In Broadcast - December 2013 - 40

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 26 - DECEMBER 2013

N E W S

InSTUDIO

Callisto - An Elegant Broadcast Console
C

40

allisto is designed for broadcast
professionals who need to
produce creative and engrossing
broadcast audio easily. Its
streamlined, efficient design makes
it possible to accommodate clients
with smaller budgets who want a
high-quality product but don't need
as many resources as Calrec's
larger consoles.
"Callisto is designed to keep
the user interface simple and
straightforward," said Henry
Goodman, Calrec's head of sales.
"The totality of the user experience
has been at the forefront of the
design process whilst maintaining
focus on features and capabilities.
The result is the elegant console
we've created."
Callisto's lean construction
keeps components and materials
to a minimum. The 24+8 surface
weighs in at a mere 45.5kg
making it the lightest in its class
- a major consideration for OB
truck manufacturers when fuel
economy and green issues are
particularly poignant.
A refined mechanical design
along with a disciplined power
distribution means the console
is around 50% more efficient
than a comparable Artemis Light,
Callisto's closest stable mate. This
reduces by a further 30% when in
power saving mode.
Ease of access for servicing is a
necessity. All access is from the top
of the console, and an entire control
surface section can be replaced by
removing just two screws without
any requirement to get beneath or

behind the desk.
When designing the new console,
Calrec focused on ensuring that
Callisto's highly intuitive GUI would
be suitable for a broad range of
operator levels in order to minimise
the amount of training required and
reduce the customer's costs.
Users control the console via a
17-inch multitouch screen inspired
by familiar tablet technology, with
a straightforward interface that
uses established finger gestures to
navigate the system. The crisp, highresolution display provides elegant
controls and clear presentation of
information.
The UI is specifically designed to
give contextual awareness of where
you are, where you came from and
how to get back, allowing those
with minimal experience of audio
consoles to confidently navigate the
system. This is especially relevant in
OB trucks where freelance operators
are frequently employed.
Product Manager Henry Bourne
said: "Callisto has been specifically
designed to be stripped back to
the most essential controls that
people need to reach quickly. The

Control is via a 17-inch multitouch
screen inspired by familiar tablet
technology

Callisto's lean construction keeps components and materials to a minimum

idea was to present a surface that is
so approachable it's easy for people
who aren't experts to get going with
a show. That's the concept."
Designed for live broadcast
applications, Callisto simplifies
even complex workflow tasks,
such as creating mix-minus feeds,
with common procedures just
one tap away.
Callisto's other large displays are
fully configurable to display bus,
output, and loudness meters, and
feature dedicated metering, routing,
and processing information per fader.
The physical control surface is
available in fixed 24+8 and 36+8
fader configurations with a new
streamlined layout. Each channel
strip has only the most essential
mechanical controls, featuring a
fader, two flexible control cells, and
a dedicated gain pot.
Callisto uses Calrec's awardwinning Bluefin2 technology at
its core, and the same integral

Hydra2 technology as the Apollo
and Artemis consoles. Bluefin2 and
Hydra2 technologies are in use 24
hours a day at hundreds of facilities
across the globe, and are still the
most advanced audio processing
technologies available.
Bluefin2 provides Callisto with
a pool of 180 channel processing
paths, which can be assigned as
mono, stereo, or 5.1 channels. As
with all Calrec consoles, there is no
resource-sharing across the DSP,
so all facilities are available on all
channels at all times. Callisto has
eight groups, four mains (all of which
can be mono, stereo, or 5.1), 16
auxes, and 32 tracks.
The broadcast-focused feature
set also includes complete system
redundancy, dedicated delay on all
paths with additional assignable
input and output delay, mechanical
PFL overpress on all faders, and
three 5.1 studio monitor outputs.

BT Sport Selects Autoscript E.P.I.C. Prompting System
A

utoscript has supplied three
E.P.I.C. (Enhanced Prompting
Information Centre) units to BT
Sport, the new sports entertainment
network, for its brand new studio
facility at
the Queen
Elizabeth
Olympic Park,
London.
BT Sport
transformed the
former Olympic
International
Broadcast
Centre into the
new home of BT
Sport 1, BT Sport
2 and ESPN in
just 21 weeks,
and
began
b ro a d c a s t i n g

An E.P.I.C. unit was installed in
each of the three studios at the
BT Sports channel

on 1 August 2013. The impressive
facility includes three large TV
studios, seven sports production
galleries, a master control room, 20
edit suites, a dubbing theatre, and
an audience holding area.
An E.P.I.C. unit was
installed in each of the
three studios, and the
units are being used
on a variety of
programme genres
including live sports
coverage, postevent analysis shows
and entertainment
programmes.
Andy Beale, Chief
Engineer, BT Sport,
said: "With such
challenging
timescales our
technology
strategy
required us

BT Sport's new studio facility at the Queen Elizabeth Olympic Park, London

to select the right equipment and
vendors. Autoscript's prompters
instill confidence in our on-screen
talent and also integrate easily into
our production workflow. The design
of the E.P.I.C. with its all-in-one
prompter and talent monitor set-up
provides many efficiencies, and the
units were delivered and installed in
accordance with our strict schedule."
Robin Brown, Product Manager,
Autoscript, said: "Prompting is
a crucial element to any sport or
live production workflow which is

subject to rapid change throughout
a programme. Autoscript systems
enable the producers to effortlessly
make those changes to the script
or run-order on the fly and transfer
those changes seamlessly to the
prompt output, allowing presenters
to concentrate on what they do
best. The E.P.I.C. offers all these
advanced features and functions
that our customers have come to
expect of any Autoscript system
while also vastly simplifying the
studio equipment required."


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.calrec.com/uk/Products/Pages/ProductDetails.aspx?CatId=Consoles&ProductId=Callisto http://www.calrec.com/uk/Products/Pages/ProductDetails.aspx?CatId=Consoles&ProductId=Callisto http://sport.bt.com/ http://www.autoscript.tv/product-E.P.I.C.-1065 http://www.autoscript.tv/product-E.P.I.C.-1065

In Broadcast - December 2013

Table of Contents for the Digital Edition of In Broadcast - December 2013

In Broadcast - December 2013
Contents
InNews: Vizrt to Acquire Mosart Medialab
InNews: NTP Dad Ax32 Captures Wagner
InReply: Seesense on Miniature Cameras
InStudio: Q-Ball Captures Historic Vettel Victory
InGear: Bluebell’s Fibre Optic Solutions
InGear: Grass Valley K2 Dyno Changes the Game
InMedia: Pixitmedia – More Partner Than Supplier
In Broadcast - December 2013 - Intro
In Broadcast - December 2013 - In Broadcast - December 2013
In Broadcast - December 2013 - Cover2
In Broadcast - December 2013 - Contents
In Broadcast - December 2013 - InNews: Vizrt to Acquire Mosart Medialab
In Broadcast - December 2013 - 5
In Broadcast - December 2013 - InNews: NTP Dad Ax32 Captures Wagner
In Broadcast - December 2013 - 7
In Broadcast - December 2013 - 8
In Broadcast - December 2013 - 9
In Broadcast - December 2013 - 10
In Broadcast - December 2013 - 11
In Broadcast - December 2013 - 12
In Broadcast - December 2013 - 13
In Broadcast - December 2013 - 14
In Broadcast - December 2013 - 15
In Broadcast - December 2013 - 16
In Broadcast - December 2013 - 17
In Broadcast - December 2013 - 18
In Broadcast - December 2013 - 19
In Broadcast - December 2013 - 20
In Broadcast - December 2013 - 21
In Broadcast - December 2013 - 22
In Broadcast - December 2013 - 23
In Broadcast - December 2013 - 24
In Broadcast - December 2013 - 25
In Broadcast - December 2013 - 26
In Broadcast - December 2013 - 27
In Broadcast - December 2013 - InReply: Seesense on Miniature Cameras
In Broadcast - December 2013 - 29
In Broadcast - December 2013 - 30
In Broadcast - December 2013 - 31
In Broadcast - December 2013 - 32
In Broadcast - December 2013 - 33
In Broadcast - December 2013 - 34
In Broadcast - December 2013 - 35
In Broadcast - December 2013 - 36
In Broadcast - December 2013 - 37
In Broadcast - December 2013 - 38
In Broadcast - December 2013 - 39
In Broadcast - December 2013 - 40
In Broadcast - December 2013 - 41
In Broadcast - December 2013 - InStudio: Q-Ball Captures Historic Vettel Victory
In Broadcast - December 2013 - 43
In Broadcast - December 2013 - 44
In Broadcast - December 2013 - 45
In Broadcast - December 2013 - 46
In Broadcast - December 2013 - 47
In Broadcast - December 2013 - 48
In Broadcast - December 2013 - 49
In Broadcast - December 2013 - 50
In Broadcast - December 2013 - 51
In Broadcast - December 2013 - 52
In Broadcast - December 2013 - 53
In Broadcast - December 2013 - 54
In Broadcast - December 2013 - 55
In Broadcast - December 2013 - 56
In Broadcast - December 2013 - 57
In Broadcast - December 2013 - 58
In Broadcast - December 2013 - 59
In Broadcast - December 2013 - InGear: Bluebell’s Fibre Optic Solutions
In Broadcast - December 2013 - 61
In Broadcast - December 2013 - 62
In Broadcast - December 2013 - 63
In Broadcast - December 2013 - InGear: Grass Valley K2 Dyno Changes the Game
In Broadcast - December 2013 - 65
In Broadcast - December 2013 - 66
In Broadcast - December 2013 - 67
In Broadcast - December 2013 - 68
In Broadcast - December 2013 - 69
In Broadcast - December 2013 - 70
In Broadcast - December 2013 - 71
In Broadcast - December 2013 - 72
In Broadcast - December 2013 - 73
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In Broadcast - December 2013 - 75
In Broadcast - December 2013 - 76
In Broadcast - December 2013 - 77
In Broadcast - December 2013 - 78
In Broadcast - December 2013 - 79
In Broadcast - December 2013 - InMedia: Pixitmedia – More Partner Than Supplier
In Broadcast - December 2013 - 81
In Broadcast - December 2013 - 82
In Broadcast - December 2013 - 83
In Broadcast - December 2013 - S1
In Broadcast - December 2013 - S2
In Broadcast - December 2013 - S3
In Broadcast - December 2013 - S4
In Broadcast - December 2013 - S5
In Broadcast - December 2013 - S6
In Broadcast - December 2013 - S7
In Broadcast - December 2013 - S8
In Broadcast - December 2013 - S9
In Broadcast - December 2013 - S10
In Broadcast - December 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2019
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201908
http://europe.nxtbook.com/nxteu/lesommet/CTA-DAY3
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20111011
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110506
https://www.nxtbookmedia.com