In Broadcast - January 2014 - 46


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 27 - JANUARY 2014

N E W S

InGEAR

Atomos Samurai Blade For 'Pop-Up'

Filmmaker Clinton Harn serves music industry clients and creates video marketing content for corporate
establishments. He has turned to Atomos for his recent project 'Pop-Up'...

I

46

have been using Atomos products
since the earliest incarnations of
the Blade, better known as just
the Samurai. I've used both the
old and new units, as external or
proxy recorders, in short films,
music videos, and most recently,
a feature film," Clinton explained.
Clinton is currently shooting an
Australian feature film 'Pop-Up',
where three stories are interwoven
about several people affected
by a single event. In the first, an
unemployed father finds a camera
containing a photo of a woman's
face. Smitten, he tracks her down.
The second concerns a recently
immigrated woman who attempts
to overcome her homesickness
by giving away home-made popup cards. The last story involves
a sleep-deprived theatre director
seeking deadly revenge on a
scathing critic.
The production company has just
completed principal photography
using the Blade to record HD
proxies in ProRes straight out of
the RED Scarlet.
"Timecode synced like a charm

and record trigger worked a treat
with the RED," Clinton said. "The
Blade was also rigged up by our
camera department to serve as a
monitor on a Steadicam sled, while
recording HD proxies!
"The Samurai Blade has handy
features that make it an incredibly
versatile piece of kit. My favourite
aspects of the Blade would have
to be the new and improved
resolution of the screen, and the
peaking, waveform and vectorscope
parameters. The unit also allows
me to record data while doubling
as a director or camera assistant's
monitor, or even a main monitor."
Clinton added: "I shoot primarily
high-end corporate work where
clients want ProRes or high quality
proxy files, and the Blade is so multifunctional and versatile, it allows
you to overcome oversights on set.
For example, if you forget, say, your
monitor or an external recorder, the
Blade covers both tasks admirably.
More importantly, it's great that
you can insert marker points into
your footage within the unit. It's
like 'trimming the fat', saving you

Blade RED on the set of 'Pop-Up'

time in post.
"'Pop-Up' is being shot with a
RED Scarlet camera package
that enables me to shoot 4K RAW
internally within the camera, while it
simultaneously records HD ProRes
files to the Blade. This allows me to
give the director something more
user-friendly. The high quality

ProRes files can also be utilised to
cut the film more efficiently, then be
linked back later to the original RAW
source files."
Clinton concluded: "I love this unit.
I couldn't do without it on set ever
again. It's too good to leave out of
your shooting arsenal."

Frezzi SkyLight - Advanced LED Lighting For Productions
A

s you usually cannot shoot
news and on-location
productions in the dark and with
the ever increasing need for a quick
and cooperative lighting package
of high output, reliability, power
efficiency, lightweight and portable,
Frezzi developed the SkyLight.
It had to provide camera lighting

on location and in the field for
today's multitude of camera
lighting situations. As such, Frezzi
developed the "Frezzi SkyLight
Camera Lighting Kits" as its goal in
line with its history of bringing forth
the latest in news gear technology.
The Frezzi SkyLight is a new
proven ultra high-output portable
LED
light
delivering an
impressive
amount
of
d a y l i g h t balanced light
suitable for
indoor/outdoor
news gathering,
field and studio
production.
It is a highly
portable LED
fixture powered
by standard
broadcast brick
batteries or an
AC adapter. It
delivers the
equivalent light
of a 650 Watt
tungsten or
a 150W HMI
SkyLight is an ultra high-output portable LED light suitable
source while
for indoor/outdoor news gathering, field and studio
drawing only
production

75W of power.
Fully dimmable with selectable
beam angles using quick change
reflector technology, it is in use by
ABC, NBC, CBS and other networks,
Disney, Cablevision and many more
as a compact slim line, battery
powered portable field production
light. The Frezzi SkyLight is available
in 1, 2 and 3 head full AC/DC kits.
Features include: Ultra High
Output - 240 fc at 5' in flood, 640
fc at 5' in spot - Highest output
in power class; Long Run Time -
Over one hour with Frezzi FLB-100
battery; Small & Compact - Portable
for "Run & Gun" in a complete
travel-friendly two head light kit;
High Quality White Light - High
CRI single source 5600K daylight
light without pixelation or colour
fringing; True Colour Dimming -
100% to 0 dimming without colour
shift; Wide Power Range Input - 12
to 36 VDC, using A/B or V-Mount
battery, 30V belts/power packs or
AC power supply and drawing only
75 Watts; Weatherproof - Useable
in all weather conditions; Frezzi
Durability - All aluminium design
built to Frezzi's "industry work
horse" standard. 50,000hr LED
life; Silent Operation - No fan with
reliable passive cooling; Complete

Accessories - Barn doors, filters and
light modifiers available.
With this latest achievement in
lighting technology for TV and film
production, all desired aspects of
portable lighting are achieved with
a new benchmark in output and
efficiency. Powered by AC Mains
or Standard Broadcast Snap-on
or V-Mount camera batteries, the
SkyLight High Output Solid-State
Light HD Chip-On Board LED
source combines state-of-the-art
efficiency with the perfection of
Frezzi's integrated electronic and
mechanical award winning designs.
The output is fully dimmable without
colour shift and features quick
interchangeable reflectors for beam
width selection.

SkyLight single head kit SLK-1A JC


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://vimeo.com/75928189 http://www.frezzi.com/SkyLight.htm http://www.frezzi.com/SkyLight.htm

Table of Contents for the Digital Edition of In Broadcast - January 2014

In Broadcast - January 2014
Contents
InNews: Full Sail Uni Selects Avid Systems
InNews: Luxembourg Charm Success
InForm: Guntermann & Drunck Intensify Security
InReply: Datavideo – Designed for Versatility
InStudio: Filmmaker Captures Wildlife With Vinten
InGear: Frezzi Skylight – Advanced Led Lighting
InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - Intro
In Broadcast - January 2014 - In Broadcast - January 2014
In Broadcast - January 2014 - Cover2
In Broadcast - January 2014 - Contents
In Broadcast - January 2014 - InNews: Full Sail Uni Selects Avid Systems
In Broadcast - January 2014 - 5
In Broadcast - January 2014 - InNews: Luxembourg Charm Success
In Broadcast - January 2014 - 7
In Broadcast - January 2014 - 8
In Broadcast - January 2014 - 9
In Broadcast - January 2014 - 10
In Broadcast - January 2014 - 11
In Broadcast - January 2014 - 12
In Broadcast - January 2014 - 13
In Broadcast - January 2014 - 14
In Broadcast - January 2014 - 15
In Broadcast - January 2014 - 16
In Broadcast - January 2014 - 17
In Broadcast - January 2014 - 18
In Broadcast - January 2014 - 19
In Broadcast - January 2014 - 20
In Broadcast - January 2014 - 21
In Broadcast - January 2014 - 22
In Broadcast - January 2014 - 23
In Broadcast - January 2014 - InForm: Guntermann & Drunck Intensify Security
In Broadcast - January 2014 - 25
In Broadcast - January 2014 - 26
In Broadcast - January 2014 - 27
In Broadcast - January 2014 - InReply: Datavideo – Designed for Versatility
In Broadcast - January 2014 - 29
In Broadcast - January 2014 - 30
In Broadcast - January 2014 - 31
In Broadcast - January 2014 - 32
In Broadcast - January 2014 - 33
In Broadcast - January 2014 - 34
In Broadcast - January 2014 - 35
In Broadcast - January 2014 - 36
In Broadcast - January 2014 - 37
In Broadcast - January 2014 - 38
In Broadcast - January 2014 - 39
In Broadcast - January 2014 - 40
In Broadcast - January 2014 - 41
In Broadcast - January 2014 - InStudio: Filmmaker Captures Wildlife With Vinten
In Broadcast - January 2014 - 43
In Broadcast - January 2014 - 44
In Broadcast - January 2014 - 45
In Broadcast - January 2014 - InGear: Frezzi Skylight – Advanced Led Lighting
In Broadcast - January 2014 - 47
In Broadcast - January 2014 - 48
In Broadcast - January 2014 - 49
In Broadcast - January 2014 - 50
In Broadcast - January 2014 - 51
In Broadcast - January 2014 - 52
In Broadcast - January 2014 - 53
In Broadcast - January 2014 - 54
In Broadcast - January 2014 - 55
In Broadcast - January 2014 - 56
In Broadcast - January 2014 - 57
In Broadcast - January 2014 - 58
In Broadcast - January 2014 - 59
In Broadcast - January 2014 - 60
In Broadcast - January 2014 - 61
In Broadcast - January 2014 - 62
In Broadcast - January 2014 - 63
In Broadcast - January 2014 - 64
In Broadcast - January 2014 - 65
In Broadcast - January 2014 - 66
In Broadcast - January 2014 - 67
In Broadcast - January 2014 - 68
In Broadcast - January 2014 - 69
In Broadcast - January 2014 - InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - 71
In Broadcast - January 2014 - 72
In Broadcast - January 2014 - 73
In Broadcast - January 2014 - 74
In Broadcast - January 2014 - 75
In Broadcast - January 2014 - 76
In Broadcast - January 2014 - 77
In Broadcast - January 2014 - 78
In Broadcast - January 2014 - 79
In Broadcast - January 2014 - S1
In Broadcast - January 2014 - S2
In Broadcast - January 2014 - S3
In Broadcast - January 2014 - S4
In Broadcast - January 2014 - S5
In Broadcast - January 2014 - S6
In Broadcast - January 2014 - S7
In Broadcast - January 2014 - S8
In Broadcast - January 2014 - S9
In Broadcast - January 2014 - S10
In Broadcast - January 2014 - S11
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