In Broadcast - May 2013 - 62


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 19 - MAY 2013

N E W S

InMEDIA
What’s New In Sports Production Cont.

62

Switching between these power
sources is seamless. Power can
be switched on or off remotely. Up
to 96 cameras can be operated
through a single data transmitter
attached to a standard Camera
Corps RCP remote control panel
or Joystick panel. The entire system
is waterproofed for all-weather use,
on land or at sea. Antennas may
be coupled via extension cables
if required. Existing Q-Ball, Q-Ball
Pre-Set or HD MiniZoom camera
heads can be integrated into the
system without modification.
Dalet’s Sports Factory combines
the capabilities of the company’s
content management platform with
tools designed for sports production.
Metadata entered during logging
and highlight creation are stored
with the content. The search engine
returns clips for quick repurposing
of content for broadcast, online
or mobile use. The system also
automates transcoding, file
movement and delivery to multiple
platforms. Sports Factory can be
integrated with industry-standard
editors such as Apple Final Cut
Pro as well as third party sports,
broadcast and software systems.
Evertz’ Live Production system
scales from a single source to
thousands of video/audio signals.
It is controlled using MAGNUM, a
next-generation control system that
unifies the control of all the elements
found in production facilities. These
include routers, multiviewers,
signal processors and links. Evertz’
VistaLINK, network management
software, VUE, is a consolidated
control client with local monitoring
and advanced control capabilities.

EVS’ Multireview is aimed at helping
to find the best camera angles on
the action clips

EVS introduced at NAB 2013
MultiReview for EVS Sports.
Designed to assist EVS LSM
operators, MultiReview enables
users to browse multiple camera
angles simultaneously to ensure
that live replay and editing decisions
can be made instantly. It provides
a centralised access point for
monitoring all cameras of the live
production in one GUI. Taking lowresolution feeds created by XT3
servers, users can coordinate replay
sequences, manage highlights

autonomously and load content on
a server’s playout channel.
Grass Valley’s new GV Director
integrated nonlinear live production
centre is designed to simplify the
production and delivery of content
to multiple platforms. The switcher
An integrated
is targeted at a variety of production
nonlinear live
environments, including production
production centre, GV
studios and trucks. GV Director is
Director is due in June
expected to be available from the
end of June with the basic system
infrastructure, and the Kahuna 360
multi-format production switcher,
boasting eight inputs/four outputs.
Harris
Broadcast
which now enables users to mix and
Communications’ Selenio
match any combination of SD, HD,
Networking Module enables
1080p, and 4K sources seamlessly
broadcasters, production
in the live production environment.
companies and telecom operators
From the camera, each of two 4K
to use circuit-switched transport
UHDTV four-stream SDI signals
networks to transmit and receive
can be converted into single-mode
video, audio and corporate data
fibre-optic signals. Snell’s IQCWM09
between two Selenio frames.
fibre-optic CWDM module can, in
Common applications include
turn, multiplex these eight optical
mobile contribution from stadiums
streams into one output suitable for
and other remote events to a host
transmission by an IQOTX80 multistudio, as opposed to using more
channel fibre transmitter.
expensive satellite connections; or
Telestream and XOS Digital Inc
networking multiple studio locations
announced the integration of XOS’
together to deliver live (news,
ThunderCloud LiveScore Service
sports) or pre-recorded programme
with Wirecast Pro for Windows. The
content. The new module offers
combination allows sports teams
direct connection to DS-3, OCand broadcasters to display real3, OC-12, E3, STM-1 and STM-4
time detailed scoreboard data,
telecom interfaces.
including elements such as game
Integrated
Microwave
clock, countdown clock, distance,
Technologies (part of the Vitec
field position, fouls and penalties.
Group’s Videocom Division)
The system supports scoreboard
vendors across
offers a cameranearly
20
mountable RF
different sports.
Central 2 microLite
HD transmitter
Telestream pairs its
addressing US
Pipeline HD Dual
and international
network video
broadcasting
capture system
band requirements
w i t h Va n t a g e
within a single unit.
Tr a n s c o d e
The microLite HD
P ro w o r k f l o w
features SD/HD
automation
encoding and now IMT’s microLite HD on-camera
software. It allows
editing to begin
covers the 1.9 to transmitter system
immediately during capture and
2.5 gigahertz spectrum. It delivers
automatically converts highlights
up to 200 milliwatts of RF from a
packages into the formats needed
package of less than 12 cubic inches.
for online distribution.
Designed for a new generation of
Telestream also demonstrated
HD-SDI-capable compact cameras,
new live video streaming capabilities
the transmitter supports video and
at NAB based on its Wirecast for
embedded audio transmission. It can
Windows live streaming production
be camera mounted via a hot shoe
products and Matrox VS4 fouror paired with Litepanels’ camerachannel video capture card. These
mounted lighting. It incorporates
systems bring multi-camera live
H.264 SD and HD encoding
video production
capabilities and operates in the
and broadcasting
standard DVB-T COFDM mode.
capabilities to sports
Orad’s TrackVision uses tracking
groups and other
technology to superimpose virtual
live event producers.
graphics over sports playing
ISO recording of all
fields. The overlaid graphics
video feeds enables postremain tied to their exact position
event editing and future
regardless of camera motion, venue,
archiving. Dynamic scoreboard
camera positions and angles or
technology for live sports
weather conditions.
webcasts was also featured.
Snell has added 4K functionality
Vision Research has upgraded
at no additional charge to several of
its Phantom Miro line of cameras to
its products, including routers, fibre

become a more portable high-speed
camera. This upgrade is designed
to make high-speed imaging more
accessible through ease of use
and a smaller form factor. LCSeries cameras have a flip-out LCD
touchscreen for on-camera control
and monitoring.
Camera settings can be changed
via the touchscreen which doubles
as a monitor for live preview and
cine playback from internal memory.
The LCD user interface is also
available in multiple languages.
The LC110 has a 1.6 gigapixels per
second throughput making possible
image capture up to 1,600 framesper-second at full resolution. The
LC310 has a 3.2 gigapixels per
second throughput and can capture
up to 3,200 frames per second at
full resolution.
If higher speeds are needed,
reduced resolution images are
available up to 400,000 frames per
second for the LC110 and 650,000
for the LC310. Both models feature
high light sensitivity and great
dynamic range for handling low-light
images which are often a problem
for high-speed cameras. The
2-megapixel LC120 also includes
a Vision Research custom-designed
CMOS sensor with a 1.6 gigapixels
per second throughput, allowing 800
frames per second capture at 1920
x 1080. If a higher speed is needed,
the LC120 can deliver reduced
resolution images up to 200,000
frames per second. The LC120
uses micro-lenses on its sensor to
achieve high light sensitivity. The
LC320S has 3.2 gigapixels per
second throughput equivalent to
1380 frames per second at 1920 x
1200 resolution. This camera has a
12-bit pixel depth and includes a
single HD-SDI port for monitoring.

Vision Research’s Phantom
Miro cameras cater for
high-speed shooting on the go


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://WWW.INBROADCAST.COM http://www.grassvalley.com/products/gv_director http://www.imt-broadcast.com http://www.evs.com/emea/ http://www.visionresearch.com/products/high-speed-cameras/miro-3/

Table of Contents for the Digital Edition of In Broadcast - May 2013

In Broadcast - May 2013
Contents
InNEWS: Eredivisie Live Kicks Off With Evs Systems
InNEWS: Nep Develops Arise Networks’ Ny News Centre
InREPLY: International Success for Atg Broadcast
InGEAR: Blackmagic Design Demos Production Camera 4k
InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
InMEDIA: Avid Live Shows at Dock 10 Post
InMEDIA: How Mam Meets the Challenges of Managing Sports Content
InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - In Broadcast - May 2013
In Broadcast - May 2013 - Cover2
In Broadcast - May 2013 - Contents
In Broadcast - May 2013 - InNEWS: Eredivisie Live Kicks Off With Evs Systems
In Broadcast - May 2013 - 5
In Broadcast - May 2013 - InNEWS: Nep Develops Arise Networks’ Ny News Centre
In Broadcast - May 2013 - 7
In Broadcast - May 2013 - 8
In Broadcast - May 2013 - 9
In Broadcast - May 2013 - 10
In Broadcast - May 2013 - 11
In Broadcast - May 2013 - 12
In Broadcast - May 2013 - 13
In Broadcast - May 2013 - 14
In Broadcast - May 2013 - 15
In Broadcast - May 2013 - 16
In Broadcast - May 2013 - 17
In Broadcast - May 2013 - 18
In Broadcast - May 2013 - 19
In Broadcast - May 2013 - 20
In Broadcast - May 2013 - 21
In Broadcast - May 2013 - 22
In Broadcast - May 2013 - 23
In Broadcast - May 2013 - 24
In Broadcast - May 2013 - 25
In Broadcast - May 2013 - 26
In Broadcast - May 2013 - 27
In Broadcast - May 2013 - InREPLY: International Success for Atg Broadcast
In Broadcast - May 2013 - 29
In Broadcast - May 2013 - 30
In Broadcast - May 2013 - 31
In Broadcast - May 2013 - 32
In Broadcast - May 2013 - 33
In Broadcast - May 2013 - 34
In Broadcast - May 2013 - 35
In Broadcast - May 2013 - InGEAR: Blackmagic Design Demos Production Camera 4k
In Broadcast - May 2013 - 37
In Broadcast - May 2013 - InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
In Broadcast - May 2013 - 39
In Broadcast - May 2013 - 40
In Broadcast - May 2013 - 41
In Broadcast - May 2013 - 42
In Broadcast - May 2013 - 43
In Broadcast - May 2013 - 44
In Broadcast - May 2013 - 45
In Broadcast - May 2013 - 46
In Broadcast - May 2013 - InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
In Broadcast - May 2013 - 48
In Broadcast - May 2013 - 49
In Broadcast - May 2013 - 50
In Broadcast - May 2013 - 51
In Broadcast - May 2013 - 52
In Broadcast - May 2013 - 53
In Broadcast - May 2013 - 54
In Broadcast - May 2013 - 55
In Broadcast - May 2013 - InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
In Broadcast - May 2013 - 57
In Broadcast - May 2013 - 58
In Broadcast - May 2013 - 59
In Broadcast - May 2013 - 60
In Broadcast - May 2013 - InMEDIA: Avid Live Shows at Dock 10 Post
In Broadcast - May 2013 - 62
In Broadcast - May 2013 - 63
In Broadcast - May 2013 - InMEDIA: How Mam Meets the Challenges of Managing Sports Content
In Broadcast - May 2013 - 65
In Broadcast - May 2013 - 66
In Broadcast - May 2013 - 67
In Broadcast - May 2013 - 68
In Broadcast - May 2013 - 69
In Broadcast - May 2013 - 70
In Broadcast - May 2013 - 71
In Broadcast - May 2013 - InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - 73
In Broadcast - May 2013 - 74
In Broadcast - May 2013 - 75
In Broadcast - May 2013 - 76
In Broadcast - May 2013 - 77
In Broadcast - May 2013 - 78
In Broadcast - May 2013 - Cover3
In Broadcast - May 2013 - Cover4
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