In Broadcast - February 2014 - 52
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 28 - FEBRUARY 2014
N E W S
InGEAR
NBC Olympics' Production To Utilise
Five Calrec Audio Artemis Consoles
C
alrec Audio has been selected
to provide five A r temis
Consoles to NBC Olympics, a
division of the NBC Sports Group,
during its production of the 2014
Olympic Winter Games in Sochi,
Russia.
The announcement was made by
David Mazza, Senior Vice President,
Engineering, NBC Olympics, and
Henry Goodman, Head of Sales and
Marketing, Calrec Audio.
NBC Olympics has purchased two
64-fader Artemis Shine consoles
and augmented its arsenal by renting
a further 40-fader and two 24-fader
Artemis Beam consoles from Calrec.
"We are extremely proud to be
the mixing console manufacturer
selected once again by NBC
Olympics during the Olympic Winter
Games in Sochi," said Goodman.
"After the success of the Summer
Games in 2012, we are delighted to
continue working with NBC Olympics
and thank them for their belief in
52
Calrec by choosing our desks."
Karl Malone, Director of Sound
Design, NBC Olympics said: "We
are pleased to be working once
again with Calrec Audio. The
Artemis console's reliability and
consistency will help us to achieve
outstanding audio quality across our
NBC Olympic venues.
"The fact that Calrec consoles are
now the industry standard helps the
audio mixers engage immediately
with the artistic elements of the
production, which previously might
have taken more of their time."
Additionally, Calrec is supplying
many stageboxes in digital,
analogue, and MADI formats to fulfill
the I/O requirements.
Calrec is also providing
NBC Olympics with on-site
engineering support prior to and
during the Games.
Calrec has been supporting NBC
Olympics with on-site engineers
since the Atlanta Olympics in 1996
Calrec Artemis consoles will enable NBC Olympics to broadcast complex
audio mixes during its coverage
and is proud to have been part of
two Emmy Award-winning teams
for NBC Olympics' coverage in
2010 and 2012.
The 2014 Olympic Winter Games
will take place in Sochi, Russia, from
February 6-23.
Fischer Connectors' Award Winning FiberOptic Series
By Fischer Connectors
F
ischer Connectors is a worldwide
specialist in circular push-pull
connectors and cable assembly
solutions, suitable for any broadcast,
audio and video applications.
One of its latest innovations
is the Fischer FiberOptic Series,
an interconnecting solution
specially designed for premium
optical performance in extreme
environments. This brand new
technology offers the essential
quality and stability needed for an
optical link combined with extreme
robustness, easy mating and
easy cleaning.
With the Fischer FiberOptic with
two (FO2) or four (FO4) optical
channels, Fischer Connectors can
offer a fibre solution that is extremely
Fischer's latest innovation - the FiberOptic Series
quick and easy to clean thanks to a
removable mono-block mate adapter
and to the possibility of rinsing the
unmated connectors freely under
water or in an ultrasound bath.
The Fischer FiberOptic connector
will perform perfectly in harsh and
extreme environments. It has a
high ingress protection of IP68
(2m/24hours) when mated and IP67
in unmated conditions. In addition,
Fischer Connectors' FiberOptic
optical performance is insensitive to
mechanical strain on the connector.
The spring optical contacts
employed allow for filtering out any
stress applied to the connector
housings while keeping the typical
advantage of a push-pull solution
quick, safe and easy locking.
The Fischer FiberOptic connector
provides the perfect mix of features
needed by a reliable fiber optic interconnecting solution for broadcast
and video use in extreme (outdoor)
environments. These include
premium optical performance
and robustness, blind mating and
easy maintenance.
The Fischer FiberOptic Series has
recently been awarded a 'Best of
IBC 2013' award in the category
production and infrastructure. After
receiving this award for the Fischer
1051 HD Triax Pro+ in 2010, it is
the second time in less than five
years that Fischer Connectors has
been recognised as one of the
most innovating companies by the
broadcast industry.
The high performance Fischer
FiberOptic Series is not only
suitable for camera connections,
but also for general equipment
and accessories for any type of
broadcast applications, including
other products offered by Fischer.
The Fischer Core Series and the
Fischer UltiMate Series are the
right connectors for applications
in harsh environments. The Fischer
Core Series offers a high flexibility
of configurations, including low/high
voltage, coax/triax, fibre optic and
hybrid. The product range of the
Fischer Core Series comprises over
10,000 items.
The Fischer UltiMate Series offers
rugged, compact, lightweight, sealed
connectors able to withstand a variety
of severe environmental conditions.
This push-pull connector is
available in a wide range of body
styles, sizes and configurations from
two to 42 poles.
The compact product design
makes it perfect for connected
devices with restricted space
requirements.
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In Broadcast - February 2014
Table of Contents for the Digital Edition of In Broadcast - February 2014
In Broadcast - February 2014
Contents
InNews: Russia's Channel One Looks to Elemental
InNews: Eurosport Teams With SNTV for News Content
InStudio: Integration Is the Aim, but Is Our Aim True?
InGear: Chopperguy Relies on Aja Ki Pro Mini
InGear: NBC Olympics to Utilise Five Artemis Consoles
InGear: Sony Reduces 4K Camcorder Size
InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - Intro
In Broadcast - February 2014 - In Broadcast - February 2014
In Broadcast - February 2014 - Cover2
In Broadcast - February 2014 - Contents
In Broadcast - February 2014 - InNews: Russia's Channel One Looks to Elemental
In Broadcast - February 2014 - 5
In Broadcast - February 2014 - InNews: Eurosport Teams With SNTV for News Content
In Broadcast - February 2014 - 7
In Broadcast - February 2014 - 8
In Broadcast - February 2014 - 9
In Broadcast - February 2014 - 10
In Broadcast - February 2014 - 11
In Broadcast - February 2014 - 12
In Broadcast - February 2014 - 13
In Broadcast - February 2014 - 14
In Broadcast - February 2014 - 15
In Broadcast - February 2014 - 16
In Broadcast - February 2014 - 17
In Broadcast - February 2014 - 18
In Broadcast - February 2014 - 19
In Broadcast - February 2014 - 20
In Broadcast - February 2014 - 21
In Broadcast - February 2014 - 22
In Broadcast - February 2014 - 23
In Broadcast - February 2014 - 24
In Broadcast - February 2014 - 25
In Broadcast - February 2014 - 26
In Broadcast - February 2014 - 27
In Broadcast - February 2014 - 28
In Broadcast - February 2014 - 29
In Broadcast - February 2014 - 30
In Broadcast - February 2014 - 31
In Broadcast - February 2014 - 32
In Broadcast - February 2014 - 33
In Broadcast - February 2014 - 34
In Broadcast - February 2014 - 35
In Broadcast - February 2014 - 36
In Broadcast - February 2014 - 37
In Broadcast - February 2014 - 38
In Broadcast - February 2014 - 39
In Broadcast - February 2014 - 40
In Broadcast - February 2014 - 41
In Broadcast - February 2014 - 42
In Broadcast - February 2014 - InStudio: Integration Is the Aim, but Is Our Aim True?
In Broadcast - February 2014 - 44
In Broadcast - February 2014 - 45
In Broadcast - February 2014 - 46
In Broadcast - February 2014 - 47
In Broadcast - February 2014 - 48
In Broadcast - February 2014 - 49
In Broadcast - February 2014 - InGear: Chopperguy Relies on Aja Ki Pro Mini
In Broadcast - February 2014 - 51
In Broadcast - February 2014 - InGear: NBC Olympics to Utilise Five Artemis Consoles
In Broadcast - February 2014 - 53
In Broadcast - February 2014 - 54
In Broadcast - February 2014 - 55
In Broadcast - February 2014 - 56
In Broadcast - February 2014 - 57
In Broadcast - February 2014 - InGear: Sony Reduces 4K Camcorder Size
In Broadcast - February 2014 - 59
In Broadcast - February 2014 - 60
In Broadcast - February 2014 - 61
In Broadcast - February 2014 - 62
In Broadcast - February 2014 - 63
In Broadcast - February 2014 - 64
In Broadcast - February 2014 - 65
In Broadcast - February 2014 - 66
In Broadcast - February 2014 - 67
In Broadcast - February 2014 - 68
In Broadcast - February 2014 - 69
In Broadcast - February 2014 - 70
In Broadcast - February 2014 - 71
In Broadcast - February 2014 - InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - 73
In Broadcast - February 2014 - 74
In Broadcast - February 2014 - 75
In Broadcast - February 2014 - 76
In Broadcast - February 2014 - 77
In Broadcast - February 2014 - 78
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In Broadcast - February 2014 - S1
In Broadcast - February 2014 - S2
In Broadcast - February 2014 - S3
In Broadcast - February 2014 - S4
In Broadcast - February 2014 - S5
In Broadcast - February 2014 - S6
In Broadcast - February 2014 - S7
In Broadcast - February 2014 - S8
In Broadcast - February 2014 - S9
In Broadcast - February 2014 - S10
In Broadcast - February 2014 - S11
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