In Broadcast - August 2013 - 4


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 22 - AUGUST 2013

N E W S

InNEWS

Harris Broadcast
Names Vogt CEO

Panasonic Announces
AK-HC3500A Camera
P

anasonic Professional Camera
Solutions has announced the
new AK-HC3500A broadcast studio
camera.
Along with a line-up of dedicated
studio system options available
from September 2013, it is to be
unveiled at IBC 2013.
Director of Panasonic’s Imaging
Business Division Kunihiko Miyagi
said: “The low-cost AK-HC3800
and the revamped AK-HC3500A
offer greater picture quality with
the latest 16-bit A/D-attached DSP,
allowing us to meet the needs of the
diverse users of Panasonic’s studio
camera systems.
“In the future we will expand our
lineup of remote camera systems
and switchers, and strengthen
camera portability to provide
more convenient live video
production solutions.”
The AK-HC3500A studio camera

4

incorporates a 2/3 type
2.2 million pixel IT-3CCD
for high sensitivity of F10
at 1080/59.94i and F11 at
1080/50i.
T h e
camera
features
6 0 d B
S/N, and
produces
high picture
quality
pixel shift
through spatial
technology and the newly developed
16-bit A/D (RGB)-attached internal
processing 38-bit DSP (Digital
Signal Processor).
Like its predecessor, the AKHC3500, it features DRS (Dynamic
Range Stretch) functions as well
as scene file settings and various
picture quality adjustment functions.
The AK-HC3500A features
1080/29.97P and 1080/23.98P or

USA: Communications and
technology veteran Charlie Vogt
joins Harris Broadcast to accelerate
innovation and investments.
Vogt joins Harris Broadcast
following nine years as President
and CEO of Genband where he
led a company transformation that
encompassed six acquisitions.
He succeeds Harris Morris, who
was appointed President of Harris
Broadcast when it was a subsidiary
of Harris Corporation and led the
company through its divestiture.

The AK-HC3800
will be joined by a
revamped AK-HC3500A

25P signal capability plus Cine
Gamma (Film-like 1/2/3, VideoRec, Film-Rec) standard, with five
modes selectable.
The studio camera options
combine the AK-HCU355A CCU
(Camera Control Unit) with the AKHRP935A ROP (Remote Operation
Panel) to form a high-end studio
camera system.

Iceland's 365 Media OB Goes High Definition
G

rass Valley has supplied 365
Media, Iceland’s largest mass
media company, with a range of
solutions including cameras,
servers and a replay system, for
installation in its new HD OB van.
The solutions will enable 365

Grass Valley’s LDX Series of
upgradeable cameras

Media to deliver high quality live
event programming from remote
locations to its viewers.
Grass Valley’s local partner Exton
will provide full installation support
on the ground in Iceland.
This latest deployment follows
365 Media’s recent upgrade of its
Grass Valley Aurora system to the
GV STRATUS nonlinear application
environment for live production
(due to be finalised summer 2013)
and its deployment of K2 Edge
in 2012, Grass Valley’s advanced
playout system.
“Having already worked with
Grass Valley equipment, we know
that it provides us with the robust
capabilities required to deliver the

high quality services our viewers
expect,” said Gisli Berg, Head of
Production at 365 Media.
“The nature of outside broadcasting
means it is inherently changeable
so it’s important that we can equip
our vans with flexible solutions like
the LDX cameras and XCU base
stations. We’re really excited about
the move to HD; it’s really going to
enhance our coverage of live events.”
LDX Flex is the entry level
offering in the LDX Series of
upgradeable cameras.
K2 media servers are purposebuilt devices that deliver 24/7/365
file-based infrastructure and highperformance file operations that run
simultaneously.

Blackmagic Design
ATEM 4.1 Update
GBR: Blackmagic Design’s ATEM
4.1 software update allows save and
restore of full or partial switcher states.
Progressive frame rates include
1080p 23.98, 24, 25, 29.97, 50,
59.94 progressive video formats,
which means ATEM Production
Studio 4K now connects to an
even wider range of HD devices.
Users can save to a laptop, hard
disk or USB and plug in to load
saved states at the next session
using any ATEM production switcher.

Atomos Edge
Samurai Blade
AUS:
Atomos
is
shipping Samurai Blade.
It offers a 1280 x 720 SuperAtom IPS
touchscreen, at 325ppi 179-degree
viewing, 400nit brightness and multifrequency (48/50/60Hz) operation.
The screens are calibrated to
SMPTE Rec 709 colour space
and a D65 white point with 100%
gamut from factory. On-thefly screen calibration is built in.
Samurai Blade adds set up tools
with waveform monitor functions,
including vectorscope, RGB and
LUMA parades.

LDX

The flexibility to adapt.
With GV-eLicenses, you can adapt your
camera’s capabilities for a week, a month,
or a lifetime… Your choice.
www.grassvalley.com/ldx


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Table of Contents for the Digital Edition of In Broadcast - August 2013

In Broadcast - August 2013
Contents
InNEWS: Panasonic Announces AK-HC3500A Camera
InNEWS: Shotoku Elevates Newscasting for KETK-TV
InFOCUS: Camera Links – Following All the Vital Action
InTECH: Fischer Connections Solutions for Broadcast
InMEDIA: Delivering Anytime Content on Cable
InMEDIA: Screen – High Definition Subtitling and Beyond
InSOUND: DPA’s D:Dicate Recording Microphone Range
In Broadcast - August 2013 - Intro
In Broadcast - August 2013 - In Broadcast - August 2013
In Broadcast - August 2013 - Cover2
In Broadcast - August 2013 - Contents
In Broadcast - August 2013 - InNEWS: Panasonic Announces AK-HC3500A Camera
In Broadcast - August 2013 - 5
In Broadcast - August 2013 - InNEWS: Shotoku Elevates Newscasting for KETK-TV
In Broadcast - August 2013 - 7
In Broadcast - August 2013 - 8
In Broadcast - August 2013 - 9
In Broadcast - August 2013 - 10
In Broadcast - August 2013 - 11
In Broadcast - August 2013 - 12
In Broadcast - August 2013 - 13
In Broadcast - August 2013 - 14
In Broadcast - August 2013 - 15
In Broadcast - August 2013 - 16
In Broadcast - August 2013 - 17
In Broadcast - August 2013 - 18
In Broadcast - August 2013 - 19
In Broadcast - August 2013 - 20
In Broadcast - August 2013 - 21
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In Broadcast - August 2013 - 25
In Broadcast - August 2013 - 26
In Broadcast - August 2013 - 27
In Broadcast - August 2013 - 28
In Broadcast - August 2013 - 29
In Broadcast - August 2013 - 30
In Broadcast - August 2013 - 31
In Broadcast - August 2013 - 32
In Broadcast - August 2013 - 33
In Broadcast - August 2013 - 34
In Broadcast - August 2013 - 35
In Broadcast - August 2013 - InFOCUS: Camera Links – Following All the Vital Action
In Broadcast - August 2013 - 37
In Broadcast - August 2013 - 38
In Broadcast - August 2013 - 39
In Broadcast - August 2013 - 40
In Broadcast - August 2013 - 41
In Broadcast - August 2013 - 42
In Broadcast - August 2013 - 43
In Broadcast - August 2013 - 44
In Broadcast - August 2013 - 45
In Broadcast - August 2013 - 46
In Broadcast - August 2013 - InTECH: Fischer Connections Solutions for Broadcast
In Broadcast - August 2013 - 48
In Broadcast - August 2013 - 49
In Broadcast - August 2013 - 50
In Broadcast - August 2013 - 51
In Broadcast - August 2013 - 52
In Broadcast - August 2013 - 53
In Broadcast - August 2013 - 54
In Broadcast - August 2013 - 55
In Broadcast - August 2013 - 56
In Broadcast - August 2013 - 57
In Broadcast - August 2013 - InMEDIA: Delivering Anytime Content on Cable
In Broadcast - August 2013 - 59
In Broadcast - August 2013 - 60
In Broadcast - August 2013 - 61
In Broadcast - August 2013 - InMEDIA: Screen – High Definition Subtitling and Beyond
In Broadcast - August 2013 - 63
In Broadcast - August 2013 - 64
In Broadcast - August 2013 - 65
In Broadcast - August 2013 - 66
In Broadcast - August 2013 - 67
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In Broadcast - August 2013 - 71
In Broadcast - August 2013 - 72
In Broadcast - August 2013 - 73
In Broadcast - August 2013 - 74
In Broadcast - August 2013 - 75
In Broadcast - August 2013 - InSOUND: DPA’s D:Dicate Recording Microphone Range
In Broadcast - August 2013 - 77
In Broadcast - August 2013 - 78
In Broadcast - August 2013 - 79
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In Broadcast - August 2013 - S1
In Broadcast - August 2013 - S2
In Broadcast - August 2013 - S3
In Broadcast - August 2013 - S4
In Broadcast - August 2013 - S5
In Broadcast - August 2013 - S6
In Broadcast - August 2013 - S7
In Broadcast - August 2013 - S8
In Broadcast - August 2013 - S9
In Broadcast - August 2013 - S10
In Broadcast - August 2013 - S11
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