In Broadcast - October 2013 - 74


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 24 - OCTOBER 2013

N E W S

InMEDIA

Broadcast Quality HD Streaming Encoder
A

leading provider in Germany
for IPTV and end-to-end video
streaming systems – Teracue AG –
has added recording and RTSP/
RTMP support for the ENC-300
HD/SD real-time broadcast quality
encoder family.
“We have added RTSP & RTMP
to our encoder series to enable
cloud-based live video transcoding
services and streaming platforms
to take advantage of the ENC-300
series robust H.264 live streaming
capabilities. The ENC-300
hardware encoders safely deliver
high quality master HD streams
into the cloud or to the CDN, for
further on transcoding, transrating
and hosting”, explains Karl-Heinz
Wenisch CTO of Teracue.
“As of today we have released a
recording option for the ENC-300. It
is designed

74

to turn the encoder now into a
stream recorder to distribute the
live event afterwards. It is easy and
simple; just plug your USB stick to
the encoder and start the recording
via web browser.
The supported file formats are
transport stream or MP4. The
recorded files can be downloaded
directly from the encoder or you
simply take the USB stick to your
computer to edit the files. In addition
automatic recording of seamless
patch files is possible. Furthermore
to the configuration via web browser
all functions are available via Telnet,
RS232 and SNMP. You can also
start and stop the recording via
GPI interface or with a foot switch”,
says Wenisch.
Teracue’s H.264 Encoders and
Decoders support the broadcast
industry standard Pro-MPEG FEC

which allows FEC ‘Forward Error
Correction’ transmission to enable
failure-free video IP contribution
and internet streaming, even if
the network and IP connectivity is
not perfect.
Another option is the support for the
NATO Standard STANAG 4609 to
insert and embed KLV metadata into
the video stream. KLV encapsulation
allows e.g. labelling and timestamping of the video stream
with mission critical-, medical-,
environmental-, geo-/orbital- or
GPS-data. Additionally the MISB
Standards 0603.1, 0604.2, 0605.3
and SMPTE 12M-2 are supported.
The ENC-300 encoder series
offers real-time HD/SD-SDI H.264
encoding for continuous 24/7
operation - due to its rock-solid
layout without any moving parts.
The units are
designed,

ENC-300-Portable encoders with HDMI/
DVI or HD-SDI/VIDEO/VGA inputs

assembled and supported, all
“Made in Germany”.
The compact, pure metal and
fanless ENC-300-Portable units
are ideal for mobile and challenging
encoding scenarios - they are
certified for environments from
-35°C/-31°F to +60°C/+140°F,
consume max 9 Watt and produces
no heat and no hot air. The Encoder
is up and running after 25 seconds.
The ENC-300 encoder model is
available with DVI/HDMI or HDSDI/VGA/Analogue inputs, and can
also support multiple RTSP output
streams for delivering live video
feeds at the same time to multiple
receiving locations.

FR-610 enclosure: 1RU for up to six encoder or decoder boards

Vimond Media Solutions Launches Content Aggregator
V

imond Media Solutions has
announced the release of
Content Aggregator, a new
product that uses components of
Vimond’s online TV platform, the
Vimond Platform, to enable multiple
publishers on the same service. With
the solution, operators and service
providers can grant access to the
Vimond Platform so that approved
partners and content holders can
upload, curate, distribute, and
monetise their own content in a
self-service environment. In turn,
operators and service providers
can offer their end-u sers more

cross-device experiences and a
broader array of content with less
effort while maintaining control over
the service, customer relationships,
and revenue streams.
“The Vimond Platform has
supported content aggregation from
content partners for years. With the
ever-increasing level of connectivity
and cooperation, and the desire to
deliver highly dynamic services,
we believe the market is ready
for a truly unique set of features
enabling flexibility, ease of scale,
and easy-to-use multi-sourced and
multi-curated services to reach the

Vimond Media Solutions’ Content Aggregator enables
easier content contribution

audience. Our new set of features
makes it easier for operators to stay
ahead of the demand for rich, highquality multi-screen content,” said
Helge Høibraaten, CEO of Vimond
Media Solutions. “Operators have
control over the branding, content
types, and revenue streams for
the service while maintaining the
ability to allow content partners
freedom to decide what content to
publish and monetise, and how and
when to do so.”
The Content Aggregator creates
a hierarchy of publishers who can
contribute content to a service.
Approved content providers log into
the Vimond Control Center to upload
and manage their content, and they
also use it to enrich their content
and build an end-user experience
on a third-party service. They can
choose to automate the workflow
completely or use all the built-in
features of the Vimond Control
Center, the video management tool
that serves as the user interface
for Vimond’s online video platform.
Content partners also act as curators
of their own content and can choose
to promote certain videos or shows.
Additionally, they can decide how to
monetise their content within the
rules set by the operator, and they
can create bundles of content to sell
at a discounted price.

At the same time, Content
Aggregator includes several
features that ensure operators
retain full control over the service.
Only operator-approved content
providers can upload content,
and operators have the option
of approving individual content
channels on a case-by-case basis
before they go live. Operators also
set the rules by which content
is monetised–such as for ads,
subscriptions, and pricing–thereby
maintaining control over the revenue
streams, as well. When an end user
purchases a channel, the revenue
goes to the operator, which shares
the revenue with the content provider
according to predetermined terms.
The workflow process is simple
and streamlined. A cable company
signs a deal with a major content
provider. The cable company then
creates a restricted account that the
content provider can use to securely
access the cable company’s service
backend through the Web, upload
video and metadata, and decide on
price points, promotions, and more.
The cable company can approve all
changes before they are published.
T h e C o n t e n t A g g re g a t o r
encompasses Vimond Video Flow
Management, which controls ingest,
management, and distribution of live
and video-on-demand content.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.teracue.com/en/encoding-transcoding/enc-300-dvi.html http://www.teracue.com/en/enclosures-a-accessories/fr-series.html http://www.vimond.com/

Table of Contents for the Digital Edition of In Broadcast - October 2013

In Broadcast - October 2013
In This Issue
InNews: Fox Turkey Upgrades GV Systems
InNews: Pebble Beach Wins TV Globo Deal
InFocus: Virtual Sets Made Easy
InStudio: Blackcam Debuts Remote – Control Systems
InGear: Fujifilm Launches 4K Cine Zoom Lens
InSound: Roland Introduces the VC-1 Series
InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - Intro
In Broadcast - October 2013 - In Broadcast - October 2013
In Broadcast - October 2013 - Cover2
In Broadcast - October 2013 - In This Issue
In Broadcast - October 2013 - InNews: Fox Turkey Upgrades GV Systems
In Broadcast - October 2013 - 5
In Broadcast - October 2013 - InNews: Pebble Beach Wins TV Globo Deal
In Broadcast - October 2013 - 7
In Broadcast - October 2013 - 8
In Broadcast - October 2013 - 9
In Broadcast - October 2013 - 10
In Broadcast - October 2013 - 11
In Broadcast - October 2013 - 12
In Broadcast - October 2013 - 13
In Broadcast - October 2013 - 14
In Broadcast - October 2013 - 15
In Broadcast - October 2013 - 16
In Broadcast - October 2013 - 17
In Broadcast - October 2013 - 18
In Broadcast - October 2013 - 19
In Broadcast - October 2013 - 20
In Broadcast - October 2013 - 21
In Broadcast - October 2013 - 22
In Broadcast - October 2013 - 23
In Broadcast - October 2013 - 24
In Broadcast - October 2013 - 25
In Broadcast - October 2013 - 26
In Broadcast - October 2013 - 27
In Broadcast - October 2013 - InFocus: Virtual Sets Made Easy
In Broadcast - October 2013 - 29
In Broadcast - October 2013 - 30
In Broadcast - October 2013 - 31
In Broadcast - October 2013 - 32
In Broadcast - October 2013 - 33
In Broadcast - October 2013 - InStudio: Blackcam Debuts Remote – Control Systems
In Broadcast - October 2013 - 35
In Broadcast - October 2013 - 36
In Broadcast - October 2013 - 37
In Broadcast - October 2013 - 38
In Broadcast - October 2013 - 39
In Broadcast - October 2013 - 40
In Broadcast - October 2013 - 41
In Broadcast - October 2013 - 42
In Broadcast - October 2013 - InGear: Fujifilm Launches 4K Cine Zoom Lens
In Broadcast - October 2013 - 44
In Broadcast - October 2013 - 45
In Broadcast - October 2013 - 46
In Broadcast - October 2013 - 47
In Broadcast - October 2013 - 48
In Broadcast - October 2013 - 49
In Broadcast - October 2013 - 50
In Broadcast - October 2013 - 51
In Broadcast - October 2013 - 52
In Broadcast - October 2013 - 53
In Broadcast - October 2013 - InSound: Roland Introduces the VC-1 Series
In Broadcast - October 2013 - 55
In Broadcast - October 2013 - 56
In Broadcast - October 2013 - 57
In Broadcast - October 2013 - 58
In Broadcast - October 2013 - 59
In Broadcast - October 2013 - 60
In Broadcast - October 2013 - 61
In Broadcast - October 2013 - 62
In Broadcast - October 2013 - 63
In Broadcast - October 2013 - 64
In Broadcast - October 2013 - 65
In Broadcast - October 2013 - 66
In Broadcast - October 2013 - 67
In Broadcast - October 2013 - 68
In Broadcast - October 2013 - 69
In Broadcast - October 2013 - 70
In Broadcast - October 2013 - 71
In Broadcast - October 2013 - InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - 73
In Broadcast - October 2013 - 74
In Broadcast - October 2013 - 75
In Broadcast - October 2013 - 76
In Broadcast - October 2013 - 77
In Broadcast - October 2013 - 78
In Broadcast - October 2013 - 79
In Broadcast - October 2013 - 80
In Broadcast - October 2013 - S1
In Broadcast - October 2013 - S2
In Broadcast - October 2013 - S3
In Broadcast - October 2013 - S4
In Broadcast - October 2013 - S5
In Broadcast - October 2013 - S6
In Broadcast - October 2013 - S7
In Broadcast - October 2013 - S8
In Broadcast - October 2013 - S9
In Broadcast - October 2013 - S10
In Broadcast - October 2013 - S11
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
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