In Broadcast - July 2014 - 57


WWW.INBROADCAST.COM | ISSUE 33 - JULY 2014

I N T E R N A T I O N A L

N E W S

InTECH
Latest Developments In Broadcast Lighting Cont.

Cineo Lighting's TruColor HS soft light
uses remote phosphor technology

Lighting has co-operated with
Intematix Corporation to deliver a
3,200 kelvin colour temperature
with a colour rendering index of
98. Interchangeable phosphor
panels allow the same fixture to
output 5,600 kelvin daylight with
a CRI of 94. Additional colour
temperatures are available to match
other light conditions, including
panels optimised for chroma key.
The power supply includes local
and DMX control.
DeSisti's new De Lux 1 is a single
lamp compact fluorescent fixture
with new optics that will also be
implemented in the De Lux 2, 4
and 6 for higher outputs and more
tightly controlled beams. The De Lux
series is intended for use in large or
small studios.

DeSisti's De Lux 1 is a single lamp
compact fluorescent fixture

Dexel, represented in the UK by
LCC Photon, recently introduced the
Model 53/20 120 millimeter diameter
Fresnel LED light. This has 100
watts of power consumption and

a 6,000 kelvin colour temperature.
Mains powered, it is designed to
be comparable with incandescent
lamps of 650 to 800 watts. It
incorporates a manual intensity
control and an interface for DMX
signal control from external digital
consoles. The light is flicker-free and
fully dimmable variable focus flood/
spot with a 120 mm diameter lens.
Dracast's LED 2000W is a 12
volt DC powered lighting head
consuming 120 watts. Fully
dimmable, it is available in 3200K
tungsten-equivalent, 5600K
daylight-equivalent and 3200 to
5600K adjustable colour temperature
versions. 30 degree spot, 60 degree
flood or 30-60 degree focus can be
specified. Supplied with adjustable
or removable barndoors, a mounting
yoke and a 100 to 240 volts AC
power adapter.

bell curve of output distribution.
Most of the light is focused in the
centre 50 degrees before evenly
tapering to a full 100 degree flood.
The intended result is a flood light
which can throw over long distances,
cast a sharp single shadow and also
function as a diffused soft source.
The Bee Plasma Flood is also the
first fixture to introduce Hive's
Daylight Dial. Colour temperature
can be tuned from 4600 to 7000
kelvin without any green/magenta
shift. The Daylight Dial allows the
user to track the natural shift of
the sun over the course of a day
and warm or cool a scene without
the use of gels.
K5600 Lighting's new Alpha 9K
is the only 9K Fresnel on the market.
Using a 450mm Fresnel lens allows
a 10 degree to 60 degree clean
controllable beam. As always with
the Alpha family, the Fresnel lens
is removable, creating an 80
degree (half angle) even
beam, which produces
hard shadows. Using the
same Quartz reflector as
our Alphas 18, 4, and
1600, the Alpha 9K can be
operated pointing straight
down. The ballast has
also undergone weight
and volume finessing to
match the compact and
lightweight package the
Alpha 9K was designed to
be. The space-saving 9K
ballast weighs less than
25 Kg. It can be operated

FloLight's MicroBeam 1024LP
possesses all of the features of the
MicroBeam 1024 but packaged into
low profile rectangular housing. It
incorporates 1,024
LEDs and can be
placed in many
areas that its
l a rg e s q u a re
counterpart
cannot, such
as rooms with
a low ceiling.
Hive's Bee
Plasma Flood
weighs only 10lbs
and has a 100
degree field, with
unique reflector
which creates a
Hive's Bee Plasma Flood
provides a long throw

Fluorescent
Plasma

Tungsten

HMI

Tungsten

Making light work since 1882

LED

Dimming

LED

Portable lighting

Plasma

Portable lighting

Dimming

HMI

Lighting kits

Suspension systems

www.photonbeard.com

K5600 Lighting Alpha 9K Fresnel
luminaires

Dracast's LED 2000W consumes
just 120 watts

Studio lighting

at 100Hz, 300Hz, and 1000Hz. As
an added incentive, the 9K ballast
can power 2.5K, 4K, and 6K fixtures.
Gone are the days of manually
fine-tuning output frequency:
the 9K ballast has a built-in Auto
Scan function which corrects the
frequency to ensure a problem-free
shoot at any speed.
Christophe Dural, French gaffer,
is the first user of the 9K in France,
with five units on the 'Rosemary's
Baby' set, the NBC four-hour
miniseries based on author Ira
Levin's 1967 horror novel. Even
with scenes taking place on the
third floor of an apartment in the
16th arrondissement of Paris, Dural
didn't want to use a cherry picker
because they would have been too
difficult to hide. It was important
to light all five windows and still
allow the cameras to move around,
so he chose to use five Alphas
mounted to the side of the building
one whole floor up. "The key factors
making this configuration possible
were compactness, weight, and
quality of the Fresnel through the
Windows," he said.
Litepanels' Sola 9 (daylight
balanced) and Inca 9 (tungsten
balanced) LED Fresnels are designed

Studio design

Portable lighting

Studio design

Lighting kits

Fluorescent

Control

Tungsten

Dimming

LED

Litepanels' Sola 9 daylight balanced
LED Fresnel
CONTINUED ON PAGE 58

LED

Tungsten
Plasma

Fluorescent

Studio design

Lighting kits

Fluorescent
t

Control
l

Studio lighting
Fluoresce
Fluorescent
cent

HMI
Plasma

Control
Dimming

57


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In Broadcast - July 2014

Table of Contents for the Digital Edition of In Broadcast - July 2014

In Broadcast - July 2014 - Intro
In Broadcast - July 2014 - Cover1
In Broadcast - July 2014 - Cover2
In Broadcast - July 2014 - 3
In Broadcast - July 2014 - 4
In Broadcast - July 2014 - 5
In Broadcast - July 2014 - 6
In Broadcast - July 2014 - 7
In Broadcast - July 2014 - 8
In Broadcast - July 2014 - 9
In Broadcast - July 2014 - 10
In Broadcast - July 2014 - 11
In Broadcast - July 2014 - 12
In Broadcast - July 2014 - 13
In Broadcast - July 2014 - 14
In Broadcast - July 2014 - 15
In Broadcast - July 2014 - 16
In Broadcast - July 2014 - 17
In Broadcast - July 2014 - 18
In Broadcast - July 2014 - 19
In Broadcast - July 2014 - 20
In Broadcast - July 2014 - 21
In Broadcast - July 2014 - 22
In Broadcast - July 2014 - 23
In Broadcast - July 2014 - 24
In Broadcast - July 2014 - 25
In Broadcast - July 2014 - 26
In Broadcast - July 2014 - 27
In Broadcast - July 2014 - 28
In Broadcast - July 2014 - 29
In Broadcast - July 2014 - 30
In Broadcast - July 2014 - 31
In Broadcast - July 2014 - 32
In Broadcast - July 2014 - 33
In Broadcast - July 2014 - 34
In Broadcast - July 2014 - 35
In Broadcast - July 2014 - 36
In Broadcast - July 2014 - 37
In Broadcast - July 2014 - 38
In Broadcast - July 2014 - 39
In Broadcast - July 2014 - 40
In Broadcast - July 2014 - 41
In Broadcast - July 2014 - 42
In Broadcast - July 2014 - 43
In Broadcast - July 2014 - 44
In Broadcast - July 2014 - 45
In Broadcast - July 2014 - 46
In Broadcast - July 2014 - 47
In Broadcast - July 2014 - 48
In Broadcast - July 2014 - 49
In Broadcast - July 2014 - 50
In Broadcast - July 2014 - 51
In Broadcast - July 2014 - 52
In Broadcast - July 2014 - 53
In Broadcast - July 2014 - 54
In Broadcast - July 2014 - 55
In Broadcast - July 2014 - 56
In Broadcast - July 2014 - 57
In Broadcast - July 2014 - 58
In Broadcast - July 2014 - 59
In Broadcast - July 2014 - 60
In Broadcast - July 2014 - 61
In Broadcast - July 2014 - 62
In Broadcast - July 2014 - 63
In Broadcast - July 2014 - 64
In Broadcast - July 2014 - 65
In Broadcast - July 2014 - 66
In Broadcast - July 2014 - 67
In Broadcast - July 2014 - 68
In Broadcast - July 2014 - 69
In Broadcast - July 2014 - 70
In Broadcast - July 2014 - 71
In Broadcast - July 2014 - 72
In Broadcast - July 2014 - 73
In Broadcast - July 2014 - 74
In Broadcast - July 2014 - 75
In Broadcast - July 2014 - 76
In Broadcast - July 2014 - 77
In Broadcast - July 2014 - Cover4
In Broadcast - July 2014 - S1
In Broadcast - July 2014 - S2
In Broadcast - July 2014 - S3
In Broadcast - July 2014 - S4
In Broadcast - July 2014 - S5
In Broadcast - July 2014 - S6
In Broadcast - July 2014 - S7
In Broadcast - July 2014 - S8
In Broadcast - July 2014 - S9
In Broadcast - July 2014 - S10
In Broadcast - July 2014 - S11
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