In Broadcast - May 2013 - 8
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 19 - MAY 2013
N E W S
InNEWS
IABM/NAB Announce 2013
Game Changer Award Winners
T
he IABM and the NAB have
selected five recipients for its
Game Changer Award, presented
at this year’s NAB show.
The award recognises products
judged to have the greatest
potential to revolutionise the
industry. This year’s winners were
Bridge Technologies (PocketProbe),
Masstech (Emerald for News),
TC Electronic (LoudnessRadar),
isovideo (Viarte), and Emmis
(TagStation).
“The NAB Show always provides
an exciting glimpse into future
possibilities for the broadcast
industry’s growth and development,”
said IABM Director General Peter
White. “The five products honoured
today with Game Changer Awards
are an exceptional sampling from
this year’s exhibition, demonstrating
both an awareness of the challenges
that face broadcasters today and the
opportunities that tomorrow brings.”
8
(L-R) Chris Brown (NAB), Simen Frostad (Bridge Technologies), Joe French
(Masstech), Thomas Valter (TC Electronic), Ben Husmann (Emmis), Keith
Slavin (isovideo), Peter White (IABM)
The Game Changer Awards
were open to all broadcast, digital
media, and entertainment industry
manufacturers and their products,
and the award winners were selected
by a panel of impartial experts who
toured the show undercover and
reviewed products and solutions
during the first two days of the show.
“The NAB Show offers the perfect
opportunity to recognise the on-
going innovation that drives our
industry forward,” said Chris
Brown, Executive Vice President
of Conventions and Business
Operations at the NAB. “Each year,
vendors devote significant time and
resources to bringing their best new
developments to the show floor. The
Game Changer Awards honour
this effort and the forward-looking
solutions it yields.”
Fraunhofer HHI Demonstrates Benefits Of
H.265 / MPEG-HEVC Real-Time Decoder
A
t N AB, Fraunhofe r HHI
showcased the development of
an H.265 / MPEG-HEVC real-time
software decoder demonstrating
HEVC is the next-generation videocompression standard
the benefits of the newest videocoding technology.
Its advanced multi-threaded
architecture is resource efficient
and suits perfectly the ever-growing
need for high-resolution video in
applications ranging from mobile
web streaming over high-quality TV
broadcasting to very low bit-rate
video conferencing with low latency.
High Efficiency Video Coding
(HEVC - officially to be approved as
ITU-T H.265 | ISO/IEC 23008-2) is the
next-generation video-compression
standard of ITU-T and ISO/IEC.
It was developed by the Joint
Collaborative Team on Video
Coding (JCT-VC) with significant
contributions from Fraunhofer
HHI’s Image Processing department.
Compared to its predecessor H.264/
AVC, HEVC achieves about 50% bitrate reduction at the same subjective
video quality.
For example, HEVC real-time
decoding on a workstation PC
with Intel Core i7 Sandy Bridge
processor: 1080p50 at 8 Mbit/s
utilises one core, while 2160p50 at
13 Mbit/s utilises four cores.
AT5040 Wins
Best Studio Mic
GBR: Audio-Technica was honoured
with a Musikmesse International
Press Award at Musikmesse/
Prolight + Sound 2013 in Frankfurt.
The AT5040 microphone was voted
MIPA’s Best Studio Microphone 2013
by a panel of writers and editors.
A u d i o - Te c h n i c a ’s AT 5 0 4 0
has
received
glowing
reviews since its launch.
The design of the cardioid
condenser model, with its four
rectangular elements, has been
praised for its clarity, balanced
natural response and low self-noise.
DTS And Fairlight
Collaborate On 3D
USA: DTS and Fairlight have
collaborated on the release of
Fairlight’s new 3DAW, a 3D audio
production platform with native
MDA mixing and format support.
Fairlight’s 3DAW enables sound
designers to mix object-based audio
in unrestricted 3D space, monitor on
any configuration, and output in DTS’
proposed future specification - MDA.
Additionally, Fairlight’s 3DAW will
feature the ability to mix soundtracks
for DTS Neo:X, a channel-based
audio solution designed to support
up to an 11.1 speaker system.
Shure And Yamaha
Talk Over Dante
GER: From June it will be possible
to perform direct discovery and
patching operations for Shure
ULX-D digital wireless system
receivers from Yamaha CL series
consoles via a Dante network.
Shure and Yamaha have been
working together to provide
users with more advanced,
integrated control capabilities.
Later releases will make it possible
to control discovery and patching
without Dante Controller PC software.
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In Broadcast - May 2013
Table of Contents for the Digital Edition of In Broadcast - May 2013
In Broadcast - May 2013
Contents
InNEWS: Eredivisie Live Kicks Off With Evs Systems
InNEWS: Nep Develops Arise Networks’ Ny News Centre
InREPLY: International Success for Atg Broadcast
InGEAR: Blackmagic Design Demos Production Camera 4k
InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
InMEDIA: Avid Live Shows at Dock 10 Post
InMEDIA: How Mam Meets the Challenges of Managing Sports Content
InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - In Broadcast - May 2013
In Broadcast - May 2013 - Cover2
In Broadcast - May 2013 - Contents
In Broadcast - May 2013 - InNEWS: Eredivisie Live Kicks Off With Evs Systems
In Broadcast - May 2013 - 5
In Broadcast - May 2013 - InNEWS: Nep Develops Arise Networks’ Ny News Centre
In Broadcast - May 2013 - 7
In Broadcast - May 2013 - 8
In Broadcast - May 2013 - 9
In Broadcast - May 2013 - 10
In Broadcast - May 2013 - 11
In Broadcast - May 2013 - 12
In Broadcast - May 2013 - 13
In Broadcast - May 2013 - 14
In Broadcast - May 2013 - 15
In Broadcast - May 2013 - 16
In Broadcast - May 2013 - 17
In Broadcast - May 2013 - 18
In Broadcast - May 2013 - 19
In Broadcast - May 2013 - 20
In Broadcast - May 2013 - 21
In Broadcast - May 2013 - 22
In Broadcast - May 2013 - 23
In Broadcast - May 2013 - 24
In Broadcast - May 2013 - 25
In Broadcast - May 2013 - 26
In Broadcast - May 2013 - 27
In Broadcast - May 2013 - InREPLY: International Success for Atg Broadcast
In Broadcast - May 2013 - 29
In Broadcast - May 2013 - 30
In Broadcast - May 2013 - 31
In Broadcast - May 2013 - 32
In Broadcast - May 2013 - 33
In Broadcast - May 2013 - 34
In Broadcast - May 2013 - 35
In Broadcast - May 2013 - InGEAR: Blackmagic Design Demos Production Camera 4k
In Broadcast - May 2013 - 37
In Broadcast - May 2013 - InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
In Broadcast - May 2013 - 39
In Broadcast - May 2013 - 40
In Broadcast - May 2013 - 41
In Broadcast - May 2013 - 42
In Broadcast - May 2013 - 43
In Broadcast - May 2013 - 44
In Broadcast - May 2013 - 45
In Broadcast - May 2013 - 46
In Broadcast - May 2013 - InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
In Broadcast - May 2013 - 48
In Broadcast - May 2013 - 49
In Broadcast - May 2013 - 50
In Broadcast - May 2013 - 51
In Broadcast - May 2013 - 52
In Broadcast - May 2013 - 53
In Broadcast - May 2013 - 54
In Broadcast - May 2013 - 55
In Broadcast - May 2013 - InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
In Broadcast - May 2013 - 57
In Broadcast - May 2013 - 58
In Broadcast - May 2013 - 59
In Broadcast - May 2013 - 60
In Broadcast - May 2013 - InMEDIA: Avid Live Shows at Dock 10 Post
In Broadcast - May 2013 - 62
In Broadcast - May 2013 - 63
In Broadcast - May 2013 - InMEDIA: How Mam Meets the Challenges of Managing Sports Content
In Broadcast - May 2013 - 65
In Broadcast - May 2013 - 66
In Broadcast - May 2013 - 67
In Broadcast - May 2013 - 68
In Broadcast - May 2013 - 69
In Broadcast - May 2013 - 70
In Broadcast - May 2013 - 71
In Broadcast - May 2013 - InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - 73
In Broadcast - May 2013 - 74
In Broadcast - May 2013 - 75
In Broadcast - May 2013 - 76
In Broadcast - May 2013 - 77
In Broadcast - May 2013 - 78
In Broadcast - May 2013 - Cover3
In Broadcast - May 2013 - Cover4
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