In Broadcast - April 2013 - 14

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 18 - APRIL 2013

N E W S

InNEWS

Mosart Upgrades Feature Set
M

osart Newscast Automation
3.4 has a range of new
features and functions, including a
redesigned graphical user interface
(GUI) with full user configurability,
which further enhances the most
versatile and powerful studio
automation system on the market.
Story elements such as cameras,
clips, and graphics can easily be
assigned to buttons for simple and
quick access.
A range of interface overviews
also can be assigned to buttons,
making the GUI a shot box for touch
screens and adaptable for a range
of TV productions.
Mosart now supports eight
manufacturers of audio mixers,
five manufacturers of vision mixers,
nine brands of video servers, nine
graphics systems, and six camera
robotics systems – as well as
simultaneous usage of gear from
multiple camera robotic vendors,
the most recent being Technodolly.
Mosart’s Virtual Audio Fader Panel

Mosart multi-studio solution integrates with management systems

gives the director and production
staff more control and a better
overview of audio faders and
levels – both those on air and those
coming up next.
Content repurposing/reuse and
MAM integration are enhanced with
Mosart’s delivery of news as-run
information to continuity control
systems such as Snell’s Morpheus.

Mosart multi-studio solution is a
software package for larger multistudio broadcasters, and consists
of Mosart Media Router and Mosart
Template Sharing.
Mosart’s system also integrates
with studio management systems
to provide the ultimate in
efficiency and economy.

MultiDyne Demos HD-6Pack Multiplexers
ultiDyne
is
demonstrating the
HD-6Pack, a new line of
CWDM multiplexers, at
NAB.
Utilsing the HD-6000,
HD-12000, or HD-18000,
users can transport up to 18 HDSDI signals per single-mode fibre,
making it an extremely powerful and
economical HD-trunking solution.
“With today’s television viewers
increasingly demanding data-hungry
services – and 4K just on the horizon
– fibre and bandwidth are both at
a premium,” said Frank Jachetta,
President of MultiDyne.
“HD-6Pack multiplexers are
designed to maximise efficiencies
for users by supporting up to 18

USA: Ventuz will demo a pre-release
of its next generation software suite.
Ventuz 4 introduces a new licensing
model that differentiates between
broadcast and events solutions.
Aimed at high-end presentation
and broadcast graphics, Ventuz
4 offers simplified workflow,
an enhanced video engine
and a new text render engine.
Ventuz is introducing its Director
application for playout and control.

Primestream FORK
4.0 Launched

14

M

Ventuz 4 For
NAB Preview

4K signals with one fibre.
The HD-6Pack comes in
three models: a six-channel
HD-6000, a 12-channel HD12000, and a 18-channel
HD-18000, with the option
MultiDyne HD-6Pack CWDM multiplexer
to be rackmounted for
increased flexibility.
HD-SDI signals on just one fibre.
MultiDyne also unveiled a powerful
The high-performance platform has
new CWDM remapper/multiplexer –
already been successfully tested
the FS-18000 Fiber-Saver.
by a large international broadcaster
Capable of transporting up to
during a high-profile winter sporting
18 digital optical or SDI signals
event, demonstrating its reliability
over a single fibre, the FS-18000
in the most severe weather and
Fiber-Saver dramatically simplifies
operating conditions.”
the transport of additional signals
Portable and easy to use, the HDin remote locations where there is
6Pack can easily support emerging
an insufficient amount of available
fibres, potentially lowering a user’s
4K applications, providing users with
transmission costs.
the capability to transport up to four

USA: Primestream has released
FORK 4.0, the latest version of its
FORK Production Suite for managing
and automating broadcast workflows.
New features, modules, APIs,
and integrations make FORK 4.0 a
complete platform for administering
complex media workflows.
New to the suite is FORK Logger,
a tool for adding metadata to video,
as well as new codec support,
archive and restore workflows, and
the most robust Windows version
of the FORK Production client and
server application.

Softel Swift
Captioning
USA: Softel, part of Miranda
Technologies, will be showcasing
its Swift family at NAB.
These
solutions
allow
content producers to comply
with the FCC’s CCVA that
mandates closed captioning
video content delivered over IP.
Swift enables the creation,
repurposing, encoding, transcoding,
insertion and transmission of
closed captions and subtitles.
Also on show will be MediaSphere
that supports interactive technologies
including connected TV, second
screen and set-top-boxes.

Aston 3D. Advanced Graphics Creation and Playout
www.brainstorm.es


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In Broadcast - April 2013

Table of Contents for the Digital Edition of In Broadcast - April 2013

In Broadcast - April 2013
Contents
InNEWS: Chyron to Merge With Hego Group
InNEWS: Studiovision Lebanon HD OB Truck
InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
InREPLY: Harmonic Answers on MPEG DASH
InGEAR: Camp Digital Hits the Road
InVIEW: Hyper-Local TV Channels
InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
InMEDIA: Understanding Media Asset Management
InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - In Broadcast - April 2013
In Broadcast - April 2013 - Cover2
In Broadcast - April 2013 - Contents
In Broadcast - April 2013 - InNEWS: Chyron to Merge With Hego Group
In Broadcast - April 2013 - 5
In Broadcast - April 2013 - InNEWS: Studiovision Lebanon HD OB Truck
In Broadcast - April 2013 - 7
In Broadcast - April 2013 - 8
In Broadcast - April 2013 - 9
In Broadcast - April 2013 - 10
In Broadcast - April 2013 - 11
In Broadcast - April 2013 - 12
In Broadcast - April 2013 - 13
In Broadcast - April 2013 - 14
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In Broadcast - April 2013 - 27
In Broadcast - April 2013 - 28
In Broadcast - April 2013 - 29
In Broadcast - April 2013 - InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
In Broadcast - April 2013 - 31
In Broadcast - April 2013 - 32
In Broadcast - April 2013 - 33
In Broadcast - April 2013 - InREPLY: Harmonic Answers on MPEG DASH
In Broadcast - April 2013 - 35
In Broadcast - April 2013 - 36
In Broadcast - April 2013 - 37
In Broadcast - April 2013 - InGEAR: Camp Digital Hits the Road
In Broadcast - April 2013 - 39
In Broadcast - April 2013 - 40
In Broadcast - April 2013 - 41
In Broadcast - April 2013 - InVIEW: Hyper-Local TV Channels
In Broadcast - April 2013 - 43
In Broadcast - April 2013 - 44
In Broadcast - April 2013 - 45
In Broadcast - April 2013 - 46
In Broadcast - April 2013 - 47
In Broadcast - April 2013 - 48
In Broadcast - April 2013 - 49
In Broadcast - April 2013 - 50
In Broadcast - April 2013 - 51
In Broadcast - April 2013 - 52
In Broadcast - April 2013 - 53
In Broadcast - April 2013 - 54
In Broadcast - April 2013 - 55
In Broadcast - April 2013 - InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
In Broadcast - April 2013 - 57
In Broadcast - April 2013 - 58
In Broadcast - April 2013 - InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
In Broadcast - April 2013 - 60
In Broadcast - April 2013 - 61
In Broadcast - April 2013 - 62
In Broadcast - April 2013 - 63
In Broadcast - April 2013 - 64
In Broadcast - April 2013 - 65
In Broadcast - April 2013 - 66
In Broadcast - April 2013 - InMEDIA: Understanding Media Asset Management
In Broadcast - April 2013 - 68
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In Broadcast - April 2013 - 85
In Broadcast - April 2013 - 86
In Broadcast - April 2013 - 87
In Broadcast - April 2013 - InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - 89
In Broadcast - April 2013 - 90
In Broadcast - April 2013 - Cover4
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