In Broadcast - May 2013 - 4


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 19 - MAY 2013

N E W S

InNEWS

Eredivisie Live Kicks Off With
EVS Sports System Backbone
D

utch TV subscription channel
Eredivisie Live has chosen
EVS solutions as the backbone to
its new, integrated live HD video
production infrastructure.
The deal, comprising the full range
of EVS’ Sports solutions, will enable
the broadcaster and rights owner to
enrich and create a more interactive
viewer experience from a centralised
HD-enabled production hub that will
be connected via ﬁbre to all venues.
As the nation’s largest pay TV
channel, Eredivisie Live wanted
a solution that would allow
it to best exploit its valuable
content and deliver it instantly to
multiple platforms – including its
downloadable web application. They
also wanted to be able to enrich
their programming with exclusive
footage, sophisticated graphics and
HD-quality images.
“With the growing desire of
viewers to have access to live and

4

personalised
content and
with
the
additional
demands of
distributing
to multiple
platforms, we
needed
a
solution to help
us offer our
Eredivisie Live
fans more and
better content,”
said Jan De
Vries, Director
Operations &
Infrastructure. EVS’ C-Cast can provide multiple angles on a second screen
“EVS’ heritage
and expertise in live production was
create an enhanced live production
the perfect match to provide our
workﬂow from ingest to playout
subscribers with a truly interactive
including XS servers, XT3 production
and enhanced viewing experience.”
servers, IPDirector, IPBrowse,
EVS Sports will supply Eredivisie
XStoreSAN, EpsioLive and C-Cast.
Live with a wide range of solutions to

Kontinental Hockey Uses Orad Graphics
T

he Kontinental Hockey League
(KHL), Russia’s premier Eurasian
sports organisation is using Orad’s
HDVG+ video rendering platform
and real-time graphic solutions.

Solutions include 3DPlay and
ADVision, to further improve the
league’s extensive game coverage.
KHL’s new Orad-driven sports
production workflow provides
viewers with
more detailed
real-time
information
including
players’ names,
statistics,
tables, and
scores during
the live game
broadcast.
KHL employs
KHL’s workﬂow is based on Orad’s real-time sports production
O r a d ’ s

3DPlay controller and ADVision
sports solution to place virtual
advertisements on the ice during
game broadcasts, and provide
viewers with up-to-the-second
player coverage and statistics.
Orad integrates with the local and
central hockey league databases
to display real-time data through
visually stunning graphics.
Orad Hi-Tec Systems provide
real-time 3D broadcast graphics,
video servers, and media asset
management solutions including
news, channel branding, sports
production and enhancement,
elections and special events, virtual
studios, and virtual advertisement.

Sony Builds 4K OB
Truck For Telegenic
USA: Sony has been selected
by long-term partner Telegenic
to design and build one of
the world’s first 4K OB trucks.
The OB vehicle, capable of
capturing live footage in HD or 4K,
delivers a bespoke solution that
will push production boundaries.
It will be used in the coming months
at a number of high-profile events.
Capturing live footage in HD
or 4K is underpinned by Sony’s
product portfolio.

Civolution 4K
Forensic Solution
USA: During NAB, Civolution
conﬁrmed its support of 4K Ultra
HD for its NexGuard – Streaming
forensic watermarking solution.
Capitalising on its experience
in 4K video watermarking in
digital cinema, Civolution is now
offering video service providers
watermarking solutions for 4K
Ultra HD content distribution.
Civolution’s NexGuard streaming
technology can provide session
based forensic watermarking for 4K
content distribution, enabling content
owners to offer their most valuable
content in Ultra HD with confidence.

Eyeheight Boost
London Marathon
GBR: Eyeheight colour correctors
were deployed during coverage
of the 2013 London Marathon.
Six CC-2M channels housed in
two chassis were used to ensure
consistent colour matching
between traditional cameras at
fixed locations plus a variety of
minicams following the action.
Designed to handle 525/625, 720
and 1080 line content, Eyeheight’s
CC-2M colour corrector is an
auto-sensing system allowing
independent real-time adjustment.

Compact stand alone fibre interfaces
Full Broadcast quality and 3G pathological signal performance
Wide range to suit different applications and budgets
Designed for Outside Broadcast and Studio Applications
Best price and performance ratio on the market

www.bluebell.tv

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In Broadcast - May 2013

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