In Broadcast - April 2013 - 8

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 18 - APRIL 2013

N E W S

InNEWS

Miranda Master Control iTX
Platform For WTLW TV44
A

complete master control rebuild
with Miranda’s iTX integrated
playout platform has taken place
at WTLW TV44 and its second
channel, the West Ohio Sports
Net, TV 44.2.
The Miranda solution replaced
aging analogue equipment with an
HD-ready workflow that supports
file-based content and includes the
iTX playout platform, an NVISION
8144 router with redundant NV9000
controllers, a dual-channel Vertigo
character generator, Kaleido-X
multiviewer and a Densite frame
populated with Densite IRD cards.
iTX’s highly integrated, end-toend workflow capabilities streamline
all core playout processes for
WTLW. WTLW made its purchase
decision based on iTX’s low cost
of ownership, simple scalability and
superior playout performance.

WTLW TV44 Master Control Room runs on Miranda’s iTX platform

Jeff Klingler, Chief Engineer at
WTLW said: “Most stations of our
size are affiliated with a network,
with lots of airtime filled with content
from a network feed. In our case,
though, much of our content is
locally produced.
“Before iTX, our workflow was
missing a very important component
and iTX has proven to be the tool we
needed to assemble everything we

produce and get it on air. Our on-air
HD picture looks like a million bucks.”
The iTX framework servers
provide centralised system services,
central content storage, HD/SD
SDI encoding, digital file ingest,
playout of dual 720p streams with
embedded AES audio multiplexed to
WTLW’s transmitter and controlled
user access for any operation or
service within the iTX system.

SGL And EVS Technology Partnership

Pablo Rio V2
Powers Ahead
GBR: Quantel’s Pablo Rio V2,
a 64-bit application, unlocks
the full power of the platform.
Pablo Rio V2 supports realtime 4K 16-bit, offering multiple
colour correction cascades at
4K with real-time playback.
Running on high performance PC
hardware, it utilises NVIDIA Maximus
multi-GPU technology with CUDAenabled GPUs to deliver high
interactivity and maximum throughput.
V2 supports P2 Class 100 and Class
50 AVCi encoding for MXF export.

INC Opts For
Argosy Lines
KUW: Systems integrator
INC has selected Argosy
equipment for a Kuwait TV HD
studio infrastructural upgrade.
“We have a longstanding
relationship with Argosy and chose
their infrastructure equipment
because the company not only
distribute some of the best quality
products on the market, but they
also have one of the largest range
of products available,” said Tariq
Qahwaji, Operations Manager, INC
System Integrations.

8

S

oftware Generation Ltd (SGL)
has announced a technology
partnership with EVS.
The partnership will see SGL
FlashNet integrated with IPDirector,
EVS’ suite of video production
management applications.
This will enable broadcasters
and production companies to
transfer media
seamlessly from
EVS live production
servers to the SGL
FlashNet archive
library through EVS’
IP2Archive module
in IPDirector.
N i c o l a s
Bourdon, Senior
VP Marketing, EVS

said: “In the world of fast-paced
sports production the power of
EVS servers and the accessibility
of XStore storage is second to none.
As the catalogue of content grows
over time, simply adding more
disk storage isn’t ideal for longerterm offline storage. By integrating
IPDirector and
SGL FlashNet
we’ve provided
a seamless way
for broadcasters
to archive their
production
content.”
Bernie Walsh,
Wo r l d w i d e
EVS IP2Archive to utilise
SGL FlashNet technology

Sales & Joint Managing Director
added: “We’re delighted to be
working with EVS to provide a longterm storage solution that improves
workflow procedures for customers.”
The SGL FlashNet archive
provides high availability for any
combination of disk and tape
storage. With the addition of LTO
technology the storage capabilities
for EVS servers can be expanded
almost infinitely.
FlashNet’s unique clustered
architecture wraps a software
management layer around the
physical storage allowing a mix
of storage platforms as well as
providing a technology-proof buffer
between the EVS environment and
the archive storage.

Pyramix Double
Grammy Win
SUI: Merging Technologies’ Pyramix
has helped deliver Best Orchestral
Performance and Best Classical
Compendium Grammy wins.
Recording the San Francisco
Symphony Orchestra, Jack Vad
said: “Pyramix still has both
the sonic quality we need and
tremendous workflow capabilities
that make it our only choice.”
In Poland, the recording and
production team of Andrzej Sasin
and Aleksandra Nagoróko from CD
Accord had the challenge of making
the compendium for Naxos.

Built for Broadcast Teams that
oadca
Refuse to Produce Average Stories
use
us
To create a production that tells a great story, your need an even stronger team. But, it’s a team made up of
more than just the people. Reliable wireless intercom is key to take your broadcast productions to the next level.
Clear-Com’s 2.4 GHz Tempest®2400 wireless system provides just that. It’s a powerful wireless intercom solution
for dynamic broadcast productions.
Available as a two or four channel offering, the robust Tempest2400 is the most feature-rich wireless intercom
in the market. It delivers cutting-edge RF technologies to ensure interference-free
communications for mobile productions and broadcast studios. The unique Seamless
Roaming feature of the Tempest2400 also allows crew members to have continuous
wireless coverage throughout multi-studio and multi-floor facilities.
With Clear-Com’s Tempest2400 intercom, you have a team player to help
you air news at its very best.
Copyright © 2013. Clear-Com, LLC. All rights reserved. ® Clear-Com and the Clear-Com logo are registered trademarks of HM Electronics, Inc. Tempest is a trademark of CoachComm, LLC.

www.clearcom.com


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In Broadcast - April 2013

Table of Contents for the Digital Edition of In Broadcast - April 2013

In Broadcast - April 2013
Contents
InNEWS: Chyron to Merge With Hego Group
InNEWS: Studiovision Lebanon HD OB Truck
InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
InREPLY: Harmonic Answers on MPEG DASH
InGEAR: Camp Digital Hits the Road
InVIEW: Hyper-Local TV Channels
InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
InMEDIA: Understanding Media Asset Management
InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - In Broadcast - April 2013
In Broadcast - April 2013 - Cover2
In Broadcast - April 2013 - Contents
In Broadcast - April 2013 - InNEWS: Chyron to Merge With Hego Group
In Broadcast - April 2013 - 5
In Broadcast - April 2013 - InNEWS: Studiovision Lebanon HD OB Truck
In Broadcast - April 2013 - 7
In Broadcast - April 2013 - 8
In Broadcast - April 2013 - 9
In Broadcast - April 2013 - 10
In Broadcast - April 2013 - 11
In Broadcast - April 2013 - 12
In Broadcast - April 2013 - 13
In Broadcast - April 2013 - 14
In Broadcast - April 2013 - 15
In Broadcast - April 2013 - 16
In Broadcast - April 2013 - 17
In Broadcast - April 2013 - 18
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In Broadcast - April 2013 - 20
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In Broadcast - April 2013 - 25
In Broadcast - April 2013 - 26
In Broadcast - April 2013 - 27
In Broadcast - April 2013 - 28
In Broadcast - April 2013 - 29
In Broadcast - April 2013 - InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
In Broadcast - April 2013 - 31
In Broadcast - April 2013 - 32
In Broadcast - April 2013 - 33
In Broadcast - April 2013 - InREPLY: Harmonic Answers on MPEG DASH
In Broadcast - April 2013 - 35
In Broadcast - April 2013 - 36
In Broadcast - April 2013 - 37
In Broadcast - April 2013 - InGEAR: Camp Digital Hits the Road
In Broadcast - April 2013 - 39
In Broadcast - April 2013 - 40
In Broadcast - April 2013 - 41
In Broadcast - April 2013 - InVIEW: Hyper-Local TV Channels
In Broadcast - April 2013 - 43
In Broadcast - April 2013 - 44
In Broadcast - April 2013 - 45
In Broadcast - April 2013 - 46
In Broadcast - April 2013 - 47
In Broadcast - April 2013 - 48
In Broadcast - April 2013 - 49
In Broadcast - April 2013 - 50
In Broadcast - April 2013 - 51
In Broadcast - April 2013 - 52
In Broadcast - April 2013 - 53
In Broadcast - April 2013 - 54
In Broadcast - April 2013 - 55
In Broadcast - April 2013 - InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
In Broadcast - April 2013 - 57
In Broadcast - April 2013 - 58
In Broadcast - April 2013 - InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
In Broadcast - April 2013 - 60
In Broadcast - April 2013 - 61
In Broadcast - April 2013 - 62
In Broadcast - April 2013 - 63
In Broadcast - April 2013 - 64
In Broadcast - April 2013 - 65
In Broadcast - April 2013 - 66
In Broadcast - April 2013 - InMEDIA: Understanding Media Asset Management
In Broadcast - April 2013 - 68
In Broadcast - April 2013 - 69
In Broadcast - April 2013 - 70
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In Broadcast - April 2013 - 85
In Broadcast - April 2013 - 86
In Broadcast - April 2013 - 87
In Broadcast - April 2013 - InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - 89
In Broadcast - April 2013 - 90
In Broadcast - April 2013 - Cover4
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