In Broadcast - May 2013 - 47


ISSUE 19 - MAY 2013 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

N E W S

InAUDIO
Intercoms And Talkbacks Cont.
microphone signal on a three-pin
XLR. The unit has a built in lineup tone generator for easy channel
identification and cabling checks.
Telos’ Hx6 is a six-line talkshow
system which works with POTS
or ISDN phone lines, and comes
equipped with dual hybrids for
conferencing. This uses the same
technology as Telos’ Hx1 and Hx2
telephone hybrids. Features include
an inaudible pitch shifter to reduce
the risk of feedback in open-speaker
studios plus new six-line phone

controllers with VGA LCD displays.
Direct on-console control of multiple
lines and hybrids from Axia IP-Audio
mixing consoles are provided.
Trilogy’s Messenger is a
matrix-based intercom designed
to bridge the gap between twowire party line systems and larger
broadcast intercom systems. The
standard version is an eight-port
matrix running from a single power
supply, with pre-stored configuration
parameters and two operator panels.

Trilogy’s Messenger bridges the gap between two-wire party line systems and
larger broadcast intercom systems

Up
to
two eightchannel
expansion
boards can
be added
to achieve
a 24-port
capacity. An
additional
interface
board can provide up to four
channels of analogue telephone
service. An internet audio interface
is also available. The base system
can be expanded with a range of
matrix, panel, interface and software
options.
Z a x c o m ’s T R X 7 4 2 i s a
microphone transmitter supporting
analogue mono, analogue stereo
and AES42. It incorporates
Zaxcom’s internal backup recording,
ZaxNet remote control and a dual
analogue to digital converting
preamplifier with a claimed dynamic
range of 127 decibels.
The TRX742 uses encrypted digital
transmission. The internal audio
recorder is timecode-referenced and

Zaxcom’s TRX742 is a microphone
transmitter supporting analogue
mono, analogue stereo and AES42

backs up all wireless transmissions
to a removable microSD card as
protection against audio loss due
to interference or signal dropout. It
is powered by three AA lithium or
rechargeable NiMH batteries and
has a variable RF power output of 25,
50 or 125 milliwatts. ZaxNet is a 2.4
gigehertz RF network that enables
distribution of remote control signals,
timecode and metadata.
This allows TRX742 users to
control gain and audio replays
remotely via a timecode reference
so that multiple Zaxcom wireless
systems can replay audio in sync.

Clear-Com’s Eclipse-Pico For Kansai Telecasting Corporation
C

lear-Com, a specialist in
critical voice communication
systems, is providing the Japanese
broadcaster, Kansai Telecasting
Corporation (KTV), with a unified
communications infrastructure for
its remote productions.
The Clear-Com Eclipse-PiCo
Digital Matrix Systems and V-Series
Intercom Panels have been installed
in KTV’s fleet of mobile production
vehicles and integrated with the
station’s other communication
systems. This has enabled KTV crew
members in the field to communicate
easily and collaborate effectively
with those back in the studio.
The Eclipse-PiCo, supplied by
MTC, Clear-Com’s Partner for
Japan, is ideal for KTV’s vehicles.
The PiCo’s compact 1RU design
makes it the perfect size for mobile
production vehicles where space
is limited. The V-Series 12-key
lever control panels are set in the
vehicles’ program director, switcher
and video engineer positions. The
Eclipse-PiCo matrix systems are
also integrated with KTV’s other
communications equipment, such
VHF, UHF and four-way radios,
which are required for satellite
newsgathering. By connecting the
Eclipse-PiCo system in each van
along with a variety of other systems,
reliable communications coverage
has been extended to every KTV
production space. KTV is also able

to integrate future system purchases
with the Eclipse-PiCo systems they
have in place.
“We were already using an EclipsePiCo in one van in our fleet. When
it came time to upgrade our other
vans, we decided to continue with
Clear-Com since our existing system
has performed flawlessly and our
staff members are familiar with its
capabilities,” says Yasuhiro Asakura,
KTV Production Engineering
Department Media Engineer.
“Since the integration of the Eclipse
systems, we have been even more
pleased with how they have helped
our workflow.”
“With the Eclipse-PiCo, crew
members are able to collaborate
smoothly across all their production
spaces,” says Koji Kashimoto,
Director of MTC’s Osaka office.
“They also have significant control
over their systems with ECS, can
handle the unexpected quickly
and are able to work with great
efficiency.”
“We’re proud that one of the leading
broadcasters in Kansai has chosen
to expand their communications
setup with Clear-Com,” says Peter
Giddings Clear-Com’s Regional
Sales Manager, Brazil (Broadcast
only), Japan, Korea, Australia and
New Zealand. “The small size
and rich capability offered by the
Eclipse-PiCo system is a huge
advantage for small to mid-size

production environments such as
KTV’s fleet of vehicles.”
KTV provides its viewers with a
wide selection of drama, sports,
news, documentary and variety
programming, as well as live
entertainment and mobile content.
In addition, KTV also produces

feature films.
The Eclipse Configuration
Software (ECS) enables the staff
to easily adjust the system setup
and customise communication
groups for each of those different
productions.

Clear-Com’s outside broadcast van for KTV

47


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Table of Contents for the Digital Edition of In Broadcast - May 2013

In Broadcast - May 2013
Contents
InNEWS: Eredivisie Live Kicks Off With Evs Systems
InNEWS: Nep Develops Arise Networks’ Ny News Centre
InREPLY: International Success for Atg Broadcast
InGEAR: Blackmagic Design Demos Production Camera 4k
InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
InMEDIA: Avid Live Shows at Dock 10 Post
InMEDIA: How Mam Meets the Challenges of Managing Sports Content
InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - In Broadcast - May 2013
In Broadcast - May 2013 - Cover2
In Broadcast - May 2013 - Contents
In Broadcast - May 2013 - InNEWS: Eredivisie Live Kicks Off With Evs Systems
In Broadcast - May 2013 - 5
In Broadcast - May 2013 - InNEWS: Nep Develops Arise Networks’ Ny News Centre
In Broadcast - May 2013 - 7
In Broadcast - May 2013 - 8
In Broadcast - May 2013 - 9
In Broadcast - May 2013 - 10
In Broadcast - May 2013 - 11
In Broadcast - May 2013 - 12
In Broadcast - May 2013 - 13
In Broadcast - May 2013 - 14
In Broadcast - May 2013 - 15
In Broadcast - May 2013 - 16
In Broadcast - May 2013 - 17
In Broadcast - May 2013 - 18
In Broadcast - May 2013 - 19
In Broadcast - May 2013 - 20
In Broadcast - May 2013 - 21
In Broadcast - May 2013 - 22
In Broadcast - May 2013 - 23
In Broadcast - May 2013 - 24
In Broadcast - May 2013 - 25
In Broadcast - May 2013 - 26
In Broadcast - May 2013 - 27
In Broadcast - May 2013 - InREPLY: International Success for Atg Broadcast
In Broadcast - May 2013 - 29
In Broadcast - May 2013 - 30
In Broadcast - May 2013 - 31
In Broadcast - May 2013 - 32
In Broadcast - May 2013 - 33
In Broadcast - May 2013 - 34
In Broadcast - May 2013 - 35
In Broadcast - May 2013 - InGEAR: Blackmagic Design Demos Production Camera 4k
In Broadcast - May 2013 - 37
In Broadcast - May 2013 - InGEAR: Ensemble Designs’ Brighteye Nxt 430 Router
In Broadcast - May 2013 - 39
In Broadcast - May 2013 - 40
In Broadcast - May 2013 - 41
In Broadcast - May 2013 - 42
In Broadcast - May 2013 - 43
In Broadcast - May 2013 - 44
In Broadcast - May 2013 - 45
In Broadcast - May 2013 - 46
In Broadcast - May 2013 - InAUDIO: Clear-Com’s Eclipse - Pico for Ktv
In Broadcast - May 2013 - 48
In Broadcast - May 2013 - 49
In Broadcast - May 2013 - 50
In Broadcast - May 2013 - 51
In Broadcast - May 2013 - 52
In Broadcast - May 2013 - 53
In Broadcast - May 2013 - 54
In Broadcast - May 2013 - 55
In Broadcast - May 2013 - InSTUDIO: Cartoni Debuts Magnum & Jibo & Nabshow 2013
In Broadcast - May 2013 - 57
In Broadcast - May 2013 - 58
In Broadcast - May 2013 - 59
In Broadcast - May 2013 - 60
In Broadcast - May 2013 - InMEDIA: Avid Live Shows at Dock 10 Post
In Broadcast - May 2013 - 62
In Broadcast - May 2013 - 63
In Broadcast - May 2013 - InMEDIA: How Mam Meets the Challenges of Managing Sports Content
In Broadcast - May 2013 - 65
In Broadcast - May 2013 - 66
In Broadcast - May 2013 - 67
In Broadcast - May 2013 - 68
In Broadcast - May 2013 - 69
In Broadcast - May 2013 - 70
In Broadcast - May 2013 - 71
In Broadcast - May 2013 - InFILE: Simplifying Alpha Network’s Ott and Iptv Delivery - Harmonic
In Broadcast - May 2013 - 73
In Broadcast - May 2013 - 74
In Broadcast - May 2013 - 75
In Broadcast - May 2013 - 76
In Broadcast - May 2013 - 77
In Broadcast - May 2013 - 78
In Broadcast - May 2013 - Cover3
In Broadcast - May 2013 - Cover4
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