photography companies.
Sign up to your free 30-day trial
of Current RMS today.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.k5600lighting.com/ENentree.html http://www.current-rms.com/?utm_source=InBroadcastEzine&utm_medium=PR2&utm_campaign=EzinePR2 http://www.current-rms.com/?utm_source=InBroadcastEzine&utm_medium=PR2&utm_campaign=EzinePR2

In Broadcast - October 2014

Table of Contents for the Digital Edition of In Broadcast - October 2014

In Broadcast - October 2014 - Intro
In Broadcast - October 2014 - Cover1
In Broadcast - October 2014 - Cover2
In Broadcast - October 2014 - 3
In Broadcast - October 2014 - 4
In Broadcast - October 2014 - 5
In Broadcast - October 2014 - 6
In Broadcast - October 2014 - 7
In Broadcast - October 2014 - 8
In Broadcast - October 2014 - 9
In Broadcast - October 2014 - 10
In Broadcast - October 2014 - 11
In Broadcast - October 2014 - 12
In Broadcast - October 2014 - 13
In Broadcast - October 2014 - 14
In Broadcast - October 2014 - 15
In Broadcast - October 2014 - 16
In Broadcast - October 2014 - 17
In Broadcast - October 2014 - 18
In Broadcast - October 2014 - 19
In Broadcast - October 2014 - 20
In Broadcast - October 2014 - 21
In Broadcast - October 2014 - 22
In Broadcast - October 2014 - 23
In Broadcast - October 2014 - 24
In Broadcast - October 2014 - 25
In Broadcast - October 2014 - 26
In Broadcast - October 2014 - 27
In Broadcast - October 2014 - 28
In Broadcast - October 2014 - 29
In Broadcast - October 2014 - 30
In Broadcast - October 2014 - 31
In Broadcast - October 2014 - 32
In Broadcast - October 2014 - 33
In Broadcast - October 2014 - 34
In Broadcast - October 2014 - 35
In Broadcast - October 2014 - 36
In Broadcast - October 2014 - 37
In Broadcast - October 2014 - 38
In Broadcast - October 2014 - 39
In Broadcast - October 2014 - 40
In Broadcast - October 2014 - 41
In Broadcast - October 2014 - 42
In Broadcast - October 2014 - 43
In Broadcast - October 2014 - 44
In Broadcast - October 2014 - 45
In Broadcast - October 2014 - 46
In Broadcast - October 2014 - 47
In Broadcast - October 2014 - 48
In Broadcast - October 2014 - 49
In Broadcast - October 2014 - 50
In Broadcast - October 2014 - 51
In Broadcast - October 2014 - 52
In Broadcast - October 2014 - 53
In Broadcast - October 2014 - 54
In Broadcast - October 2014 - 55
In Broadcast - October 2014 - 56
In Broadcast - October 2014 - 57
In Broadcast - October 2014 - 58
In Broadcast - October 2014 - 59
In Broadcast - October 2014 - 60
In Broadcast - October 2014 - 61
In Broadcast - October 2014 - 62
In Broadcast - October 2014 - 63
In Broadcast - October 2014 - 64
In Broadcast - October 2014 - 65
In Broadcast - October 2014 - 66
In Broadcast - October 2014 - 67
In Broadcast - October 2014 - 68
In Broadcast - October 2014 - 69
In Broadcast - October 2014 - 70
In Broadcast - October 2014 - 71
In Broadcast - October 2014 - 72
In Broadcast - October 2014 - 73
In Broadcast - October 2014 - 74
In Broadcast - October 2014 - 75
In Broadcast - October 2014 - 76
In Broadcast - October 2014 - 77
In Broadcast - October 2014 - 78
In Broadcast - October 2014 - 79
In Broadcast - October 2014 - 80
In Broadcast - October 2014 - 81
In Broadcast - October 2014 - 82
In Broadcast - October 2014 - 83
In Broadcast - October 2014 - 84
In Broadcast - October 2014 - 85
In Broadcast - October 2014 - 86
In Broadcast - October 2014 - S1
In Broadcast - October 2014 - S2
In Broadcast - October 2014 - S3
In Broadcast - October 2014 - S4
In Broadcast - October 2014 - S5
In Broadcast - October 2014 - S6
In Broadcast - October 2014 - S7
In Broadcast - October 2014 - S8
In Broadcast - October 2014 - S9
In Broadcast - October 2014 - S10
In Broadcast - October 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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https://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
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