In Broadcast - November 2013 - 78


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 25 - NOVEMBER 2013

N E W S

InMEDIA

BRiO Serves Content Any Way Needed
Dalet outlines why the BRiO video server stands out against the rest...

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78

ith more than 1,000 ports
deployed in 2013 alone,
Dalet BRiO's tremendous track
record can be linked directly to its
versatility and price performance,
making it a formidable multi-faceted
server offering what broadcasters
everywhere are embracing.
Dalet Brio is essentially a video
server designed to ingest and play
out broadcast quality video in a
variety of formats.
These cost-effective servers are
built on IT standard components
and delivered in a compact 2RU
chassis with a choice of inputs and
outputs (up to 12 simultaneous
channels) and storage combinations
(local or direct connection to SAN).
The unique "Ingest Once, Write
Many" feature of the Dalet BRiO
lets operators optimise their overall
infrastructure.
But more than a video server, Dalet
BRiO embeds critical applications
that facilitate a wide range of
production tasks including sports
logging, highlight production, replay,
gang ingest, gang playout, and more.
Featured applications include
Multicamera Recorder, VTR
Recorder and Print to Tape, Basic
& Loop Recorder, Basic & Time
Delay Player, Multichannel Player
with Graphics, and Highlights
Production, making BRiO an ideal
workflow solution for fast-paced,
task-specific productions such as
news, sports and more.
In addition to its embedded
applications, BRiO can be controlled
by third-party automation systems,

including Dalet's own news,
sports and MAM solutions, to
manage news ingest and playout,
studio production, QC and much
more. The server's independent
backup and rundown transfers
capabilities provide ideal disaster
recovery support.

BRiO Stands Out
Advanced Functionalities: In
addition to loop recording, BRiO's
powerful engine facilitates graphics
overlay per channel, live monitoring
and streaming, on-the-fly cross-up
and down-conversion of the video
signal, as well as aspect ratio
modifications. BriO also natively
includes graphic capabilities for
simple branding with bugs/logo
insertion, text crawlers or animation.
Flexible Format Support: Dalet
BRiO is known for its extensive
format support. For each port,
BRiO can record and distribute
multiple formats and resolutions
simultaneously (typically, encoding
a high res format and a proxy at
the same time).
Outstanding Density That
Is Competitively Priced: The
attractive structure means that
broadcasters can purchase BRiO
for a competitive price with BRiO
hardware and software included.
Users can configure up to 12
channels in a compact two-rack unit.
While the market does offer less
expensive servers, these units fail to
come close to BRiO's outstanding
performance, quality and stability.
Open IT-Based And Highly

Dalet BRiO server comes in a 2 RU server and hosts up to 12 HD channels

Fast-moving customers like the SPEED channel rely on Dalet BRiO servers for
ingest and playout of HD content

Scalable: Developed on HP
hardware, BRiO features an
open and evolutive environment
that can easily scale in terms of
channels and ports.
Proven Reliability: With more
than 600 units used for news,
channel automation, MAM & QC
and Sports production, BRiO has a
successful track record that spans
just about every broadcast server
workflow scenario.
More than its versatility, BRiO
has proven its load tolerance and
scalability capabilities, supporting
large content producers and
broadcasters such as Mediaset
who run all of their premium and
cable channels.
Other mission-critical BRiO
installations include Fox Sports
1, Turner Sports, Perform, France
Television, Time Warner cables
and many others.

BRiO Specs:
* Supports a wide range of SD/HD
formats including: DV25, DV50,
DVCPRO 25 and 50, DVCPRO
HD, IMX, XDCAM HD, XDCAM EX,
AVC-Intra 50-100, Apple ProRes,
DNxHD, and more;
* Back-to-back playout of mixed
formats with dynamic conversion
(up/down/cross);
* Direct ingest to/playout from a
central storage;
* Embedded 2D Graphic engine per
channel;
* Based on IT technologies;
* Loop recording mode (aka FIFO);
* I/O live monitoring using a web
browser.

Format:
* Standard: DV, DVCPro, D10 IMX,
XDCAM HD 18/25/35/50, DVCPro HD;

* Advanced: All Standard formats
+ DNxHD, ProRes and AVC Intra
50/100.


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Table of Contents for the Digital Edition of In Broadcast - November 2013

In Broadcast - November 2013
Contents
InNews: Engineering Emmy Awards
InNews: K-Opticom Live 4K Hevc Transmission
InForm: Sislive Product Range Success
InFocus: JVC Delivers Global Content Camcorder
InStudio: Litepanels Sola 12
InGear: Ikegami Unicam-HD Camera
InGear: Soundfield DMI Aces Top Tennis Tournament
In Broadcast - November 2013 - Intro
In Broadcast - November 2013 - In Broadcast - November 2013
In Broadcast - November 2013 - Cover2
In Broadcast - November 2013 - Contents
In Broadcast - November 2013 - InNews: Engineering Emmy Awards
In Broadcast - November 2013 - 5
In Broadcast - November 2013 - InNews: K-Opticom Live 4K Hevc Transmission
In Broadcast - November 2013 - 7
In Broadcast - November 2013 - 8
In Broadcast - November 2013 - 9
In Broadcast - November 2013 - 10
In Broadcast - November 2013 - 11
In Broadcast - November 2013 - 12
In Broadcast - November 2013 - 13
In Broadcast - November 2013 - 14
In Broadcast - November 2013 - 15
In Broadcast - November 2013 - 16
In Broadcast - November 2013 - 17
In Broadcast - November 2013 - 18
In Broadcast - November 2013 - 19
In Broadcast - November 2013 - 20
In Broadcast - November 2013 - 21
In Broadcast - November 2013 - 22
In Broadcast - November 2013 - 23
In Broadcast - November 2013 - 24
In Broadcast - November 2013 - 25
In Broadcast - November 2013 - 26
In Broadcast - November 2013 - 27
In Broadcast - November 2013 - InForm: Sislive Product Range Success
In Broadcast - November 2013 - 29
In Broadcast - November 2013 - 30
In Broadcast - November 2013 - 31
In Broadcast - November 2013 - InFocus: JVC Delivers Global Content Camcorder
In Broadcast - November 2013 - 33
In Broadcast - November 2013 - 34
In Broadcast - November 2013 - 35
In Broadcast - November 2013 - 36
In Broadcast - November 2013 - 37
In Broadcast - November 2013 - 38
In Broadcast - November 2013 - 39
In Broadcast - November 2013 - 40
In Broadcast - November 2013 - 41
In Broadcast - November 2013 - InStudio: Litepanels Sola 12
In Broadcast - November 2013 - 43
In Broadcast - November 2013 - 44
In Broadcast - November 2013 - 45
In Broadcast - November 2013 - 46
In Broadcast - November 2013 - 47
In Broadcast - November 2013 - 48
In Broadcast - November 2013 - 49
In Broadcast - November 2013 - 50
In Broadcast - November 2013 - 51
In Broadcast - November 2013 - 52
In Broadcast - November 2013 - 53
In Broadcast - November 2013 - 54
In Broadcast - November 2013 - 55
In Broadcast - November 2013 - 56
In Broadcast - November 2013 - 57
In Broadcast - November 2013 - InGear: Ikegami Unicam-HD Camera
In Broadcast - November 2013 - 59
In Broadcast - November 2013 - 60
In Broadcast - November 2013 - 61
In Broadcast - November 2013 - 62
In Broadcast - November 2013 - 63
In Broadcast - November 2013 - InGear: Soundfield DMI Aces Top Tennis Tournament
In Broadcast - November 2013 - 65
In Broadcast - November 2013 - 66
In Broadcast - November 2013 - 67
In Broadcast - November 2013 - 68
In Broadcast - November 2013 - 69
In Broadcast - November 2013 - 70
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In Broadcast - November 2013 - S1
In Broadcast - November 2013 - S2
In Broadcast - November 2013 - S3
In Broadcast - November 2013 - S4
In Broadcast - November 2013 - S5
In Broadcast - November 2013 - S6
In Broadcast - November 2013 - S7
In Broadcast - November 2013 - S8
In Broadcast - November 2013 - S9
In Broadcast - November 2013 - S10
In Broadcast - November 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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