In Broadcast - March 2014 - 14


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 29 - MARCH 2014

N E W S

InNEWS

Post House Films at 59
Adopts Avid S6 Console
F

ilms at 59 is the UK's first postproduction house to adopt
Avid's S6 future-ready control
surface for the most demanding
production environments.
Based in Bristol, Films at 59
provides location kit hire, workflow
support and post for a variety
of independent producers and
broadcasters.
Its investment in Avid S6 will
see the company switch to a fully
integrated Avid content creation
infrastructure, enabling it to benefit
from greater operational efficiencies
and seamless, faster collaboration
across its television projects.
Gina Fucci, Managing Director
of Films at 59 said: "With everdecreasing budgets, faster
turnaround times, and the need for
producers to find money across
territories to fund a project, we
needed an agile workflow based
on open and tightly integrated
solutions. With the innovative and

14

Russian Channel
Chooses Calrec
RUS / GBR: The Public Television
of Russia has outfitted its new
Moscow facility with Calrec Artemis
Light digital audio consoles.
The consoles are being used
in every studio to produce audio
for a variety of news, cultural,
and magazine programmes.
The channel purchased four
Artemis Light consoles with 32
faders and Hydra I/O boxes.
The consoles are connected
by Calrec's Hydra2 plug-andplay audio routing system.
Systems
integrator
Professional Television Systems
handled the project.

LQL Works With
TouchMonitor
Avid's S6 customisable control surface

DiGiCo Brings The Ballads To Malaysia

DEN: RTW's LQL is compatible
with the TC Electronic TM7
a n d T M 9 To u c h M o n i t o r s .
LQL is a tool for logging, truepeak data analysis and reporting.
It enables data to be derived
directly via an IP-connection
from a capable TouchMonitor,
as well as from external storage
media such as a USB stick.
The PC software is free,
however a license is required to
enable data export and additional
display functions.

M

Sonifex DA Duo

alaysia has a long tradition
of male and female vocalists
who become superstars across
eastern Asia.
Playing in their home country
guarantees sold-out stadiums,
with DiGiCo consoles bringing their
ballads to thousands of fans.
Selangor-based Clef Productions
Sdn Bhd is one of the leading
companies in Malaysia's live
production industry. Clef's owner
Alvin Koh was a fan of DiGiCo's
original D5 consoles before he
started working with the SD Series
and has specified DiGiCo on shows
by some of Malaysia's biggest

intuitive Avid S6 at the heart of our
workflow, we can be more creative,
yet less labour intensive, enabling
us to grow our business."
Films at 59's new audio production
infrastructure, which combines Avid
Pro Tools and the S6 console - the
only integrated software, hardware
and control surface environment

artists this year.
One of the company's most
recent projects is Anuar Zain's
'Three Decades of Music, Love
and Passion'.
One reason why Alvin likes DiGiCo
consoles is their ability to handle

DiGiCo SD10's in use at a stadium

optimised to work together, has
been integrated into its existing
proven and trusted Media Composer
and ISIS shared storage video
content creation workflow.
Films at 59 plans to add additional
Avid S6 consoles to its workflow
later in 2014.

a large input channel count in
a single desk.
"What I most like about DiGiCo is
the sound quality and the flexibility
of how you can customise the
work surface.
"Yet, at the same time, you have
the benefits of the DiGiTuBes and
the 'analogue' style of the console's
layout and workflow," said Alvin.
"It is also so easy to record shows,
either using a DiGiCo UB MADI
interface (for up to 48 channels)
or with the new DiGiGrid MGB
for up to 128 channels, direct to
an Ethernet port on a PC or Mac
running any DAW."

GBR: Sonifex has displayed
two new distribution amplifiers
- the RB-DDA6A3 DA and the
RB-DA24MD 24-way audio DA.
The RB-DDA6A3 is for distributing
one BNC AES3id audio input to six
outputs - repeating both the audio
data and the status information
while re-normalising levels.
The RB-DA24MD is a 24-way
audio DA, with two inputs which
can be individually routed to 12
(protected) outputs or mixed and
routed to all 24 outputs.


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Table of Contents for the Digital Edition of In Broadcast - March 2014

In Broadcast - March 2014
Contents
InNews: Eyevis Acquires Teracue
InNews: Columbus Crew Upgrades With Grass Valley
InPreview: Imt Rf Central Microlite Hd
InForm: Facilities Belong in the Cloud
InForm: Playbox: 15 Years & 14,000 Channels
InFile: Elemental Live - Accelerating Pay Tv Everywhere
InStudio: Voicewriters – Live Captioners
In Broadcast - March 2014 - Intro
In Broadcast - March 2014 - In Broadcast - March 2014
In Broadcast - March 2014 - Cover2
In Broadcast - March 2014 - Contents
In Broadcast - March 2014 - InNews: Eyevis Acquires Teracue
In Broadcast - March 2014 - 5
In Broadcast - March 2014 - InNews: Columbus Crew Upgrades With Grass Valley
In Broadcast - March 2014 - 7
In Broadcast - March 2014 - 8
In Broadcast - March 2014 - 9
In Broadcast - March 2014 - 10
In Broadcast - March 2014 - 11
In Broadcast - March 2014 - 12
In Broadcast - March 2014 - 13
In Broadcast - March 2014 - 14
In Broadcast - March 2014 - 15
In Broadcast - March 2014 - 16
In Broadcast - March 2014 - 17
In Broadcast - March 2014 - 18
In Broadcast - March 2014 - 19
In Broadcast - March 2014 - 20
In Broadcast - March 2014 - 21
In Broadcast - March 2014 - 22
In Broadcast - March 2014 - 23
In Broadcast - March 2014 - 24
In Broadcast - March 2014 - 25
In Broadcast - March 2014 - 26
In Broadcast - March 2014 - 27
In Broadcast - March 2014 - InPreview: Imt Rf Central Microlite Hd
In Broadcast - March 2014 - 29
In Broadcast - March 2014 - InForm: Facilities Belong in the Cloud
In Broadcast - March 2014 - 31
In Broadcast - March 2014 - InForm: Playbox: 15 Years & 14,000 Channels
In Broadcast - March 2014 - 33
In Broadcast - March 2014 - 34
In Broadcast - March 2014 - 35
In Broadcast - March 2014 - 36
In Broadcast - March 2014 - 37
In Broadcast - March 2014 - 38
In Broadcast - March 2014 - InFile: Elemental Live - Accelerating Pay Tv Everywhere
In Broadcast - March 2014 - 40
In Broadcast - March 2014 - 41
In Broadcast - March 2014 - 42
In Broadcast - March 2014 - 43
In Broadcast - March 2014 - 44
In Broadcast - March 2014 - 45
In Broadcast - March 2014 - InStudio: Voicewriters – Live Captioners
In Broadcast - March 2014 - 47
In Broadcast - March 2014 - 48
In Broadcast - March 2014 - 49
In Broadcast - March 2014 - 50
In Broadcast - March 2014 - 51
In Broadcast - March 2014 - 52
In Broadcast - March 2014 - 53
In Broadcast - March 2014 - 54
In Broadcast - March 2014 - 55
In Broadcast - March 2014 - 56
In Broadcast - March 2014 - 57
In Broadcast - March 2014 - 58
In Broadcast - March 2014 - 59
In Broadcast - March 2014 - 60
In Broadcast - March 2014 - 61
In Broadcast - March 2014 - 62
In Broadcast - March 2014 - 63
In Broadcast - March 2014 - 64
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In Broadcast - March 2014 - 83
In Broadcast - March 2014 - S1
In Broadcast - March 2014 - S2
In Broadcast - March 2014 - S3
In Broadcast - March 2014 - S4
In Broadcast - March 2014 - S5
In Broadcast - March 2014 - S6
In Broadcast - March 2014 - S7
In Broadcast - March 2014 - S8
In Broadcast - March 2014 - S9
In Broadcast - March 2014 - S10
In Broadcast - March 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
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