In Broadcast - April 2013 - 77

ISSUE 18 - APRIL 2013 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

InSTUDIO

‘When In Doubt Choose
A Hard Light Source’

The ultimate in quality and flexibility from
the world’s most popular network connected
studio interface...

H

Hive Lighting co-founder Jon Miller
on the red carpet at the SXSW festival

NETWORKED

AUDIO INTERFACE

By
Hive Lighting

ive Lighting are firm believers
that you can always make
a hard light soft, but you can’t
make a soft light hard. Give them
a beautiful strong light and they can
light anything. It is part of why they
love their plasma source so much.
Hive’s plasma technology
e m b r a c e s e n e rg y e ff i c i e n t
fixtures that pack real punch. The
company’s plasma lights 5600K
single point source fixtures which
consume 50%-90% less energy
than conventional studio fixtures,
are completely flicker free, last
10,000 hours, and produce even full
spectrum daylight with a 94CRI. Not
only does it make great hard beams
easy to cut and control, but it can
easily be softened and shaped for
beautiful soft effects. Sources like
Wasp Plasma Par and Killer Plasma
Maxis are perfect for creating large
bounces, “book lights” and filling
diffusion frames to create soft light
with some real power.
Hive has discovered that
their Wasp Pars make excellent
continuous light sources for
photography for just this reason.
Using silver and white umbrellas
as well as a wide variety of soft
boxes from multiple manufactures,
the pars lack of heat makes it
an incredibly flexible continuous
source for photographers to use
with existing accessories. The key
is that strong and powerful light
source Hive starts with, giving
the photographer plenty of raw
exposure to shape and soften
as needed. Along with that, the
complete lack of flicker and the
low power consumption means

N E W S

BOOTH C3239
Hive Lighting’s Wasp Plasma Par is
an energy efficient light source

the Wasp gives the photographer
flexibility in camera, lens and
location choices.
For many of the same reasons the
Wasp also makes a great source
for interviews, especially when on
location. Being able to run the Wasp
off batteries and pairing it with a
soft box allows for a highly mobile
source, flattering for on screen
talent and interview subjects, but
strong enough to fight daylight.
Starting with the hard plasma par
source, means the cameraperson
can adjust the diffusion levels to
match both the subject he/she is
shooting and the output needs of
the location.
Recently Hive had the opportunity
to blend the advantages of their
hard and soft source opportunities
in a video produced to show behind
the scenes of the lighting done
for a commercial shoot featuring
the Chevy Volt. The video shows
examples of soft beauty light on
the model and product and the
Wasp Pars being used to do
hard architectural accent lights
in the same frame. The video can
be seen by visiting: Vimeo.com/
channels/litwithhive
Hive Lighting also had the
opportunity to work at the SXSW
film festival where they provided
red carpet lighting for all the movie
premieres. Being an all day festival
they needed a strong source with
very little power consumption that
could fight the sun but make the
moviestars look great.
The Wasp Plasma Par was the
perfect instrument, saving the
festival, time and money without
sacrificing any of the quality they
had come to expect for a prestigious
film festival.

STUDIO/BROADCAST/LIVE
77

See us at NAB 2013:
Booth No. SU5511

www.liveu.tv


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In Broadcast - April 2013

Table of Contents for the Digital Edition of In Broadcast - April 2013

In Broadcast - April 2013
Contents
InNEWS: Chyron to Merge With Hego Group
InNEWS: Studiovision Lebanon HD OB Truck
InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
InREPLY: Harmonic Answers on MPEG DASH
InGEAR: Camp Digital Hits the Road
InVIEW: Hyper-Local TV Channels
InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
InMEDIA: Understanding Media Asset Management
InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - In Broadcast - April 2013
In Broadcast - April 2013 - Cover2
In Broadcast - April 2013 - Contents
In Broadcast - April 2013 - InNEWS: Chyron to Merge With Hego Group
In Broadcast - April 2013 - 5
In Broadcast - April 2013 - InNEWS: Studiovision Lebanon HD OB Truck
In Broadcast - April 2013 - 7
In Broadcast - April 2013 - 8
In Broadcast - April 2013 - 9
In Broadcast - April 2013 - 10
In Broadcast - April 2013 - 11
In Broadcast - April 2013 - 12
In Broadcast - April 2013 - 13
In Broadcast - April 2013 - 14
In Broadcast - April 2013 - 15
In Broadcast - April 2013 - 16
In Broadcast - April 2013 - 17
In Broadcast - April 2013 - 18
In Broadcast - April 2013 - 19
In Broadcast - April 2013 - 20
In Broadcast - April 2013 - 21
In Broadcast - April 2013 - 22
In Broadcast - April 2013 - 23
In Broadcast - April 2013 - 24
In Broadcast - April 2013 - 25
In Broadcast - April 2013 - 26
In Broadcast - April 2013 - 27
In Broadcast - April 2013 - 28
In Broadcast - April 2013 - 29
In Broadcast - April 2013 - InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
In Broadcast - April 2013 - 31
In Broadcast - April 2013 - 32
In Broadcast - April 2013 - 33
In Broadcast - April 2013 - InREPLY: Harmonic Answers on MPEG DASH
In Broadcast - April 2013 - 35
In Broadcast - April 2013 - 36
In Broadcast - April 2013 - 37
In Broadcast - April 2013 - InGEAR: Camp Digital Hits the Road
In Broadcast - April 2013 - 39
In Broadcast - April 2013 - 40
In Broadcast - April 2013 - 41
In Broadcast - April 2013 - InVIEW: Hyper-Local TV Channels
In Broadcast - April 2013 - 43
In Broadcast - April 2013 - 44
In Broadcast - April 2013 - 45
In Broadcast - April 2013 - 46
In Broadcast - April 2013 - 47
In Broadcast - April 2013 - 48
In Broadcast - April 2013 - 49
In Broadcast - April 2013 - 50
In Broadcast - April 2013 - 51
In Broadcast - April 2013 - 52
In Broadcast - April 2013 - 53
In Broadcast - April 2013 - 54
In Broadcast - April 2013 - 55
In Broadcast - April 2013 - InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
In Broadcast - April 2013 - 57
In Broadcast - April 2013 - 58
In Broadcast - April 2013 - InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
In Broadcast - April 2013 - 60
In Broadcast - April 2013 - 61
In Broadcast - April 2013 - 62
In Broadcast - April 2013 - 63
In Broadcast - April 2013 - 64
In Broadcast - April 2013 - 65
In Broadcast - April 2013 - 66
In Broadcast - April 2013 - InMEDIA: Understanding Media Asset Management
In Broadcast - April 2013 - 68
In Broadcast - April 2013 - 69
In Broadcast - April 2013 - 70
In Broadcast - April 2013 - 71
In Broadcast - April 2013 - 72
In Broadcast - April 2013 - 73
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In Broadcast - April 2013 - 83
In Broadcast - April 2013 - 84
In Broadcast - April 2013 - 85
In Broadcast - April 2013 - 86
In Broadcast - April 2013 - 87
In Broadcast - April 2013 - InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - 89
In Broadcast - April 2013 - 90
In Broadcast - April 2013 - Cover4
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