In Broadcast - February 2014 - 32

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 28 - FEBRUARY 2014

N E W S

InFORM

TSL Steers Kodiak Mobile's New 'Grizz HD'
T

SL Products, manufacturer of
surround sound microphones
and processing, audio monitoring,
control systems and power
management solutions for the
broadcast industr y, recently
supplied Kodiak Mobile Television
with a TallyMan Control System for
its new 'Grizz HD' Production Truck.
David Kearnes, co-owner of
Kodiak Mobile Television, says that
they immediately turned to TSL
Products when the company was
looking to build their seven-camera,
45-foot HDTV production vehicle.
"I'd been exposed to the TallyMan
Control System several times before
on other projects and always received
good feedback from the users, so it
was an incredibly easy decision to
bring it on board our truck," he says.
The TallyMan coordinates critical
infrastructure components, including

32

the router, vision switcher, multiviewers and cameras from multiple
vendors. In the Grizz HD truck,
the TallyMan interfaces to a Grass
Valley Kayenne switcher and LDK
3000+ cameras, two six-channel
EVS servers, a Calrec Omega audio
mixer, a Utah Scientific router and
two Apantec multi-viewers.
Capable of displaying a real-time
overview of a TV facility, the TallyMan
system ensures that the creative
team, talent and camera operators
are aware of (and can instruct)
relevant systems at pertinent times
throughout the production.
"The TallyMan just worked very
nicely into our whole plan," Kearnes
continued. "It's cost-effective,
compact, and easy to integrate."
As Kodiak Mobile Television caters
its services to a variety of remotes,
including corporate presentations,
red
carpet
shows, and
live and posted
sporting events,
it was imperative
for the company
to choose a
control system
that
could
Kodiak Mobile Television's Grizz HD Production Truck
easily adapt
Cruises with TSL's TallyMan Control System

Kodiak Mobile Television's Grizz HD Production Truck

to numerous equipment setups
and interface with a variety of
production gear.
"I think we were one of the first
people to interface TallyMan with
this particular Apantec multiviewer," Kearnes says. "Everyone
at TSL worked tirelessly to help
us make sure that the unit was
working smoothly, and I commend
them for that."
Kodiak Mobile Television uses the

TallyMan for all of its productions
to tally its cameras and standalone
monitors in the truck. "The system
has been incredibly reliable," says
Kearnes. "TSL's TallyMan is just
one of those products in which
you can set it up and forget about
it because it does the job, and it does
the job right."
Grizz HD has covered various
events since hitting the road with
the TallyMan on board.

Wohler Highlights Flexible MPEG Monitoring Solution
By John Terrey
Vice President of Sales, Wohler

M

o n i to r i n g r e q u i r e m e n t s
i n t o d a y 's b r o a d c a s t
environment are changing rapidly,
and the tools and techniques that
served broadcasters well in the
past simply won't cut it today. Now,
equipment must be multifunctional
and multiformat, or it quickly will
become obsolete.
As broadcast facilities increasingly
work in the file-based domain, the
need for practical and cost-effective
MPEG and IPTV monitoring is
strong and growing. However, the

Wohler's MPEG 4290 VideoMonitor

introduction of universal digital
broadcast confidence monitoring
solutions to market addresses
this demand.
Representing a jump forward in
video monitor design, such systems
allow broadcasters and other media
companies to monitor an expanding
number of signal and format types,
including MPEG transport stream
and HDMI input, and do so without
increasing the complexity of
their operations.
The ability to decode MPEG-

4/H.264 streams offers significant
benefits in video monitoring
operations. Previously, as facilities
began working with MPEG-4/H.264
streams, monitoring staff typically
used PC-based servers to analyse
such inputs. With MPEG-capable
video monitoring solutions, on
the other hand, a single operator
can monitor all video streams,
even those destined for delivery
via Web portals and mobile
services, from a single system
and interface. This consolidation
of MPEG-4/H.264 streams into the
mainstream workflow reduces the
cost and complexity of handling
the various streams processed and
distributed by today's broadcast and
production facilities.
Ideally, the MPEG-capable
monitor provides audio and video
display and speakers along with
ETR290 TS analysis and reporting.
Wohler's broadcast-quality MPEG
video monitors decode and display
MPEG-2 signals via BNC or Ethernet
inputs while giving users the ability
to browse the PAT, PMT, and PID
data for each selected stream.
With this functionality, operators
using MPEG monitors to analyse
video streams can access both
diagnostic tools and the PID table,

which functions much like a table of
contents for a given stream.
Multiscreen MPEG-capable
monitoring systems, including those
offered by Wohler, allow operators
to view multiple video images or a
mix of images and monitoring tools
such as in-picture level metering,
markers, signal format, or PID table.
The operator can select from
various programme streams on one
screen and watch the corresponding
PID table. Other screens can be
used for automatic display of
analytical tools at a size sufficient
for accurate measurement and
comparison of stream parameters.
The combination of all these
elements within today's monitoring
solutions gives broadcasters
convenient, cost-effective access
to critical quality of service (QoS)
and quality of experience (QoE)
information at a glance or split
across multiple screens.
By making all of these key
monitoring tools available within
a single product and facilitating
visibility of critical images and
data, MPEG monitors are enabling
broadcasters to reduce the cost and
space requirements of monitoring
both conventional services and
newer Internet-delivered services.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0 http://WWW.INBROADCAST.COM http://www.tslproducts.com/control-systems-type/system-controllers/ http://www.wohler.com/Details.aspx?ItemNumber=MPEG-4290#.UvjNGLSzdws

In Broadcast - February 2014

Table of Contents for the Digital Edition of In Broadcast - February 2014

In Broadcast - February 2014
Contents
InNews: Russia's Channel One Looks to Elemental
InNews: Eurosport Teams With SNTV for News Content
InStudio: Integration Is the Aim, but Is Our Aim True?
InGear: Chopperguy Relies on Aja Ki Pro Mini
InGear: NBC Olympics to Utilise Five Artemis Consoles
InGear: Sony Reduces 4K Camcorder Size
InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - Intro
In Broadcast - February 2014 - In Broadcast - February 2014
In Broadcast - February 2014 - Cover2
In Broadcast - February 2014 - Contents
In Broadcast - February 2014 - InNews: Russia's Channel One Looks to Elemental
In Broadcast - February 2014 - 5
In Broadcast - February 2014 - InNews: Eurosport Teams With SNTV for News Content
In Broadcast - February 2014 - 7
In Broadcast - February 2014 - 8
In Broadcast - February 2014 - 9
In Broadcast - February 2014 - 10
In Broadcast - February 2014 - 11
In Broadcast - February 2014 - 12
In Broadcast - February 2014 - 13
In Broadcast - February 2014 - 14
In Broadcast - February 2014 - 15
In Broadcast - February 2014 - 16
In Broadcast - February 2014 - 17
In Broadcast - February 2014 - 18
In Broadcast - February 2014 - 19
In Broadcast - February 2014 - 20
In Broadcast - February 2014 - 21
In Broadcast - February 2014 - 22
In Broadcast - February 2014 - 23
In Broadcast - February 2014 - 24
In Broadcast - February 2014 - 25
In Broadcast - February 2014 - 26
In Broadcast - February 2014 - 27
In Broadcast - February 2014 - 28
In Broadcast - February 2014 - 29
In Broadcast - February 2014 - 30
In Broadcast - February 2014 - 31
In Broadcast - February 2014 - 32
In Broadcast - February 2014 - 33
In Broadcast - February 2014 - 34
In Broadcast - February 2014 - 35
In Broadcast - February 2014 - 36
In Broadcast - February 2014 - 37
In Broadcast - February 2014 - 38
In Broadcast - February 2014 - 39
In Broadcast - February 2014 - 40
In Broadcast - February 2014 - 41
In Broadcast - February 2014 - 42
In Broadcast - February 2014 - InStudio: Integration Is the Aim, but Is Our Aim True?
In Broadcast - February 2014 - 44
In Broadcast - February 2014 - 45
In Broadcast - February 2014 - 46
In Broadcast - February 2014 - 47
In Broadcast - February 2014 - 48
In Broadcast - February 2014 - 49
In Broadcast - February 2014 - InGear: Chopperguy Relies on Aja Ki Pro Mini
In Broadcast - February 2014 - 51
In Broadcast - February 2014 - InGear: NBC Olympics to Utilise Five Artemis Consoles
In Broadcast - February 2014 - 53
In Broadcast - February 2014 - 54
In Broadcast - February 2014 - 55
In Broadcast - February 2014 - 56
In Broadcast - February 2014 - 57
In Broadcast - February 2014 - InGear: Sony Reduces 4K Camcorder Size
In Broadcast - February 2014 - 59
In Broadcast - February 2014 - 60
In Broadcast - February 2014 - 61
In Broadcast - February 2014 - 62
In Broadcast - February 2014 - 63
In Broadcast - February 2014 - 64
In Broadcast - February 2014 - 65
In Broadcast - February 2014 - 66
In Broadcast - February 2014 - 67
In Broadcast - February 2014 - 68
In Broadcast - February 2014 - 69
In Broadcast - February 2014 - 70
In Broadcast - February 2014 - 71
In Broadcast - February 2014 - InMedia: The Connected Room 1990 – 2020 & Beyond
In Broadcast - February 2014 - 73
In Broadcast - February 2014 - 74
In Broadcast - February 2014 - 75
In Broadcast - February 2014 - 76
In Broadcast - February 2014 - 77
In Broadcast - February 2014 - 78
In Broadcast - February 2014 - 79
In Broadcast - February 2014 - 80
In Broadcast - February 2014 - 81
In Broadcast - February 2014 - 82
In Broadcast - February 2014 - 83
In Broadcast - February 2014 - 84
In Broadcast - February 2014 - 85
In Broadcast - February 2014 - S1
In Broadcast - February 2014 - S2
In Broadcast - February 2014 - S3
In Broadcast - February 2014 - S4
In Broadcast - February 2014 - S5
In Broadcast - February 2014 - S6
In Broadcast - February 2014 - S7
In Broadcast - February 2014 - S8
In Broadcast - February 2014 - S9
In Broadcast - February 2014 - S10
In Broadcast - February 2014 - S11
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202403
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202402
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202401
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202312
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202311
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202310
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202309
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202308
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202307
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202305
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202304
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202303
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202302
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202301
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202212
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202211
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202210
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202209
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201909
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY2
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
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