In Broadcast - January 2014 - 8

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 27 - JANUARY 2014

N E W S

InNEWS

Helimedia Cinematography
Flies With AJA Ki Pro Quad
E

mmy
Award-winning
cinematographer Skip Margetts
company Helimedia caters to the
aerial filming needs of clients
across Southern Africa working
in live-event broadcast, film,
television and advertising.
Helimedia's two-man team counts
on a strong pool of freelance talent
and an arsenal of specialised
filming equipment - including two
AJA Ki Pro digital video recorders

and a newly added AJA Ki Pro
Quad supporting 4:4:4 HD/2K and
UHD/4K workflows.
Helimedia first began using Ki
Pro recorders in 2010, as it became
the first company to provide aerial
filming services for the Football
World Cup in South Africa.
"From the moment we bought the
Ki Pros, I was in love with them.
They allowed us to turn around
footage for editing and worldwide
distribution
almost instantly
- something
we'd never
been able to do
before. They're
phenomenal
and
have
revolutionised
our approach
to filming,"
said Margetts.
S i n c e
integrating Ki
Pro Quad into
Helimedia caters for Southern African clients

Helimedia relies on AJA Ki Pros
for recording

its workflow this year, Helimedia
has used the recorder to produce
aerial footage in ProRes 444 for
live events across the country -
from road races to rugby matches,
soccer games and more - as well
as for forthcoming films like Neill
Blomkamp's CHAPPIE.
Helimedia's workflow boasts
a C i n e f l e x g y ro - s t a b i l i s e d
cinematography system that houses
a Sony HDC 1500 camera.

8

Orad PowerWall Spices Up Czech TV
P

ublic ser vice broadcaster
Czech TV has chosen Orad's
PowerWall solution and on air
graphics for its sport oriented
Studio 7 video wall.
Czech TV was looking for a stateof the art solution to trigger the
video walls in its Studio 7, where
it produces the daily main sports
news, short hourly sports news, as
well other sport shows.
Orad's video wall solution, which
provides up to 16K resolution from
a single box was chosen, amongst
those scrutinised, to trigger Czech
TV's three independent video walls.

With Orad´s PowerWall solution,
Czech TV can use canvases to
generate more than one set of
outputs for different display surfaces
in the studio, and feed different walls
with different aspect ratio graphics.

Czech TV PowerWall is run by Orad's
HDVG4 video rendering platform

The walls themselves are powered
by Orad's HDVG4 video rendering
platform, providing eight HD outputs
in 1080i. All graphics on the video
wall are triggered by 3DPlay while
all full screen sports graphics and
lower thirds are produced with
Orad's Maestro character generator
based on Orad´s HDVG platform.
"We feel that PowerWall meets
and even surpasses all our
requirements ... The addition of
Orad's PowerWall to our studio will
bring our productions to a new level,"
Ivo Ferkel, CTO Czech TV.

Stylist Issue
Challenge
USA / GBR: London-based
3xScreen Media deployed LiveU
technology to create live, multistream coverage of the 'Stylist
Ford Fiesta 24-Hour Challenge'.
Production company Cherryduck
captured and live streamed the
challenge - creating an issue of Stylist
Magazine in 24-hours - something
that normally takes a week.
The solution utilised LiveU's
LU40-S, LU70 and the LU-Smart App.
The star of the 'roaming' challenge
was the live 'doggie-cam' - a LUSmart App on an iPhone 5S, on the
back of office dog McNulty.

Camera Corps'
Landmark 2013
GBR: Camera Corps has reported
an "outstandingly successful 2013"
both as a manufacturer and provider
of broadcast support services.
"They place extra demands
on producers to come up with
new and exciting angles that will
deliver strong visual impact when
viewed on handheld displays."
Camera Corps successes during
2013 included coverage of the
Bobsleigh, Skeleton and Luge
World Cup in Sochi; ESPN X-Games
and Wimbledon.

Mobile Phone
Freefall Spot
USA: Aerial camera operator
Douglas Spotted Eagle solved an
unusual lighting challenge for a
global mobile phone maker's ad
campaign with Litepanels Sola
ENG and MicroPro LED lights.
The project involved lighting a
model in freefall with a specific light.
"The instrument in the shot had to
look big, be aesthetically pleasing,
and needed enough throw," he said.
The solution was a Sola ENG fitted
in a hurricane light housing.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.aja.com/en/products/ki-pro#overview http://helimedia.co.za/ http://www.youtube.com/watch?feature=player_detailpage&list=UUDvvMvHru8hdgJ-P6oupx0A&v=Q1lSLHhMl18 http://www.videoclarity.com

In Broadcast - January 2014

Table of Contents for the Digital Edition of In Broadcast - January 2014

In Broadcast - January 2014
Contents
InNews: Full Sail Uni Selects Avid Systems
InNews: Luxembourg Charm Success
InForm: Guntermann & Drunck Intensify Security
InReply: Datavideo – Designed for Versatility
InStudio: Filmmaker Captures Wildlife With Vinten
InGear: Frezzi Skylight – Advanced Led Lighting
InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - Intro
In Broadcast - January 2014 - In Broadcast - January 2014
In Broadcast - January 2014 - Cover2
In Broadcast - January 2014 - Contents
In Broadcast - January 2014 - InNews: Full Sail Uni Selects Avid Systems
In Broadcast - January 2014 - 5
In Broadcast - January 2014 - InNews: Luxembourg Charm Success
In Broadcast - January 2014 - 7
In Broadcast - January 2014 - 8
In Broadcast - January 2014 - 9
In Broadcast - January 2014 - 10
In Broadcast - January 2014 - 11
In Broadcast - January 2014 - 12
In Broadcast - January 2014 - 13
In Broadcast - January 2014 - 14
In Broadcast - January 2014 - 15
In Broadcast - January 2014 - 16
In Broadcast - January 2014 - 17
In Broadcast - January 2014 - 18
In Broadcast - January 2014 - 19
In Broadcast - January 2014 - 20
In Broadcast - January 2014 - 21
In Broadcast - January 2014 - 22
In Broadcast - January 2014 - 23
In Broadcast - January 2014 - InForm: Guntermann & Drunck Intensify Security
In Broadcast - January 2014 - 25
In Broadcast - January 2014 - 26
In Broadcast - January 2014 - 27
In Broadcast - January 2014 - InReply: Datavideo – Designed for Versatility
In Broadcast - January 2014 - 29
In Broadcast - January 2014 - 30
In Broadcast - January 2014 - 31
In Broadcast - January 2014 - 32
In Broadcast - January 2014 - 33
In Broadcast - January 2014 - 34
In Broadcast - January 2014 - 35
In Broadcast - January 2014 - 36
In Broadcast - January 2014 - 37
In Broadcast - January 2014 - 38
In Broadcast - January 2014 - 39
In Broadcast - January 2014 - 40
In Broadcast - January 2014 - 41
In Broadcast - January 2014 - InStudio: Filmmaker Captures Wildlife With Vinten
In Broadcast - January 2014 - 43
In Broadcast - January 2014 - 44
In Broadcast - January 2014 - 45
In Broadcast - January 2014 - InGear: Frezzi Skylight – Advanced Led Lighting
In Broadcast - January 2014 - 47
In Broadcast - January 2014 - 48
In Broadcast - January 2014 - 49
In Broadcast - January 2014 - 50
In Broadcast - January 2014 - 51
In Broadcast - January 2014 - 52
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In Broadcast - January 2014 - 65
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In Broadcast - January 2014 - 67
In Broadcast - January 2014 - 68
In Broadcast - January 2014 - 69
In Broadcast - January 2014 - InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - 71
In Broadcast - January 2014 - 72
In Broadcast - January 2014 - 73
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In Broadcast - January 2014 - 79
In Broadcast - January 2014 - S1
In Broadcast - January 2014 - S2
In Broadcast - January 2014 - S3
In Broadcast - January 2014 - S4
In Broadcast - January 2014 - S5
In Broadcast - January 2014 - S6
In Broadcast - January 2014 - S7
In Broadcast - January 2014 - S8
In Broadcast - January 2014 - S9
In Broadcast - January 2014 - S10
In Broadcast - January 2014 - S11
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202403
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202312
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202304
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202303
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https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202301
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202212
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202211
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202210
https://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202209
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_PTZ
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_202001
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201912
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201911
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201910
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201909
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2019
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY2
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY1
http://europe.nxtbook.com/nxteu/lesommet/CTA-VISITOR
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201906
http://europe.nxtbook.com/nxteu/lesommet/CTA-PREVIEW
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201905
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201904
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
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