In Broadcast - December 2013 - 38


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 26 - DECEMBER 2013

N E W S

InSTUDIO
Second Screens To Revolutionise Sport Cont.

Creating second screen content using C-Cast from the Bol d'Or motorcycle race

38

capture HD at 2,600 fps. The
camera also features automatic
colour matching to provide infield calibration between I-Movix
and other cameras during a live
broadcast. Since colour matching
is often a lengthy and complicated
process this could be a boon for
users keen on saving time in set-up.
Evertz suite of 4K workflow
tools offer compression, routing,
processing/conversion and
monitoring as well as a unified
control system using Magnum. Its
4K replay system Dreamcatcher
features Mosaic which allows
real-time viewing of simultaneous
camera angles.

Second Screen
World Cup

Although roughly the same
amount of content - 3000 hours
- will be captured in Brazil by host
broadcaster HBS as in South Africa
four years ago, it is now possible
to store much more of this to
feed the multi-screen coverage of
rights holders.
"We were ready for second screen
in 2006 though it was not called
that then and by 2010 we were
already producing great content in
great quantity to service bespoke
broadcast requirements," says
HBS boss Francis Tellier.
"For the first time (next
year) football fans will
be able to choose their
perspectives. There will
be a set of video clips and
different angles available as well

as an interactive camera plan that
allows viewers to switch between
an ultramotion and a Steadicam."
HBS also has a white label
Broadcast Player that will allow
viewers to pick their own angles,
request extra data and live
pause the video.
Sky Sports is introducing more
and more second screen video
but the head of its mobile division,
Tim Orme, says usage is changing:
"Interactivity used to be match or
game focused, but we are seeing
a huge amount of second screen
activity between other users with
comments and reactions in realtime and just getting closer to their
favourite sport."
The shared experience is often
held up as the main emotional
driver behind broadcast events
watched live on TV, but the BBC's
aim is build connectivity using social
media between individual second
screen viewers.
"During the Olympics, one million
viewers watched Bradley Wiggins
win a gold medal online, but 999,999
probably thought they were watching
it on their own," says BBC Head of
Sport Ben Gallop. "During the World
Cup 2014 we will definitely do more

to make the moment shared, more
social, more connected."
Half of the whole UK adult
population used the BBC Sport
website during London 2012 and
had 24 streams online to watch any
event live. "A year on and that is now
a hygiene factor - they expect it to
be delivered," says Gallop. "The
challenge for any broadcaster is
how you keep technology moving
on in a meaningful way for the
audience, and not doing it for
technology's sake."
Not everything was successful, he
reveals. "Maybe there was too much
data as overlays on the screen, and
some of our full video player wasn't
available on mobile. We will take
those lessons onboard when we
look at 2014. We have our annual
staples, like Wimbledon and Open
Golf, plus the Winter Games and
at the end of the summer, the
Commonwealth Games in Glasgow
which is another opportunity to
bring the nation together."
Grass Valley also has its eye
on second screen and remote
production demands from
broadcasters, trends which it sees
at opposite ends of the scale to
high-resolution recording.
"4K will appeal to sports bars or
individuals with the space to house
a large screen, yet the driving
factor in terms of content is on the
second screen," says Allard. "For
broadcasters the pressing issues
are how quickly can I create a
different viewer experience on
multiple different platforms. What
is my second screen presence,
my web and mobile presence?
These are issues at odds with the
direction of 4K."

Commonwealth By IP

Also prominent at the Commonwealth
Games next summer will be
new camera-mounted IP device
Stagebox, devised by BBC R&D
to facilitate remote production.
Vendors supporting
the
product
include Suitcase
TV, Quadrus (which
routes the signal
directly into Avid
environments) and

Sony's F55 4K Live Camera and PWS-440 4K server

4K Stitching - Sony's picture stitching application allows selection and zooming of regions of interest

Shotoku Broadcast Systems which
can feed control of a camera head
back to the BBC over IP.
According to BBC R&D's Nicolas
Pinks: "The internet is a huge
enabling technology and we think
our production workflows will move
beyond taking camera footage
toward capturing data sets. We have
got some big ideas about how we
might want to tell stories in the future.
We could capture more information
from a single camera than just
picture including high dynamic
range, GPS coordinates, surround
sound audio and ambisonics audio.
You can't do that with SDI or 4K. We
hope that by introducing this to the
market we will see more broadcast
companies bringing out open
standard IP networking product."

Harris Broadcast has kitted
out a flexible HD OB trailer
for Gearhouse Broadcast

Harris Teams With
Gearhouse For Bijou OB
Harris Broadcast has kitted
out a flexible HD OB trailer for
Gearhouse Broadcast targeting
the small event OB market.
The project centres around
an eight camera channel HD
OB trailer that can house
an eight-person production
crew. It is suited to IPTV
and live web streaming and
smaller event productions,
an area which Gearhouse
says has been deprived of
development and support.
The vehicle features Harris'
router, multiviewers, modular
interface platform, computer
graphics and video signal test
and measurement systems. It
provides a discrete production
gallery, audio workstations and
engineering control area.
"Our challenge was to
design maximum functionality
in minimum space and with
inherent flexibility in set up and
output," commented Eamonn
Dowdall, Gearhouse Business
Development Director. "Without
Harris' capability, it would be
difficult to build so much power
and performance into such a
compact OB facility."


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.evs.com/product/c-cast http://harrisbroadcast.com/ http://www.sony.co.uk/pro/product/broadcast-products-camcorders-digital-motion-picture-camera/pmw-f55/overview http://pro.sony.com/bbsc/video/channels-live_production_systems/

Table of Contents for the Digital Edition of In Broadcast - December 2013

In Broadcast - December 2013
Contents
InNews: Vizrt to Acquire Mosart Medialab
InNews: NTP Dad Ax32 Captures Wagner
InReply: Seesense on Miniature Cameras
InStudio: Q-Ball Captures Historic Vettel Victory
InGear: Bluebell’s Fibre Optic Solutions
InGear: Grass Valley K2 Dyno Changes the Game
InMedia: Pixitmedia – More Partner Than Supplier
In Broadcast - December 2013 - Intro
In Broadcast - December 2013 - In Broadcast - December 2013
In Broadcast - December 2013 - Cover2
In Broadcast - December 2013 - Contents
In Broadcast - December 2013 - InNews: Vizrt to Acquire Mosart Medialab
In Broadcast - December 2013 - 5
In Broadcast - December 2013 - InNews: NTP Dad Ax32 Captures Wagner
In Broadcast - December 2013 - 7
In Broadcast - December 2013 - 8
In Broadcast - December 2013 - 9
In Broadcast - December 2013 - 10
In Broadcast - December 2013 - 11
In Broadcast - December 2013 - 12
In Broadcast - December 2013 - 13
In Broadcast - December 2013 - 14
In Broadcast - December 2013 - 15
In Broadcast - December 2013 - 16
In Broadcast - December 2013 - 17
In Broadcast - December 2013 - 18
In Broadcast - December 2013 - 19
In Broadcast - December 2013 - 20
In Broadcast - December 2013 - 21
In Broadcast - December 2013 - 22
In Broadcast - December 2013 - 23
In Broadcast - December 2013 - 24
In Broadcast - December 2013 - 25
In Broadcast - December 2013 - 26
In Broadcast - December 2013 - 27
In Broadcast - December 2013 - InReply: Seesense on Miniature Cameras
In Broadcast - December 2013 - 29
In Broadcast - December 2013 - 30
In Broadcast - December 2013 - 31
In Broadcast - December 2013 - 32
In Broadcast - December 2013 - 33
In Broadcast - December 2013 - 34
In Broadcast - December 2013 - 35
In Broadcast - December 2013 - 36
In Broadcast - December 2013 - 37
In Broadcast - December 2013 - 38
In Broadcast - December 2013 - 39
In Broadcast - December 2013 - 40
In Broadcast - December 2013 - 41
In Broadcast - December 2013 - InStudio: Q-Ball Captures Historic Vettel Victory
In Broadcast - December 2013 - 43
In Broadcast - December 2013 - 44
In Broadcast - December 2013 - 45
In Broadcast - December 2013 - 46
In Broadcast - December 2013 - 47
In Broadcast - December 2013 - 48
In Broadcast - December 2013 - 49
In Broadcast - December 2013 - 50
In Broadcast - December 2013 - 51
In Broadcast - December 2013 - 52
In Broadcast - December 2013 - 53
In Broadcast - December 2013 - 54
In Broadcast - December 2013 - 55
In Broadcast - December 2013 - 56
In Broadcast - December 2013 - 57
In Broadcast - December 2013 - 58
In Broadcast - December 2013 - 59
In Broadcast - December 2013 - InGear: Bluebell’s Fibre Optic Solutions
In Broadcast - December 2013 - 61
In Broadcast - December 2013 - 62
In Broadcast - December 2013 - 63
In Broadcast - December 2013 - InGear: Grass Valley K2 Dyno Changes the Game
In Broadcast - December 2013 - 65
In Broadcast - December 2013 - 66
In Broadcast - December 2013 - 67
In Broadcast - December 2013 - 68
In Broadcast - December 2013 - 69
In Broadcast - December 2013 - 70
In Broadcast - December 2013 - 71
In Broadcast - December 2013 - 72
In Broadcast - December 2013 - 73
In Broadcast - December 2013 - 74
In Broadcast - December 2013 - 75
In Broadcast - December 2013 - 76
In Broadcast - December 2013 - 77
In Broadcast - December 2013 - 78
In Broadcast - December 2013 - 79
In Broadcast - December 2013 - InMedia: Pixitmedia – More Partner Than Supplier
In Broadcast - December 2013 - 81
In Broadcast - December 2013 - 82
In Broadcast - December 2013 - 83
In Broadcast - December 2013 - S1
In Broadcast - December 2013 - S2
In Broadcast - December 2013 - S3
In Broadcast - December 2013 - S4
In Broadcast - December 2013 - S5
In Broadcast - December 2013 - S6
In Broadcast - December 2013 - S7
In Broadcast - December 2013 - S8
In Broadcast - December 2013 - S9
In Broadcast - December 2013 - S10
In Broadcast - December 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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