In Broadcast - January 2014 - 16


WWW.INBROADCAST.COM | ISSUE 27 - JANUARY 2014

N E W S

InNEWS

deltatre And Vizrt Partner
For Magma Pro Results
I

talian sports media and technology
company deltatre and Vizrt
broaden their partnership with
Magma Pro powered by Viz Libero
for the upcoming Football World
Championship.
Magma Pro powered by Viz Libero
extends deltatre's Magma product
offering typically used for TV graphics
and tournament statistics (including
tracking data) with the virtual graphic
capabilities and 3D camera flights
offered by Viz Libero.
Viz Libero, Vizrt's 3D sports analysis
tool, accesses the Magma database
to attach and display deltatre
statistics to a player within the Viz
Libero analysis, either by applying
tied-to-pitch graphics such as heat
maps, or with player pointers to tag
the players on the field.
The integration of Magma's
player tracking data allows for fast
turnaround analysis clip preparation,
as well as interactive analysis by the

16

ondon's BTV Post provided full
post-production using SGO's
Mistika for the five-episode
television series 'How Cities Work,'
commissioned by Discovery.
Working closely with Electric Sky
Productions, BTV Post ensured that
the series portrayed the footage in
2D as well as Stereo 3D formats.
Ian Grey and George Dutton were
the talented BTV Post colourists
and online artists that put Mistika
to work on the project to complete
the picture post.
Grey said: "The production data
was transferred over our ultra-fast
connection between our Brighton
to London facilities. We then

Hot Spot: Viz Libero analysis via tied-to-pitch graphics 'heat maps'

studio expert. In addition, Magma
Pro powered by Viz Libero enables
a very smooth and fast workflow
for accessing the game events and
video footage stored in Magma
within Viz Libero.
deltatre has added several Vizrt
products to their production setup.
Viz Trio CG is being used extensively

for live production of all real-time
graphics, including lower thirds,
match-ups, and scoreboards. Viz
Virtual Studio creates augmented
reality graphics on set.
Magma Pro powered by Viz Libero
was unveiled for the first time in Rio de
Janeiro in preparation for the upcoming
Football World Championship.

completed the eye alignment, depth
and colour grade using Mistika."
In addition, there were disparities
in the S3D post caused by lens flare
and dirt on the camera lens which
required compositing from one eye
to the other.
Dutton said: "If it wasn't for

'How Cities Work' (Image courtesy of
Electric Sky Productions)

Mistika's compositing tools we
would have lost some vital Stereo
3D shots from the series. Using
a combination of these tools we
were able to paint out disparities
caused by lens flares and dirt by
compositing from the unaffected eye.
"Mistika's auto alignment and colour
balance tools worked brilliantly on
most of the shots. When faced with
the more complex challenges such
as lens flares, extreme colour and
focus mismatches."
Filmed in S3D, How Cities Work
shows coverage of world-leading
cities and their key advancements
in planning, technology
and engineering.

Power. Flexibility. Speed. Capability.
Everything You Want
the Limited Space You Have.
www.clearcom.com

GBR: The Foundry has released
the version 8 of its node
b a s e d c o m p o s i t o r, N U K E .
NUKE 8 features a Dope Sheet,
allowing artists to see and move
keys around in the context of a
timeline style view, a brand new Text
node letting artists compose, edit
and animate directly in the viewer.
Version 8 updates grading and
colour correction tools and a
new Match Grade node further
enhances its grading capabilities.
Alongside the NUKE 8 release,
HIERO 1.8 is also available.

Grading Facility
Deploys FilmLight

'How Cities Work' In 2D And Stereo 3D
L

The Foundry Fires
NUKE Version 8

AUS: Internationally-renowned
colourist, Ben Eagleton, has returned
to Sydney to establish his own colour
grading facility BE, in Surry Hills.
When kitting out the facility
Eagleton chose to standardise
on Baselight for grading, offering
clients the flexibility to manage
content in the most complex
post-production workflows.
BE is in the same building as post
house, Fin Design & Effects and
the two have a data connection
that allows them to collaborate
seamlessly on projects.

NewBlueFX Backs
Premiere Pro CC
USA: Following two significant
A d o b e P re m i e re P ro C C
enhancements, NewBlue has
announced full compatibility of its
68 NewBlueFX video transitions.
The latest Adobe Premiere Pro
CC increases the speed and ease
of editing with video transitions.
It offers fast drag and drop
insertion and native editing in the
effects tab and the ability to run
transitions directly in the GPU, via
OpenCL or CUDA.

Copyright © 2013. Clear-Com, LLC. All rights reserved. ® Clear-Com, the
Clear-Com logo and Eclipse are registered trademarks of HM Electronics, Inc.

I N T E R N A T I O N A L


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Table of Contents for the Digital Edition of In Broadcast - January 2014

In Broadcast - January 2014
Contents
InNews: Full Sail Uni Selects Avid Systems
InNews: Luxembourg Charm Success
InForm: Guntermann & Drunck Intensify Security
InReply: Datavideo – Designed for Versatility
InStudio: Filmmaker Captures Wildlife With Vinten
InGear: Frezzi Skylight – Advanced Led Lighting
InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - Intro
In Broadcast - January 2014 - In Broadcast - January 2014
In Broadcast - January 2014 - Cover2
In Broadcast - January 2014 - Contents
In Broadcast - January 2014 - InNews: Full Sail Uni Selects Avid Systems
In Broadcast - January 2014 - 5
In Broadcast - January 2014 - InNews: Luxembourg Charm Success
In Broadcast - January 2014 - 7
In Broadcast - January 2014 - 8
In Broadcast - January 2014 - 9
In Broadcast - January 2014 - 10
In Broadcast - January 2014 - 11
In Broadcast - January 2014 - 12
In Broadcast - January 2014 - 13
In Broadcast - January 2014 - 14
In Broadcast - January 2014 - 15
In Broadcast - January 2014 - 16
In Broadcast - January 2014 - 17
In Broadcast - January 2014 - 18
In Broadcast - January 2014 - 19
In Broadcast - January 2014 - 20
In Broadcast - January 2014 - 21
In Broadcast - January 2014 - 22
In Broadcast - January 2014 - 23
In Broadcast - January 2014 - InForm: Guntermann & Drunck Intensify Security
In Broadcast - January 2014 - 25
In Broadcast - January 2014 - 26
In Broadcast - January 2014 - 27
In Broadcast - January 2014 - InReply: Datavideo – Designed for Versatility
In Broadcast - January 2014 - 29
In Broadcast - January 2014 - 30
In Broadcast - January 2014 - 31
In Broadcast - January 2014 - 32
In Broadcast - January 2014 - 33
In Broadcast - January 2014 - 34
In Broadcast - January 2014 - 35
In Broadcast - January 2014 - 36
In Broadcast - January 2014 - 37
In Broadcast - January 2014 - 38
In Broadcast - January 2014 - 39
In Broadcast - January 2014 - 40
In Broadcast - January 2014 - 41
In Broadcast - January 2014 - InStudio: Filmmaker Captures Wildlife With Vinten
In Broadcast - January 2014 - 43
In Broadcast - January 2014 - 44
In Broadcast - January 2014 - 45
In Broadcast - January 2014 - InGear: Frezzi Skylight – Advanced Led Lighting
In Broadcast - January 2014 - 47
In Broadcast - January 2014 - 48
In Broadcast - January 2014 - 49
In Broadcast - January 2014 - 50
In Broadcast - January 2014 - 51
In Broadcast - January 2014 - 52
In Broadcast - January 2014 - 53
In Broadcast - January 2014 - 54
In Broadcast - January 2014 - 55
In Broadcast - January 2014 - 56
In Broadcast - January 2014 - 57
In Broadcast - January 2014 - 58
In Broadcast - January 2014 - 59
In Broadcast - January 2014 - 60
In Broadcast - January 2014 - 61
In Broadcast - January 2014 - 62
In Broadcast - January 2014 - 63
In Broadcast - January 2014 - 64
In Broadcast - January 2014 - 65
In Broadcast - January 2014 - 66
In Broadcast - January 2014 - 67
In Broadcast - January 2014 - 68
In Broadcast - January 2014 - 69
In Broadcast - January 2014 - InTest: OTT Is a Hybrid: It’s How You Look at It
In Broadcast - January 2014 - 71
In Broadcast - January 2014 - 72
In Broadcast - January 2014 - 73
In Broadcast - January 2014 - 74
In Broadcast - January 2014 - 75
In Broadcast - January 2014 - 76
In Broadcast - January 2014 - 77
In Broadcast - January 2014 - 78
In Broadcast - January 2014 - 79
In Broadcast - January 2014 - S1
In Broadcast - January 2014 - S2
In Broadcast - January 2014 - S3
In Broadcast - January 2014 - S4
In Broadcast - January 2014 - S5
In Broadcast - January 2014 - S6
In Broadcast - January 2014 - S7
In Broadcast - January 2014 - S8
In Broadcast - January 2014 - S9
In Broadcast - January 2014 - S10
In Broadcast - January 2014 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201507
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201505
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201504
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201503
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201502
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201501
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201411
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201410
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcastIBCPRINTEDGUIDE_201409
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