In Broadcast - September 2014 - 50


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 35 - SEPTEMBER 2014

N E W S

InFORM
IBC2014 - Going Dutch Again Cont.
can accept, format and publish
messages with a single click.
Quantel will be showing the
4K 60p workflow with Pablo Rio
including the brand new Genetic
Engineering 2 - as used at the World
Cup. Also new is the LiveTouch
studio highlights system and
FileFlow 2 making file I/O fast,
easy and secure.
Quantum will present its StorNext
Pro Solutions for workflow storage.
StorNext Pro 4K for 4K production,
StorNext Pro Studio for refreshing
Xsan deployments and StorNext
Pro Production for content owner
workflows. Also highlighted will
be StorNext cloud solutions which
enable wide-scale collaboration on
content without disrupting users'
existing and familiar workflows.

Snell will be highlighting what is
describes as its 'ground-breaking'
switcher - the Maverik 3ME

50

Snell will be rolling out 4K across
the range of Kahuna production
switchers. "Other IBC highlights
include the groundbreaking new
Kahuna Maverik modular-based
switcher control panel," reveals

Marketing Director Steve Owen.
"We'll also be demonstrating IP
routing in partnership with Cisco
and multiple new software-based
image processing solutions for
live IP streaming and file-based
applications."
Following the World Cup where
Sony filmed three matches in 4K,
the company will demonstrate
how its latest 4K technology
continues to address the needs
of content creators and unite its
vast network of products, systems,
services and expertise. Sony will
also showcase how its IP-based
solutions are helping broadcasters
to deliver accurate multi-camera
live productions.
Tektronix says that the increasing
diversity of services and the
emergence of beyond-HD formats
are creating strong demand for
coding efficiency superior to current
H.264/MPEG-4 AVC's capabilities.
The Tektronix MTS4EAV7 AVC/
HEVC analyser verifies the
compliance of the encoded
video and provides statistics
of the coding efficiency which
helps manufacturers to debug
and validate encoder designs. In
addition, the PQA600B evaluates
the efficiency of the CODEC design
by providing Picture Quality Rating
and Difference Mean Opinion Score
measurements.

Veset, will feature its Nimbus
Cloud Playout, a new, linear
broadcast software-based solution.
While enabling users to take full
advantage of cloud technologies,
its architecture is platformagnostic. Leveraging its softwarebased architecture, Nimbus can
be deployed on a broad range of
public and private clouds.
Video Clarity will showcase
its ClearView Extreme 4K video
quality analysers which provide a
new level of input/output capability
and performance in subjective
picture quality comparison. The
analysers are capable of interactive
playback and comparison of two
uncompressed 4K (3840 X 2160)
sequences at up to 60 Hz in realtime, and allows users to import and
play A/V sequence files to compare
processed video to original sources
with new 8-bit and 10-bit highresolution displays, and also to

VidiGo's Studio Automation workflow
is an all-in-one live production and
automation environment for live
news production

test for perceptual video quality.
The three complete workflows,
based on the Live multi-camera
production suite, from VidiGo are
Studio Automation, Visual Radio
and Arena Solutions. Studio
Automation workflow is an all-inone production environment that
allows broadcasters to automate
entirely live news production. Visual
Radio allows radio stations to
create compelling and entertaining
TV shows that are more than just
a webcam and graphics. VidiGo
Arena Solutions is a
complete workflow
for stadium screen
broadcasting that
can be operated by
a single person.

ClearView Extreme 4K video quality analysers provide a new level of input/
output capability and performance in subjective picture quality comparison

Capsule Media Production & Post Relies On AJA Technology
A

cross a range of content
for broadcast, live-events,
commercials and fi lms, Miamibased Capsule Media has a
r e p u t a ti o n fo r h i g h - qu a li t y
production and post services.
Network juggernauts across the
US, Europe and Latin America
- including PBS, Discovery
Channel and Univision - regularly
tur n to Capsule Media for
production needs.
Capsule Media CEO and
Executive Producer Pascal
Jacquelin, who oversees each
project, draws heavily on the
reliability of AJA technology to
ensure seamless workflows.
"I've always loved AJA gear,
because it's easy to use and
you can rely on it," he said. "The
developers are so dialled into
our needs in the fi eld, and that
shows through in every product.
Their support team is also helpful
when you need them most, so you
never feel alone."
AJA gear helps Capsule Media
complete a diverse range of
projects ranging from 'Shark Week'
documentaries to a PBS miniseries about legendary musician

and producer Quincy Jones.
The studio's arsenal includes
AJA Io XT Thunderbolt enabled
professional video I/O devices,
Ki Pro digital recorders, KONA
3G and KONA LHi capture and
playback cards and HD10DA
Mini-Converters. An extensive
collection of cameras - including
RED SCARLETs, SONY EX3s and
DSLRs - is also at the team's
disposal. For documentaries or
larger film projects, Jacquelin often
rents ARRI ALEXAs.
Throughout most of Capsule
Media's HD shoots AJA HD10DA
Mini-Converters boost HD-SDI
signals over long runs from each
camera to switching stations.
Jacquelin and team also rely on
AJA Ki Pros to record footage in
Apple ProRes 422, and regularly
use the AJA Io XT for live streaming
the Ki Pro signals during webcasts.
"AJA products are essential to our
live production pipeline, and we
use them year round," he explained.
"They're sturdy and reliable, which
is critical in live-event production.
Once you've stopped recording,
you've closed the file, and if you're
not sure the fi le is there, that's

L-R: Joaquin Abreu (Post-Production Supervisor),
Pascal Jacquelin (CEO, Director), Johnny Gonzalez (Senior Editor)

catastrophic. With gear like the Ki
Pro, I'm always confident the file
will be there."
In the studio Jacquelin maintains
six edit suites that run the full
gamut of creative applications for
post-production, including Avid
Media Composer, Adobe Premiere
Pro CC and Adobe After Effects.
Each of the six suites is equipped
with a KONA 3G, KONA LHi or Io XT
for monitoring and editing output.
For Capsule Media's latest

advertising campaign for Infinity
Insurance, which was tied to the
World Cup, the team shot with a
4K RED camera, uploaded footage
to a workstation in the studio and
then began editing with Adobe
Premiere Pro CC.
Using an HD signal generated
by Premiere Pro, which was fed
through the AJA Io XT, Jacquelin
and team were then able to easily
monitor in 1080 for a smooth
editing experience.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://www.inbroadcast.com http://www.vidigo.tv/solutions/studio-automation/ http://www.snellgroup.com/products/production-and-master-control-switching/production-switchers/kahuna-maverik-panel http://videoclarity.com/cvextreme/ https://www.aja.com/en/news

Table of Contents for the Digital Edition of In Broadcast - September 2014

In Broadcast - September 2014 - Intro
In Broadcast - September 2014 - 1
In Broadcast - September 2014 - 2
In Broadcast - September 2014 - 3
In Broadcast - September 2014 - 4
In Broadcast - September 2014 - 5
In Broadcast - September 2014 - 6
In Broadcast - September 2014 - 7
In Broadcast - September 2014 - 8
In Broadcast - September 2014 - 9
In Broadcast - September 2014 - 10
In Broadcast - September 2014 - 11
In Broadcast - September 2014 - 12
In Broadcast - September 2014 - 13
In Broadcast - September 2014 - 14
In Broadcast - September 2014 - 15
In Broadcast - September 2014 - 16
In Broadcast - September 2014 - 17
In Broadcast - September 2014 - 18
In Broadcast - September 2014 - 19
In Broadcast - September 2014 - 20
In Broadcast - September 2014 - 21
In Broadcast - September 2014 - 22
In Broadcast - September 2014 - 23
In Broadcast - September 2014 - 24
In Broadcast - September 2014 - 25
In Broadcast - September 2014 - 26
In Broadcast - September 2014 - 27
In Broadcast - September 2014 - 28
In Broadcast - September 2014 - 29
In Broadcast - September 2014 - 30
In Broadcast - September 2014 - 31
In Broadcast - September 2014 - 32
In Broadcast - September 2014 - 33
In Broadcast - September 2014 - 34
In Broadcast - September 2014 - 35
In Broadcast - September 2014 - 36
In Broadcast - September 2014 - 37
In Broadcast - September 2014 - 38
In Broadcast - September 2014 - 39
In Broadcast - September 2014 - 40
In Broadcast - September 2014 - 41
In Broadcast - September 2014 - 42
In Broadcast - September 2014 - 43
In Broadcast - September 2014 - 44
In Broadcast - September 2014 - 45
In Broadcast - September 2014 - 46
In Broadcast - September 2014 - 47
In Broadcast - September 2014 - 48
In Broadcast - September 2014 - 49
In Broadcast - September 2014 - 50
In Broadcast - September 2014 - 51
In Broadcast - September 2014 - 52
In Broadcast - September 2014 - 53
In Broadcast - September 2014 - 54
In Broadcast - September 2014 - 55
In Broadcast - September 2014 - 56
In Broadcast - September 2014 - 57
In Broadcast - September 2014 - 58
In Broadcast - September 2014 - 59
In Broadcast - September 2014 - 60
In Broadcast - September 2014 - 61
In Broadcast - September 2014 - 62
In Broadcast - September 2014 - 63
In Broadcast - September 2014 - 64
In Broadcast - September 2014 - 65
In Broadcast - September 2014 - 66
In Broadcast - September 2014 - 67
In Broadcast - September 2014 - 68
In Broadcast - September 2014 - 69
In Broadcast - September 2014 - 70
In Broadcast - September 2014 - 71
In Broadcast - September 2014 - 72
In Broadcast - September 2014 - 73
In Broadcast - September 2014 - 74
In Broadcast - September 2014 - 75
In Broadcast - September 2014 - 76
In Broadcast - September 2014 - 77
In Broadcast - September 2014 - 78
In Broadcast - September 2014 - 79
In Broadcast - September 2014 - 80
In Broadcast - September 2014 - 81
In Broadcast - September 2014 - 82
In Broadcast - September 2014 - 83
In Broadcast - September 2014 - 84
In Broadcast - September 2014 - 85
In Broadcast - September 2014 - 86
In Broadcast - September 2014 - 87
In Broadcast - September 2014 - 88
In Broadcast - September 2014 - 89
In Broadcast - September 2014 - S1
In Broadcast - September 2014 - S2
In Broadcast - September 2014 - S3
In Broadcast - September 2014 - S4
In Broadcast - September 2014 - S5
In Broadcast - September 2014 - S6
In Broadcast - September 2014 - S7
In Broadcast - September 2014 - S8
In Broadcast - September 2014 - S9
In Broadcast - September 2014 - S10
In Broadcast - September 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
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