In Broadcast - May 2013 - 52
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 19 - MAY 2013
N E W S
InSTUDIO
Camera Support Technology
Jim Evans rounds up the latest product releases and developments in this key sector…
By Jim Evans
Contributing Editor
S
52
achtler has expanded the Ace
product line with the new 75mm
Ace L fluid head. The new fluid head
will be available with a choice of
three different carbon-fibre tripods.
In comparison to the popular Ace
M, Ace L has an extended payload
range of zero to six kilograms (0 to
13 lbs). This makes the new fluid
head extremely versatile: whether
filming with a lightweight videoenabled DSLR camera, a heavier
rig with camera accessories, or a
HDV camcorder, says the company.
Seven
steps
make
counterbalancing comfortable and
quick. The Ace L also features the
patented SA dragTM (Synchronised
Actuated Drag) damping with three
vertical and three horizontal grades
of drag (+0), which provides an
authentic broadcast feel and familiar
dependability for precise panning
and tilting. Popular Sachtler features,
such as the illuminated bubble level,
round out the new Ace L fluid head.
“Due to the great demand for the
Ace M, we decided to develop the
Ace product line further. The new
Ace L offers a choice of carbonfibre tripods, an extended payload
Sachtler’s fluid head is available with
a choice of three different carbonfibre tripods
range for work with multiple camera
accessories, plus typical Sachtler
extras such as the illuminated
bubble level – all at the same price/
performance ratio which quickly
made the Ace M the most popular
tripod system in its class,” says
Barbara Jaumann, Product Manager
at Sachtler.
Vinten Radamec has created
the key to entry level robotics
with its new CP4 control solution.
The CP4, which debuted at IBC
2012, is a simple and easy to use
product designed specifically for
use with small, robotic heads. It
provides the ideal cost effective
solution for a variety of applications
- from regional news studios and
conference centres, to houses of
worship and legislatures.
Karen Walker, Commercial
Manager, Vinten Radamec, says:
“This entry level robotics solution
is set to play a fundamental role in
those smaller robotics applications,
either in non-studio environments or
in remote studios, such as regional
news programmes. It’s simple to
install and straight forward to use
so it can be ready and operational
in minutes – we’re confident that
we’ve created the ultimate out of
the box solution.”
Utilising flexible Ethernet network
architecture, the CP4 has a Windows
based touchscreen user interface
that can be configured to control
up to four heads, and store up to 40
pre-set shots. The desktop solution
is easy to upgrade to include a
user configurable option, with the
capability of controlling up to eight
heads and 200 pre-set shots.
The CP4 is a competitively priced
product that has been designed
to meet the needs of operators
regardless of their level of robotics
knowledge, and provides a solution
that is easy to use, install and
maintain. It supports the Intelligent
Control Engineering (ICE) protocol
that is incorporated into the recently
released series of Vinten Radamec
next generation heads. The ICE
technology delivers unprecedented
control and accuracy in a highly
compact form.
Vinten’s Vision blue5 pan and tilt
head and tripod system has “the
same superb functionality as the
OConnor displayed its range at NAB 2013
extremely successful Vision blue
system, but with a higher carrying
capacity of 5.5kg to 12kg / 12.1lb
to 26.5lb @ 100mm CofG. This
makes the Vision blue5 ideal to
support the latest generation of
larger cameras used by professional
videographers”.
The Vision blue5 is the latest
addition to the company’s Vision
range and the second addition to the
blue series of lightweight pan and
tilt heads and systems. The range
provides today’s camera operators
with genuine broadcast quality
and exceptional performance.
The entire
Vinten Vision
range offers a
cost effective
solution while
delivering all
of the quality
and performance operators
Polecam’s new Resolve Optics Ultra
Compact HD Mini Zoom Lens Z10-HDcf
have come to expect from a
Vinten Vision head. This includes
Vinten’s Perfect Balance technology,
providing consistent movement and
easy positioning of the camera at
any angle, as well as its LF drag
technology that enables complete
control of the camera at any level
of movement.
Peter Harman, Product Manager,
Vinten, says: “The unrivalled
CONTINUED ON
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In Broadcast - May 2013
Table of Contents for the Digital Edition of In Broadcast - May 2013
In Broadcast - May 2013
Contents
InNEWS: Eredivisie Live Kicks Off With Evs Systems
InNEWS: Nep Develops Arise Networks’ Ny News Centre
InREPLY: International Success for Atg Broadcast
InGEAR: Blackmagic Design Demos Production Camera 4k
InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
InMEDIA: Avid Live Shows at Dock 10 Post
InMEDIA: How Mam Meets the Challenges of Managing Sports Content
InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - In Broadcast - May 2013
In Broadcast - May 2013 - Cover2
In Broadcast - May 2013 - Contents
In Broadcast - May 2013 - InNEWS: Eredivisie Live Kicks Off With Evs Systems
In Broadcast - May 2013 - 5
In Broadcast - May 2013 - InNEWS: Nep Develops Arise Networks’ Ny News Centre
In Broadcast - May 2013 - 7
In Broadcast - May 2013 - 8
In Broadcast - May 2013 - 9
In Broadcast - May 2013 - 10
In Broadcast - May 2013 - 11
In Broadcast - May 2013 - 12
In Broadcast - May 2013 - 13
In Broadcast - May 2013 - 14
In Broadcast - May 2013 - 15
In Broadcast - May 2013 - 16
In Broadcast - May 2013 - 17
In Broadcast - May 2013 - 18
In Broadcast - May 2013 - 19
In Broadcast - May 2013 - 20
In Broadcast - May 2013 - 21
In Broadcast - May 2013 - 22
In Broadcast - May 2013 - 23
In Broadcast - May 2013 - 24
In Broadcast - May 2013 - 25
In Broadcast - May 2013 - 26
In Broadcast - May 2013 - 27
In Broadcast - May 2013 - InREPLY: International Success for Atg Broadcast
In Broadcast - May 2013 - 29
In Broadcast - May 2013 - 30
In Broadcast - May 2013 - 31
In Broadcast - May 2013 - 32
In Broadcast - May 2013 - 33
In Broadcast - May 2013 - 34
In Broadcast - May 2013 - 35
In Broadcast - May 2013 - InGEAR: Blackmagic Design Demos Production Camera 4k
In Broadcast - May 2013 - 37
In Broadcast - May 2013 - InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
In Broadcast - May 2013 - 39
In Broadcast - May 2013 - 40
In Broadcast - May 2013 - 41
In Broadcast - May 2013 - 42
In Broadcast - May 2013 - 43
In Broadcast - May 2013 - 44
In Broadcast - May 2013 - 45
In Broadcast - May 2013 - 46
In Broadcast - May 2013 - InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
In Broadcast - May 2013 - 48
In Broadcast - May 2013 - 49
In Broadcast - May 2013 - 50
In Broadcast - May 2013 - 51
In Broadcast - May 2013 - 52
In Broadcast - May 2013 - 53
In Broadcast - May 2013 - 54
In Broadcast - May 2013 - 55
In Broadcast - May 2013 - InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
In Broadcast - May 2013 - 57
In Broadcast - May 2013 - 58
In Broadcast - May 2013 - 59
In Broadcast - May 2013 - 60
In Broadcast - May 2013 - InMEDIA: Avid Live Shows at Dock 10 Post
In Broadcast - May 2013 - 62
In Broadcast - May 2013 - 63
In Broadcast - May 2013 - InMEDIA: How Mam Meets the Challenges of Managing Sports Content
In Broadcast - May 2013 - 65
In Broadcast - May 2013 - 66
In Broadcast - May 2013 - 67
In Broadcast - May 2013 - 68
In Broadcast - May 2013 - 69
In Broadcast - May 2013 - 70
In Broadcast - May 2013 - 71
In Broadcast - May 2013 - InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - 73
In Broadcast - May 2013 - 74
In Broadcast - May 2013 - 75
In Broadcast - May 2013 - 76
In Broadcast - May 2013 - 77
In Broadcast - May 2013 - 78
In Broadcast - May 2013 - Cover3
In Broadcast - May 2013 - Cover4
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