In Broadcast - February 2014 - 50

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 28 - FEBRUARY 2014

N E W S

InGEAR

Chopperguy Flies High With AJA Ki Pro Mini
Chopperguy, an aerial production company based
out of Arizona, depends on AJA's Ki Pro Mini to
capture the moment...
By Bruce Haffner
Helicopter Pilot Reporter & Owner,
Chopperguy

W

50

hen the economy tanked a
few years ago, I leveraged my
experience as a helicopter pilot/
reporter and passion for storytelling
to launch Chopperguy.
Crazy about helicopters since one
landed at my school in first grade,
my television flying career is a dream
come true. Chopperguy is an aerial
production company based out of
Arizona that works with clients like
Speed Channel/Fox, Intel and local
station KTVK TV 3, among others.
Since launching, we've established
a strong creative team and workflow
that allow us to deliver HD aerial
video and photography for live TV
broadcasts, commercials, feature
films, sporting events and more.
As much fun as it is to fly the
chopper, it's really just an expensive
camera tripod.
For each project we aim to create
a unique story, and to do this, we
depend heavily on AJA's Ki Pro
Mini for ProRes recording and incamera editing. I originally stumbled
across the device in 2010 while
researching recording solutions for
Chopperguy's first helicopter build.
It was new technology to me at
the time, but I thought it was the
grooviest little thing. Not only could
I hold it in my hand, but it also did

Bruce with the news chopper

everything I needed and at a fraction
of the size and weight of the old TV
Betacam tape recorders. The fact
that it also recorded full-blown HD
video to compact flash (CF) cards
was impressive.
Encompassing everything I'd
hoped for in a recorder, I bought
it, put it in our helicopter and never
looked back. For more than two
years now we've been using our Ki
Pro Mini and it's been incredible. It
helps me get the perfect shot every
time, and the functionality of it for
what we do is amazing. It's the
centerpiece of what we do in the
air and on-air.
The way the buttons on the Ki Pro
Mini are configured like a tape deck
and the way it quickly transitions
from one shot to the next allows
us to easily cue up video, prepare
it to go live and "hot" roll it live on
TV. We actually end up doing a lot
of in-camera editing with it for live
TV, because we can get all of the
shots we need to tell our story -
establishing, medium and close-ups,
and when we're ready to go live on
TV, so are our shots.
Our Robinson R44 NewsCopter is
equipped with a compact Ikegami
HDL F31 HD camera that we call
ELVIS and a gyrostabilised gimbal

Chopperguy takes flight

mount on the nose of the aircraft
back up video on my portable hard
housing a Canon lens. There is an
drives, in addition to a RAID system
optical block on the back of the
that I back everything up on.
lens, which is cabled into an aux
Overall, the Ki Pro Mini has
box where the camera control head
made our jobs a lot easier, and
is located. Our HD images feed
our experience with it has been
out of the camera box to a video
excellent. It's reliable and if we
switcher. We have three additional
ever have a technical question,
video sources in the aircraft: a
AJA support are quick to provide an
Toshiba HD camera angled at the
answer. I haven't found anything out
on-air talent, another Toshiba HD
there today that works better in our
camera mounted outside on the tail
news chopper than the Ki Pro Mini.
of the aircraft and the Ki Pro Mini as
a fourth input to our switcher.
B r u c e H a f f n e r, ow n e r of
For live broadcasts, our team
Arizona-based aerial production
captures in 1080i or 1080p and
company Chopperguy, is a
records in ProRes 422. We transmit
helicopter pilot/reporter with
digitally through a Nucomm
several years of experience in
Television transmitter to three
aerial photography that has
mountaintop tower receive sites in
earned him 15 Emmy Awards.
Arizona. The signal is then
routed to the TV station,
where it is decoded, sent
through the electronic
news gathering (ENG)
department live control
and transferred to sub
control where the shows
are produced. A technical
director, director, producer
and the audio booth
then collaborate to air
the content through a
digital switcher.
When we're working with
clients on other projects
that don't require live
broadcasts, we typically
record in ProRes 422 HQ,
remove the CF cards from
the Ki Pro Mini at the end
of the project, transfer the
data from the CF cards to
a MacBook Pro via a card
reader, connect the
client's hard drives to
the computer and then
download the footage
We depend heavily on AJA's Ki Pro Mini for ProRes
to the hard drive. I keep a
recording and in-camera editing, says Haffner.


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In Broadcast - February 2014

Table of Contents for the Digital Edition of In Broadcast - February 2014

In Broadcast - February 2014
Contents
InNews: Russia's Channel One Looks to Elemental
InNews: Eurosport Teams With SNTV for News Content
InStudio: Integration Is the Aim, but Is Our Aim True?
InGear: Chopperguy Relies on Aja Ki Pro Mini
InGear: NBC Olympics to Utilise Five Artemis Consoles
InGear: Sony Reduces 4K Camcorder Size
InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - Intro
In Broadcast - February 2014 - In Broadcast - February 2014
In Broadcast - February 2014 - Cover2
In Broadcast - February 2014 - Contents
In Broadcast - February 2014 - InNews: Russia's Channel One Looks to Elemental
In Broadcast - February 2014 - 5
In Broadcast - February 2014 - InNews: Eurosport Teams With SNTV for News Content
In Broadcast - February 2014 - 7
In Broadcast - February 2014 - 8
In Broadcast - February 2014 - 9
In Broadcast - February 2014 - 10
In Broadcast - February 2014 - 11
In Broadcast - February 2014 - 12
In Broadcast - February 2014 - 13
In Broadcast - February 2014 - 14
In Broadcast - February 2014 - 15
In Broadcast - February 2014 - 16
In Broadcast - February 2014 - 17
In Broadcast - February 2014 - 18
In Broadcast - February 2014 - 19
In Broadcast - February 2014 - 20
In Broadcast - February 2014 - 21
In Broadcast - February 2014 - 22
In Broadcast - February 2014 - 23
In Broadcast - February 2014 - 24
In Broadcast - February 2014 - 25
In Broadcast - February 2014 - 26
In Broadcast - February 2014 - 27
In Broadcast - February 2014 - 28
In Broadcast - February 2014 - 29
In Broadcast - February 2014 - 30
In Broadcast - February 2014 - 31
In Broadcast - February 2014 - 32
In Broadcast - February 2014 - 33
In Broadcast - February 2014 - 34
In Broadcast - February 2014 - 35
In Broadcast - February 2014 - 36
In Broadcast - February 2014 - 37
In Broadcast - February 2014 - 38
In Broadcast - February 2014 - 39
In Broadcast - February 2014 - 40
In Broadcast - February 2014 - 41
In Broadcast - February 2014 - 42
In Broadcast - February 2014 - InStudio: Integration Is the Aim, but Is Our Aim True?
In Broadcast - February 2014 - 44
In Broadcast - February 2014 - 45
In Broadcast - February 2014 - 46
In Broadcast - February 2014 - 47
In Broadcast - February 2014 - 48
In Broadcast - February 2014 - 49
In Broadcast - February 2014 - InGear: Chopperguy Relies on Aja Ki Pro Mini
In Broadcast - February 2014 - 51
In Broadcast - February 2014 - InGear: NBC Olympics to Utilise Five Artemis Consoles
In Broadcast - February 2014 - 53
In Broadcast - February 2014 - 54
In Broadcast - February 2014 - 55
In Broadcast - February 2014 - 56
In Broadcast - February 2014 - 57
In Broadcast - February 2014 - InGear: Sony Reduces 4K Camcorder Size
In Broadcast - February 2014 - 59
In Broadcast - February 2014 - 60
In Broadcast - February 2014 - 61
In Broadcast - February 2014 - 62
In Broadcast - February 2014 - 63
In Broadcast - February 2014 - 64
In Broadcast - February 2014 - 65
In Broadcast - February 2014 - 66
In Broadcast - February 2014 - 67
In Broadcast - February 2014 - 68
In Broadcast - February 2014 - 69
In Broadcast - February 2014 - 70
In Broadcast - February 2014 - 71
In Broadcast - February 2014 - InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - 73
In Broadcast - February 2014 - 74
In Broadcast - February 2014 - 75
In Broadcast - February 2014 - 76
In Broadcast - February 2014 - 77
In Broadcast - February 2014 - 78
In Broadcast - February 2014 - 79
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In Broadcast - February 2014 - 81
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In Broadcast - February 2014 - 85
In Broadcast - February 2014 - S1
In Broadcast - February 2014 - S2
In Broadcast - February 2014 - S3
In Broadcast - February 2014 - S4
In Broadcast - February 2014 - S5
In Broadcast - February 2014 - S6
In Broadcast - February 2014 - S7
In Broadcast - February 2014 - S8
In Broadcast - February 2014 - S9
In Broadcast - February 2014 - S10
In Broadcast - February 2014 - S11
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202411
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202410
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202406
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202401
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202312
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202311
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202310
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202309
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202308
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202307
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202306
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202305
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202304
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202303
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202302
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202301
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202212
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202211
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202210
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202209
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202207
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202206
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202205
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202204
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_PTZ
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202104
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202102
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202101
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202004
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202003
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202002
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202001
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201910
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201909
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY2
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201902
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201901
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201811
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201810
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201710
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
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