In Broadcast - June 2013 - 40


I N T E R N A T I O N A L

N E W S

WWW.INBROADCAST.COM | ISSUE 20 - JUNE 2013

InFOCUS
Specialist Cameras: UltraHD Takes Off Cont.
is very difficult to do this and you
won’t be seeing a camera anytime
soon,” said Fossum.

Battle In The Skies
A cross between a boy’s toy and a
serious piece of filming kit, drone
camera rigs were more prominent
than usual at NAB as prices tumble
and new stabilisation technologies
iron out the shaky footage which
has traditionally plagued aerial
photography.
DJI Innovations’ Phantom
is a quadcopter (four-rotor)
machine which has a flight time
of 15 minutes and can carry small
cameras like GoPros.
Fitted with the Zen Muse line
of camera gimbals the Phantom
is claimed to achieve sub-pixel
stabilisation. Since the Zen Muse
costs around £1k and most other
full-scale helicopter gimbals cost
north of £200k suddenly aerial
photography could become an
inexpensive option.
DJI’s larger hexacopter, the
Spreading Wings S800, can handle
a camera weighing up to five pounds
or, when fitted with a rig by 360
Heroes can mount six GoPros to

create a 360 degree panoramic video.
Belgium’s Flying-Cam markets the
SARAH 3.0 which can lift a camera of
up to 17 pounds. Resembling a minihelicopter, this system was used in
Skyfall with a 5K RED EPIC to track
Bond in the opening sequence as
he jumped from rooftop to rooftop
on a dirt bike. Flying-Cam claim
the SARAH 3.0 Gyrohead offers
unprecedented automatic horizon
levelling, capable of maintaining
three-axis control up to 120 degrees/
sec in pan and 60 degree/sec in
roll and tilt.
The Cinestar 8 HL is one of Freefly
Systems’ range. With a payload of
12lb this can carry the larger cinema
cameras like Red Epic and Canon
C500 with longer flight times over
the original CineStar 8 due to a new
motor, speed control and propeller
combinations.
For aerial shots of sports and
other live events, where helicams
and minicopters represent a safety
risk, there are several options.
Among them is the Skycam
assembly which consists of a Sony
HDC-P1 camera body, Fujinon
ZA12x 4.5mm wide angle Digi-Zoom
lens, Shoeps super CMIT AES 42

Cinestar 8 & 3 Axis Gimbal

digital microphone, and full closed
loop platform stabilisation.
The payload can be controlled
remotely to provide a full 360
degrees of pan and 180 degrees of
tilt, while flying anywhere within its
3D environment.
A staple at major live OBs, the
Spidercam is essentially a dolly held
by four lifting cables controlled by
a winch and fibre optic cables. A
control station acts as the input
device for all commands; by utilising
two joysticks the pilot operates the
winch commands and dolly, while a
camera operator controls the pan-tilt

unit and the camera functions.
For stabilisation on fast moving
ground and aerial vehicles, Cineflex
has the new ELITE system designed
for light-weight Super 35 format
digital cameras.
The ELITE integrates the five axis
stability of Cineflex camera systems
with Canon Premier lenses and
the ARRI Alexa.
Destined for release at IBC this
year is Shotover’s new stabilisation
platform, F1, a six axis gyrostabilised carbon fibre rig that can
be used inverted, or right side up for
multiple mounting options.

40

FOOTBALL

MONDAY NIGHT
EVERY WEEK

CALL: (201) 364 0946
www.spidercam.tv


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Table of Contents for the Digital Edition of In Broadcast - June 2013

In Broadcast - June 2013
Contents
InNews: Rogers Opts for Quantel at City Montreal
InNews: Vizrt and Mosart Enter Newsroom Partnership
InForm: Istreamplanet Live-Video Workflow
InReply: BSI Wireless Camera Captures the Action
InFocus: Sound Devices Pix 240 Sprints Ahead
InView: Bradley Engineering Focuses on Remote Camera Control Systems
InView: Government Tax Breaks: The Devil Is in the Detail
InMedia: In Demand Uses Aja to Create Promotional Content
InMedia: Ihse Draco Kvm-Matrix Switchers Support Broadcast It Workflow
InMedia: Media Production - the Next Generation
In Broadcast - June 2013 - Intro
In Broadcast - June 2013 - In Broadcast - June 2013
In Broadcast - June 2013 - Cover2
In Broadcast - June 2013 - Contents
In Broadcast - June 2013 - InNews: Rogers Opts for Quantel at City Montreal
In Broadcast - June 2013 - 5
In Broadcast - June 2013 - InNews: Vizrt and Mosart Enter Newsroom Partnership
In Broadcast - June 2013 - 7
In Broadcast - June 2013 - 8
In Broadcast - June 2013 - 9
In Broadcast - June 2013 - 10
In Broadcast - June 2013 - 11
In Broadcast - June 2013 - 12
In Broadcast - June 2013 - 13
In Broadcast - June 2013 - 14
In Broadcast - June 2013 - 15
In Broadcast - June 2013 - 16
In Broadcast - June 2013 - 17
In Broadcast - June 2013 - 18
In Broadcast - June 2013 - 19
In Broadcast - June 2013 - 20
In Broadcast - June 2013 - 21
In Broadcast - June 2013 - InForm: Istreamplanet Live-Video Workflow
In Broadcast - June 2013 - 23
In Broadcast - June 2013 - InReply: BSI Wireless Camera Captures the Action
In Broadcast - June 2013 - 25
In Broadcast - June 2013 - 26
In Broadcast - June 2013 - 27
In Broadcast - June 2013 - 28
In Broadcast - June 2013 - 29
In Broadcast - June 2013 - 30
In Broadcast - June 2013 - 31
In Broadcast - June 2013 - 32
In Broadcast - June 2013 - 33
In Broadcast - June 2013 - 34
In Broadcast - June 2013 - 35
In Broadcast - June 2013 - 36
In Broadcast - June 2013 - 37
In Broadcast - June 2013 - 38
In Broadcast - June 2013 - 39
In Broadcast - June 2013 - 40
In Broadcast - June 2013 - 41
In Broadcast - June 2013 - 42
In Broadcast - June 2013 - 43
In Broadcast - June 2013 - InFocus: Sound Devices Pix 240 Sprints Ahead
In Broadcast - June 2013 - 45
In Broadcast - June 2013 - 46
In Broadcast - June 2013 - 47
In Broadcast - June 2013 - 48
In Broadcast - June 2013 - 49
In Broadcast - June 2013 - 50
In Broadcast - June 2013 - 51
In Broadcast - June 2013 - 52
In Broadcast - June 2013 - 53
In Broadcast - June 2013 - 54
In Broadcast - June 2013 - 55
In Broadcast - June 2013 - 56
In Broadcast - June 2013 - 57
In Broadcast - June 2013 - 58
In Broadcast - June 2013 - 59
In Broadcast - June 2013 - InView: Bradley Engineering Focuses on Remote Camera Control Systems
In Broadcast - June 2013 - 61
In Broadcast - June 2013 - InView: Government Tax Breaks: The Devil Is in the Detail
In Broadcast - June 2013 - 63
In Broadcast - June 2013 - 64
In Broadcast - June 2013 - 65
In Broadcast - June 2013 - 66
In Broadcast - June 2013 - 67
In Broadcast - June 2013 - InMedia: In Demand Uses Aja to Create Promotional Content
In Broadcast - June 2013 - 69
In Broadcast - June 2013 - 70
In Broadcast - June 2013 - 71
In Broadcast - June 2013 - InMedia: Ihse Draco Kvm-Matrix Switchers Support Broadcast It Workflow
In Broadcast - June 2013 - 73
In Broadcast - June 2013 - InMedia: Media Production - the Next Generation
In Broadcast - June 2013 - 75
In Broadcast - June 2013 - 76
In Broadcast - June 2013 - 77
In Broadcast - June 2013 - 78
In Broadcast - June 2013 - 79
In Broadcast - June 2013 - 80
In Broadcast - June 2013 - 81
In Broadcast - June 2013 - Cover3
In Broadcast - June 2013 - Cover4
In Broadcast - June 2013 - S1
In Broadcast - June 2013 - S2
In Broadcast - June 2013 - S3
In Broadcast - June 2013 - S4
In Broadcast - June 2013 - S5
In Broadcast - June 2013 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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