In Broadcast - January 2014 - 54


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 27 - JANUARY 2014

N E W S

InTECH

Canon Intros 4K Reference Display

Canon is entering the production display market with the launch of the DP-V3010 - a 30-inch reference
display specifically designed for colour grading and high quality 4K video production...

R

54

einforcing Canon's continued
commitment to the broadcast
and cinema industries, the new
DP-V3010, together with Canon's
Cinema EOS System, aims to
offer a first-class input-to-output
solution for 4K digital cinema and
wider video production workflows.
With a technical specification
designed to provide repeatable,
accurate output, the DP-V3010 is
optimised for use in scenarios such
as colour grading, where overall
image quality and consistency
are of paramount importance. Its
ability to natively display high
resolution 4K images and range of
colour options means that the DPV3010 is also well suited for use
on-set or on location, and for other
digital imaging tasks including CGI
work, Computer Aided Design and
3D animation.
Kieran Magee, Director of
Professional Marketing, Canon
Europe said: "The new DP-V3010
represents an exciting step for
Canon that complements our
existing 4K portfolio. We've listened
carefully to the needs of the market
throughout the development of the
display to deliver an exceptional
product suited to even the highest
quality productions. It offers
incredible accuracy, reliability and
flexibility and combined with our
Cinema EOS cameras, provides an
excellent input-to-output solution for
use in a wide range of scenarios."
The DP-V3010 has been designed
to deliver 4K resolution alongside
accuracy in colour reproduction,
even between multiple displays. The
display is powered by a customdeveloped image processor
designed and

Back view:
Canon's DP-V3010

manufactured by Canon. The
processor, when combined with
an RGB LED backlight system and
IPS LCD panel, provides highly
consistent quality and colour, both
on-set during shooting and in postproduction editing suites.
The DP-V3010's image processor
helps to ensure consistent
brightness and colour, for a high
level of uniformity across the full
screen. A 10-bit panel driver works
with the processor to enable the
display of 1,024 gradation levels
for each RGB colour to deliver
exceptionally smooth and accurate
gradation characteristics across all
content types.
Canon say that as a result, the
display provides the faithful colourreproduction capabilities required
for colour grading - providing
an alternative to a dedicated
DCI-compliant projector in
post-production.
The DP-V3010's RGB LED
backlight system enables the
reproduction of a rich array of
colours. Combined with the IPS
LCD panel, the display supports
the most commonly used cinema
colour space, DCI-P3, as well as
the colour gamut specifications of
various broadcast standards (ITU-R
BT.709, EBU and SMPTE-C) and the
Adobe RGB colour space.
At 30 inches, the DP-V3010 is
designed for desktop or wall
installation in editing rooms and
studios, making it ideally suited
for video editing, colour grading,
special effects, and to support
the advanced needs of 4K digital
cinema production.
The IPS LCD panel features a
resolution of 4,096 x 2,560 pixels,
enabling the display of native DCI
4K resolution (4,096 x 2,160
pixels) without
i m a g e
scaling. The
display is
also suited
to PC-based
editing tasks,
such as highresolution
still-image
processing
and visuale f f e c t s
production
work, thanks to
a panel aspect
ratio of 16:10.
Canon's
i m a g e processing
t e c h n o l o g y,

combined with the high-contrast IPS
LCD panel, achieves a contrast ratio
of more than 2000:1, the minimum
recommended by the SMPTE for
digital cinema post-production
work. Ensuring the accurate
display of night-time shots and
other dark scenes, the DP-V3010
precisely reproduces gradation
in dark areas of an image - an
important consideration in digital
cinema production.
The DP-V3010 also supports a
wide angle of view thanks to minimal
changes in colour and contrast
across the IPS LCD panel - offering
a highly effective solution in editing
rooms or settings where multiple
users wish to check image quality
at the same time.
Equipped with a dedicated picture
mode that supports Canon Log
Gamma, the DP-V3010 enables
conversion of footage shot using
Cinema EOS System cameras into
images suitable for monitoring
whilst on set.
In addition to support for the
cinema standard frame rate, 24p, the
new Canon display accepts a wide
variety of 4K video input signals from
23.98p to 60p, including the 50p
frame rate more common in EMEA
broadcast productions. Support for
the ASC CDL metadata format and
1D/3D-LookUp Tables (LUTs) allows
accurate colour matching either on
set or in the grading suite.
The DP-V3010 also offers three
scaling display modes for 2K and
Full HD video production, including
Canon's Shape Tracing Technology,
which suppresses the jagged
appearance of diagonal lines when
content is enlarged and displayed
at full-screen resolution.

Canon's DP-V3010 supports 4K
digital cinema and wider video
production workflows

The DP-V3010 includes a control
unit that facilitates intuitive operation
through its straightforward layout
of buttons and dials, and can be
used on a desktop or installed in a
standard 19-inch equipment rack.
Operability and maintenance
are further enhanced by support
for calibration of white balance,
brightness, colour temperature,
colour gamut and gamma without
the need for a PC,
when a compatible
third-party
sensor is used.
The DP-V3010
is expected to
be available in
Europe in Q1,
2014.

The display has a
wide range of inputs


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Table of Contents for the Digital Edition of In Broadcast - January 2014

In Broadcast - January 2014
Contents
InNews: Full Sail Uni Selects Avid Systems
InNews: Luxembourg Charm Success
InForm: Guntermann & Drunck Intensify Security
InReply: Datavideo – Designed for Versatility
InStudio: Filmmaker Captures Wildlife With Vinten
InGear: Frezzi Skylight – Advanced Led Lighting
InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - Intro
In Broadcast - January 2014 - In Broadcast - January 2014
In Broadcast - January 2014 - Cover2
In Broadcast - January 2014 - Contents
In Broadcast - January 2014 - InNews: Full Sail Uni Selects Avid Systems
In Broadcast - January 2014 - 5
In Broadcast - January 2014 - InNews: Luxembourg Charm Success
In Broadcast - January 2014 - 7
In Broadcast - January 2014 - 8
In Broadcast - January 2014 - 9
In Broadcast - January 2014 - 10
In Broadcast - January 2014 - 11
In Broadcast - January 2014 - 12
In Broadcast - January 2014 - 13
In Broadcast - January 2014 - 14
In Broadcast - January 2014 - 15
In Broadcast - January 2014 - 16
In Broadcast - January 2014 - 17
In Broadcast - January 2014 - 18
In Broadcast - January 2014 - 19
In Broadcast - January 2014 - 20
In Broadcast - January 2014 - 21
In Broadcast - January 2014 - 22
In Broadcast - January 2014 - 23
In Broadcast - January 2014 - InForm: Guntermann & Drunck Intensify Security
In Broadcast - January 2014 - 25
In Broadcast - January 2014 - 26
In Broadcast - January 2014 - 27
In Broadcast - January 2014 - InReply: Datavideo – Designed for Versatility
In Broadcast - January 2014 - 29
In Broadcast - January 2014 - 30
In Broadcast - January 2014 - 31
In Broadcast - January 2014 - 32
In Broadcast - January 2014 - 33
In Broadcast - January 2014 - 34
In Broadcast - January 2014 - 35
In Broadcast - January 2014 - 36
In Broadcast - January 2014 - 37
In Broadcast - January 2014 - 38
In Broadcast - January 2014 - 39
In Broadcast - January 2014 - 40
In Broadcast - January 2014 - 41
In Broadcast - January 2014 - InStudio: Filmmaker Captures Wildlife With Vinten
In Broadcast - January 2014 - 43
In Broadcast - January 2014 - 44
In Broadcast - January 2014 - 45
In Broadcast - January 2014 - InGear: Frezzi Skylight – Advanced Led Lighting
In Broadcast - January 2014 - 47
In Broadcast - January 2014 - 48
In Broadcast - January 2014 - 49
In Broadcast - January 2014 - 50
In Broadcast - January 2014 - 51
In Broadcast - January 2014 - 52
In Broadcast - January 2014 - 53
In Broadcast - January 2014 - 54
In Broadcast - January 2014 - 55
In Broadcast - January 2014 - 56
In Broadcast - January 2014 - 57
In Broadcast - January 2014 - 58
In Broadcast - January 2014 - 59
In Broadcast - January 2014 - 60
In Broadcast - January 2014 - 61
In Broadcast - January 2014 - 62
In Broadcast - January 2014 - 63
In Broadcast - January 2014 - 64
In Broadcast - January 2014 - 65
In Broadcast - January 2014 - 66
In Broadcast - January 2014 - 67
In Broadcast - January 2014 - 68
In Broadcast - January 2014 - 69
In Broadcast - January 2014 - InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - 71
In Broadcast - January 2014 - 72
In Broadcast - January 2014 - 73
In Broadcast - January 2014 - 74
In Broadcast - January 2014 - 75
In Broadcast - January 2014 - 76
In Broadcast - January 2014 - 77
In Broadcast - January 2014 - 78
In Broadcast - January 2014 - 79
In Broadcast - January 2014 - S1
In Broadcast - January 2014 - S2
In Broadcast - January 2014 - S3
In Broadcast - January 2014 - S4
In Broadcast - January 2014 - S5
In Broadcast - January 2014 - S6
In Broadcast - January 2014 - S7
In Broadcast - January 2014 - S8
In Broadcast - January 2014 - S9
In Broadcast - January 2014 - S10
In Broadcast - January 2014 - S11
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