In Broadcast - March 2014 - 12


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 29 - MARCH 2014

N E W S

InNEWS

Panasonic In Major ENG Gains
P

anasonic ENG cameras are
to be used by ITN as part of
its HD upgrade project and by
Sunset+Vine for BT Sport.
ITN, which produces news content
for ITV, Channel 4 and Channel 5,
has selected the Panasonic AJPX5000 ENG P2 camera for its
newsgathering operations.
Keith Cass, ITN's Director of
Technology said: "The ability to
capture full 10 bit HD 4:2:2 images
using a 25Mbps codec was an
extremely attractive proposition
for us. We conducted a thorough
evaluation of the camera's
operation, feature set and technical
performance. With the addition of the
camera's wireless technology this
camera was the most appropriate
match to ITN's future newsgathering
strategy. The AJ PX5000 really is a

"cameraman's
camera."
The AJ-PX5000
a l s o o ff e r s
'dual' recording
using P2, Micro
P2 or class 10
SD cards.
The camera
is
global
format in SD
and HD and
comes with a
comprehensive
range
of
Panasonic ENG cameras will be used by ITN and
Panasonic
also Sunset+Vine
c o d e c s
including AVC Intra and the new AVC
implement Panasonic Professional
Long G (50/25/12/6Mbps) codec set.
Broadcast Cameras in their sports
"It's a major coup to be supplying
production for BT Sport," said Nigel
ITN and follows hot on the heels
Wilkes, Broadcast Group Manager
of the decision by Sunset+Vine to
at Panasonic.

Canon Cinema EOS Remote
C
12

anon has launched the Remote
Controller RC-V100 - a new
wired remote control unit for
its range of professional video
cameras.
Joining the new remote is also a
host of new firmware upgrades that
add new functionality to Canon's
world class series of EF and Cinema
lenses and Cinema EOS cameras.
Developed in direct response
to market feedback, the RCV100 offers greater creative
flexibility for Canon camcorder
users by expanding the scope
of possible installation locations
and increasing compatibility with
multi-camera shoots, freeing DoPs
and cameramen to concentrate on
getting the shot they really need.
Providing access to any incamera function using the standard
operating menus, the RC-V100
features dedicated interfaces that
allow users control of common

settings such as iris, zoom and
white balance, whilst a number of
more advanced adjustments, such
as knee point/slope and master
pedestal, can also be made directly.
Support for custom settings
is provided in the form of four
buttons that mirror the operation
of assignable camera buttons one
to four on the body itself.
The RC-V100 wired remote will be
compatible with a range of Canon
professional video cameras and
Cinema EOS cameras, including
the XF300-series, EOS C100, EOS
C300 and EOS C500.
A free firmware update will be
required to provide compatibility
with models announced prior to the
launch of the new remote control.
Canon's RC-V100 and associated
firmware updates are expected to
be available in June 2014.

Project Solutions Services
from Gearhouse Broadcast

+44 (0)845 820 0000
www.gearhousebroadcast.com

Canon Remote Control
For Cinema EOS

FlipTV Deploys
GV Technology
USA: FlipTV has deployed a
K2 Dyno S Replay System with
a K2 Summit 3G Production
Client from Grass Valley inside
its 'Captain' 30-foot OB truck.
The truck is used to broadcast
various college sports, most recently
basketball games at American
University in Washington, DC.
It provides a compact footprint
that packs the same high
quality punch as its larger truck
counterparts, but in a more costefficient manner.

Primestream
Xchange Suite v3.0
USA: Primestream has announced
FORK Xchange Suite v3.0, a
major upgrade to the application
that gives broadcasters instant
Web access to content on their
FORK Production servers from any
Windows, Mac, or tablet device.
Xchange v3.0 has a wealth of
new features and capabilities
that make it more flexible and
stable than ever before, allowing
concurrent users in multisite
production operations global
access to content and workflows
within a reliable, centralised,
efficient infrastructure.

Mayers 'Mixes'
MAX Menace
USA: Several of Matthews Studio
Equipment's MAX Menace Arms
have taken up residence on
ABC series 'Mixology', shot by
cinematographer Mike Mayers.
"For the flashbacks we
need to create a big lush
night look with minimal time
and equipment, said Mayers.
"If the scene is contained enough,
I find myself calling for two or three
MAX Menace Arms with large LED
panels on them."


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Table of Contents for the Digital Edition of In Broadcast - March 2014

In Broadcast - March 2014
Contents
InNews: Eyevis Acquires Teracue
InNews: Columbus Crew Upgrades With Grass Valley
InPreview: Imt Rf Central Microlite Hd
InForm: Facilities Belong in the Cloud
InForm: Playbox: 15 Years & 14,000 Channels
InFile: Elemental Live - Accelerating Pay Tv Everywhere
InStudio: Voicewriters – Live Captioners
In Broadcast - March 2014 - Intro
In Broadcast - March 2014 - In Broadcast - March 2014
In Broadcast - March 2014 - Cover2
In Broadcast - March 2014 - Contents
In Broadcast - March 2014 - InNews: Eyevis Acquires Teracue
In Broadcast - March 2014 - 5
In Broadcast - March 2014 - InNews: Columbus Crew Upgrades With Grass Valley
In Broadcast - March 2014 - 7
In Broadcast - March 2014 - 8
In Broadcast - March 2014 - 9
In Broadcast - March 2014 - 10
In Broadcast - March 2014 - 11
In Broadcast - March 2014 - 12
In Broadcast - March 2014 - 13
In Broadcast - March 2014 - 14
In Broadcast - March 2014 - 15
In Broadcast - March 2014 - 16
In Broadcast - March 2014 - 17
In Broadcast - March 2014 - 18
In Broadcast - March 2014 - 19
In Broadcast - March 2014 - 20
In Broadcast - March 2014 - 21
In Broadcast - March 2014 - 22
In Broadcast - March 2014 - 23
In Broadcast - March 2014 - 24
In Broadcast - March 2014 - 25
In Broadcast - March 2014 - 26
In Broadcast - March 2014 - 27
In Broadcast - March 2014 - InPreview: Imt Rf Central Microlite Hd
In Broadcast - March 2014 - 29
In Broadcast - March 2014 - InForm: Facilities Belong in the Cloud
In Broadcast - March 2014 - 31
In Broadcast - March 2014 - InForm: Playbox: 15 Years & 14,000 Channels
In Broadcast - March 2014 - 33
In Broadcast - March 2014 - 34
In Broadcast - March 2014 - 35
In Broadcast - March 2014 - 36
In Broadcast - March 2014 - 37
In Broadcast - March 2014 - 38
In Broadcast - March 2014 - InFile: Elemental Live - Accelerating Pay Tv Everywhere
In Broadcast - March 2014 - 40
In Broadcast - March 2014 - 41
In Broadcast - March 2014 - 42
In Broadcast - March 2014 - 43
In Broadcast - March 2014 - 44
In Broadcast - March 2014 - 45
In Broadcast - March 2014 - InStudio: Voicewriters – Live Captioners
In Broadcast - March 2014 - 47
In Broadcast - March 2014 - 48
In Broadcast - March 2014 - 49
In Broadcast - March 2014 - 50
In Broadcast - March 2014 - 51
In Broadcast - March 2014 - 52
In Broadcast - March 2014 - 53
In Broadcast - March 2014 - 54
In Broadcast - March 2014 - 55
In Broadcast - March 2014 - 56
In Broadcast - March 2014 - 57
In Broadcast - March 2014 - 58
In Broadcast - March 2014 - 59
In Broadcast - March 2014 - 60
In Broadcast - March 2014 - 61
In Broadcast - March 2014 - 62
In Broadcast - March 2014 - 63
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In Broadcast - March 2014 - 83
In Broadcast - March 2014 - S1
In Broadcast - March 2014 - S2
In Broadcast - March 2014 - S3
In Broadcast - March 2014 - S4
In Broadcast - March 2014 - S5
In Broadcast - March 2014 - S6
In Broadcast - March 2014 - S7
In Broadcast - March 2014 - S8
In Broadcast - March 2014 - S9
In Broadcast - March 2014 - S10
In Broadcast - March 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
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