In Broadcast - October 2013 - 31

ISSUE 24 - OCTOBER 2013 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

N E W S

InPREVIEW
Broadcast India 2013 Cont.

DPA’s d:facto is a high quality stage
vocal microphone with natural sound

depends on the picture they see
and the sound they hear. This is
where DPA microphones make the
difference. A poor sound, even with
a good picture, is not accepted. Our
goal is to make it as easy as possible
for the sound engineer to work with
DPA microphones. This means that
they are extremely linear and need
very little or no EQ’ing.”
The new d:dicate 4017C Shotgun
microphone is a shorter version
of the popular d:dicate 4017B
Shotgun microphone. Offering the
same functionality as the 4017B-R,
which is the shotgun microphone

in a Rycote Windshield, the
4017C-R offers the same solution,
just with the 4017C and a smaller
Rycote Windshield to give outside
broadcasters, journalists and
location film-makers everything
they need for clear, directional
sound, regardless of weather or
environmental conditions.
DPA will also be showing its new
d:facto II Vocal Microphone that
gives users unlimited possibilities
for their performance. This addition
to the DPA condenser microphone
range “brings true studio sound
to the live stage by offering an
extraordinarily natural sound,
superior gain before feedback and
extreme SPL handling”.
With ENCO Systems, Lawo
has won over an internationally
renowned manufacturer of radio
and TV automation systems for an
integration partnership.
As of now it is possible to
automate a multitude of functions
between the Lawo sapphire and
crystal mixing consoles and
ENCO’s DAD automation system.
For all ENCO and Lawo customers,
the seamless integration means
convenient operation, since the

DAD design reflects the visual
appearance and philosophy of the
console’s operational workflow. The
bi-directional data transfer between
the Lawo consoles and the DAD
automation system is established
entirely over IP, using RAVENNA
technology for audio.
“With the integration of our
products we provide our customers
with a solution that significantly
simplifies the installation. It’s now
all based on an IP network, which
means we have only one single
infrastructure for audio and control”,
states Ken Frommert, Director Marketing and International Sales
at ENCO Systems.
Audio-Technica will profile ATDMM828 Digital Matrix Mixer, the
next generation of the company’s

SmartMixer family of automatic
mixers. The AT-DMM828 is
a microprocessor-controlled,
programmable, automatic-switching
eight-channel matrix mixer.
Designed for a variety of
applications, including installed
sound/sound reinforcement, houses
of worship, broadcast, recording and
more, the AT-DMM828 is designed
to improve audio quality through a
number of sophisticated methods.
One way it achieves this is
by keeping the number of open
microphones to a minimum, thus
reducing background noise,
feedback and other distractions,
and increasing clarity and audio
quality, while providing instant,
completely transparent switching
between channels.

Audio-Technica’s AT-DMM828 Digital Matrix Mixer is the next generation
of the SmartMixer family

31


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In Broadcast - October 2013

Table of Contents for the Digital Edition of In Broadcast - October 2013

In Broadcast - October 2013
In This Issue
InNews: Fox Turkey Upgrades GV Systems
InNews: Pebble Beach Wins TV Globo Deal
InFocus: Virtual Sets Made Easy
InStudio: Blackcam Debuts Remote – Control Systems
InGear: Fujifilm Launches 4K Cine Zoom Lens
InSound: Roland Introduces the VC-1 Series
InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - Intro
In Broadcast - October 2013 - In Broadcast - October 2013
In Broadcast - October 2013 - Cover2
In Broadcast - October 2013 - In This Issue
In Broadcast - October 2013 - InNews: Fox Turkey Upgrades GV Systems
In Broadcast - October 2013 - 5
In Broadcast - October 2013 - InNews: Pebble Beach Wins TV Globo Deal
In Broadcast - October 2013 - 7
In Broadcast - October 2013 - 8
In Broadcast - October 2013 - 9
In Broadcast - October 2013 - 10
In Broadcast - October 2013 - 11
In Broadcast - October 2013 - 12
In Broadcast - October 2013 - 13
In Broadcast - October 2013 - 14
In Broadcast - October 2013 - 15
In Broadcast - October 2013 - 16
In Broadcast - October 2013 - 17
In Broadcast - October 2013 - 18
In Broadcast - October 2013 - 19
In Broadcast - October 2013 - 20
In Broadcast - October 2013 - 21
In Broadcast - October 2013 - 22
In Broadcast - October 2013 - 23
In Broadcast - October 2013 - 24
In Broadcast - October 2013 - 25
In Broadcast - October 2013 - 26
In Broadcast - October 2013 - 27
In Broadcast - October 2013 - InFocus: Virtual Sets Made Easy
In Broadcast - October 2013 - 29
In Broadcast - October 2013 - 30
In Broadcast - October 2013 - 31
In Broadcast - October 2013 - 32
In Broadcast - October 2013 - 33
In Broadcast - October 2013 - InStudio: Blackcam Debuts Remote – Control Systems
In Broadcast - October 2013 - 35
In Broadcast - October 2013 - 36
In Broadcast - October 2013 - 37
In Broadcast - October 2013 - 38
In Broadcast - October 2013 - 39
In Broadcast - October 2013 - 40
In Broadcast - October 2013 - 41
In Broadcast - October 2013 - 42
In Broadcast - October 2013 - InGear: Fujifilm Launches 4K Cine Zoom Lens
In Broadcast - October 2013 - 44
In Broadcast - October 2013 - 45
In Broadcast - October 2013 - 46
In Broadcast - October 2013 - 47
In Broadcast - October 2013 - 48
In Broadcast - October 2013 - 49
In Broadcast - October 2013 - 50
In Broadcast - October 2013 - 51
In Broadcast - October 2013 - 52
In Broadcast - October 2013 - 53
In Broadcast - October 2013 - InSound: Roland Introduces the VC-1 Series
In Broadcast - October 2013 - 55
In Broadcast - October 2013 - 56
In Broadcast - October 2013 - 57
In Broadcast - October 2013 - 58
In Broadcast - October 2013 - 59
In Broadcast - October 2013 - 60
In Broadcast - October 2013 - 61
In Broadcast - October 2013 - 62
In Broadcast - October 2013 - 63
In Broadcast - October 2013 - 64
In Broadcast - October 2013 - 65
In Broadcast - October 2013 - 66
In Broadcast - October 2013 - 67
In Broadcast - October 2013 - 68
In Broadcast - October 2013 - 69
In Broadcast - October 2013 - 70
In Broadcast - October 2013 - 71
In Broadcast - October 2013 - InMedia: NRK Speeds Workflow With Telestream
In Broadcast - October 2013 - 73
In Broadcast - October 2013 - 74
In Broadcast - October 2013 - 75
In Broadcast - October 2013 - 76
In Broadcast - October 2013 - 77
In Broadcast - October 2013 - 78
In Broadcast - October 2013 - 79
In Broadcast - October 2013 - 80
In Broadcast - October 2013 - S1
In Broadcast - October 2013 - S2
In Broadcast - October 2013 - S3
In Broadcast - October 2013 - S4
In Broadcast - October 2013 - S5
In Broadcast - October 2013 - S6
In Broadcast - October 2013 - S7
In Broadcast - October 2013 - S8
In Broadcast - October 2013 - S9
In Broadcast - October 2013 - S10
In Broadcast - October 2013 - S11
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