In Broadcast - October 2013 - 56
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 24 - OCTOBER 2013
N E W S
InSOUND
RTW Introduces Loudness Quality Logger
R
TW, a vendor of visual audio
meters and monitoring devices
for profe s sional broadcast,
production, post-production and
quality control, recently debuted
its LQL (Loudness Quality Logger)
at IBC 2013.
This new tool for logging, truepeak data analysis and reporting
is compatible with the TM7,
TMR7 and TM9 TouchMonitor
line of products. The LQL license
(SW20014) is a natural extension of
RTW’s range of innovative software
options for the seven and nine inch
line of TouchMonitor audio meters.
RTW’s TM9 requires the SW20014
LQL license
56
LQL enables data to be derived
directly via an IP-connection from a
capable TouchMonitor audio meter,
as well as from external storage
media such as a USB stick. Also
included in the software are dual
limit weighting, status information,
marker and various other reporting
features. The new PC software is
free of charge to users, however
the SW20014 LQL license is
required to enable a TM7, TMR7 or
TM9 series meter to be compatible
with data export and additional
display functions.
“The new Loudness Quality
Logger is quite a milestone for
RTW,” says Andreas Tweitmann,
CEO, RTW. “When we first
developed the concept for the
TouchMonitor, we knew it would be
necessary to continue researching
and developing tools that would
keep up with and be one step
ahead of technology for managing
loudness. With the ability for the
user to obtain a log, analysis
and reporting, their experience is
enhanced even further, providing
them with an essential solution
unlike ever before.”
The TM7 and TM9 series
TouchMonitors, which include the
innovative Magic LRA instrument,
feature a seven and nine inch touchsensitive display, respectively, and
provide unparalleled flexibility and
modularity combined with intuitive
control. The software visualises
multiple sources simultaneously.
Both support displaying the same
signal on multiple instruments
in parallel, each with dedicated
defaults with both horizontal and
vertical operation. TM7 visualises
up to 40 sources at the same
time, while the TM9 visualises up
to 48 and the TMR7, specifically
designed for radio broadcasting,
visualises up to four.
Various audio interfaces and
combinations are available i.e.
Top: RTW’s LQL main window. Bottom: The devices overview window
analogue, AES3, AES3id or 3G-SDI.
RTW’s entire TouchMonitor range
was created to help adhere to all
major industry loudness standards,
including EBU R128, ITU BS.17703/1771-1, ATSC A/85 and ARIB.
Lighter Headphone Amplifier Belt Packs From Sonifex
A
s part of their expanding
range of audio products for
TV broadcasters, Sonifex have
announced two new light weight
and ergonomic belt-packs which
are being premiered at IBC, namely
the CM-BH4W two-wire/four-wire
headphone amp belt-pack and
the CM-BHA headphone amplifier
with limiter and loudspeaker beltpack.
The CM-BH4W is a portable,
battery powered four wire
communication unit for use
in a multitude of TV and radio
broadcasting applications. It uses
audio transformers at its input and
output, providing galvanic isolation
from outside interference, ensuring
that communications are loud and
clear every time.
There are two modes of operation.
In four-wire mode, the unit acts
as a two-way intercom, with
input audio routed to the headset
earpiece, and microphone audio
routed to the output upon pressing
the talk button. The output level
is maintained at +8dBu peak level
by a built-in AGC. In IFB mode,
the input audio is routed to the
output, and is interrupted by the
microphone signal when the talk
switch is pressed.
The talk switch can easily
be converted from latching to
momentary operation to suit
the application.
The CM-BHA is a portable, battery
The Sonifex CM-BH4W belt-pack system
powered headphone amplifier for
use in live applications such as inthe-field news reports.
It has a wide signal range
capability and can apply gain of up
to +20dB to the incoming signal.
The volume control simultaneously
modifies the output volume and the
input gain, allowing input signals in
excess of +24dBu to be reproduced
without distortion.
The CM-BHA has an adjustable
limiter to protect the listener
from excessive levels indicated
by a blue LED.
The limiter is only enabled when
an earpiece or headphones are
used, and when it is activated by the
toggle switch. It is disabled when no
jack is inserted, allowing a higher
volume to be passed to the speaker
for “squawk mode” use.
For both of these products, losing
a cue feed due to batteries running
out is not an option with these
units as a low battery warning LED
flashes when the 9V PP3 battery
has depleted to 6V, giving plenty of
notice to swap the battery.
In addition, the Sonifex CM-BH4W
automatically switches off when
the headset jack is removed, and
the low power circuitry gives up to
200 hours use from a single alkaline
9V PP3 battery.
The Sonifex CM-BHA is available
now and the Sonifex CM-BH4W is
available from November 2013.
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http://www.sonifex.co.uk/cmbh/cm-bh4w.shtml
In Broadcast - October 2013
Table of Contents for the Digital Edition of In Broadcast - October 2013
In Broadcast - October 2013
In This Issue
InNews: Fox Turkey Upgrades GV Systems
InNews: Pebble Beach Wins TV Globo Deal
InFocus: Virtual Sets Made Easy
InStudio: Blackcam Debuts Remote – Control Systems
InGear: Fujifilm Launches 4K Cine Zoom Lens
InSound: Roland Introduces the VC-1 Series
InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - Intro
In Broadcast - October 2013 - In Broadcast - October 2013
In Broadcast - October 2013 - Cover2
In Broadcast - October 2013 - In This Issue
In Broadcast - October 2013 - InNews: Fox Turkey Upgrades GV Systems
In Broadcast - October 2013 - 5
In Broadcast - October 2013 - InNews: Pebble Beach Wins TV Globo Deal
In Broadcast - October 2013 - 7
In Broadcast - October 2013 - 8
In Broadcast - October 2013 - 9
In Broadcast - October 2013 - 10
In Broadcast - October 2013 - 11
In Broadcast - October 2013 - 12
In Broadcast - October 2013 - 13
In Broadcast - October 2013 - 14
In Broadcast - October 2013 - 15
In Broadcast - October 2013 - 16
In Broadcast - October 2013 - 17
In Broadcast - October 2013 - 18
In Broadcast - October 2013 - 19
In Broadcast - October 2013 - 20
In Broadcast - October 2013 - 21
In Broadcast - October 2013 - 22
In Broadcast - October 2013 - 23
In Broadcast - October 2013 - 24
In Broadcast - October 2013 - 25
In Broadcast - October 2013 - 26
In Broadcast - October 2013 - 27
In Broadcast - October 2013 - InFocus: Virtual Sets Made Easy
In Broadcast - October 2013 - 29
In Broadcast - October 2013 - 30
In Broadcast - October 2013 - 31
In Broadcast - October 2013 - 32
In Broadcast - October 2013 - 33
In Broadcast - October 2013 - InStudio: Blackcam Debuts Remote – Control Systems
In Broadcast - October 2013 - 35
In Broadcast - October 2013 - 36
In Broadcast - October 2013 - 37
In Broadcast - October 2013 - 38
In Broadcast - October 2013 - 39
In Broadcast - October 2013 - 40
In Broadcast - October 2013 - 41
In Broadcast - October 2013 - 42
In Broadcast - October 2013 - InGear: Fujifilm Launches 4K Cine Zoom Lens
In Broadcast - October 2013 - 44
In Broadcast - October 2013 - 45
In Broadcast - October 2013 - 46
In Broadcast - October 2013 - 47
In Broadcast - October 2013 - 48
In Broadcast - October 2013 - 49
In Broadcast - October 2013 - 50
In Broadcast - October 2013 - 51
In Broadcast - October 2013 - 52
In Broadcast - October 2013 - 53
In Broadcast - October 2013 - InSound: Roland Introduces the VC-1 Series
In Broadcast - October 2013 - 55
In Broadcast - October 2013 - 56
In Broadcast - October 2013 - 57
In Broadcast - October 2013 - 58
In Broadcast - October 2013 - 59
In Broadcast - October 2013 - 60
In Broadcast - October 2013 - 61
In Broadcast - October 2013 - 62
In Broadcast - October 2013 - 63
In Broadcast - October 2013 - 64
In Broadcast - October 2013 - 65
In Broadcast - October 2013 - 66
In Broadcast - October 2013 - 67
In Broadcast - October 2013 - 68
In Broadcast - October 2013 - 69
In Broadcast - October 2013 - 70
In Broadcast - October 2013 - 71
In Broadcast - October 2013 - InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - 73
In Broadcast - October 2013 - 74
In Broadcast - October 2013 - 75
In Broadcast - October 2013 - 76
In Broadcast - October 2013 - 77
In Broadcast - October 2013 - 78
In Broadcast - October 2013 - 79
In Broadcast - October 2013 - 80
In Broadcast - October 2013 - S1
In Broadcast - October 2013 - S2
In Broadcast - October 2013 - S3
In Broadcast - October 2013 - S4
In Broadcast - October 2013 - S5
In Broadcast - October 2013 - S6
In Broadcast - October 2013 - S7
In Broadcast - October 2013 - S8
In Broadcast - October 2013 - S9
In Broadcast - October 2013 - S10
In Broadcast - October 2013 - S11
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