In Broadcast - April 2013 - 12
I N T E R N A T I O N A L
WWW.INBROADCAST.COM | ISSUE 18 - APRIL 2013
N E W S
InNEWS
Primestream Unveils Dig-IT
Server-Based Application
P
rimestream is showing DigIT, a server-based software
application for broadcast,
government, entertainment, and
corporate IT departments that aims
to help them monitor broadcast IT
operations from anywhere.
The application monitors hardware
and software within single and
multiple IT facilities, in addition
to the FORK Production Suite –
making it easy for IT administrators
to manage any kind of broadcastrelated IT activity. Dig-IT is designed
to work seamlessly within a FORK
environment or as a stand-alone
solution in multiple applications.
“Our strategy is to give all kinds
of broadcast operations complete
control over their entire workflow,”
said Claudio Lisman, Primestream
President and CEO. “Before Dig-IT,
system administrators had to initiate
remote sessions into individual
12
computers in order to monitor
system availability and performance
for media operations, which was
inefficient and not very useful. DigIT overcomes the high latency, poor
visibility, and inflexibility inherent
in that method,
and it also gives
user alerts and
analytics that
help them stay
on top of the
entire broadcast
workflow.”
The crossp l a t f o r m ,
configurable DigIT application
features centralised
monitoring and an
intuitive Web-based front
end for easy viewing and portability.
The application can monitor
mission-critical servers and
applications, identify performance
bottlenecks and quickly recover
from system failures in order to
reduce downtime and control
operational costs.
t NAB 2013, Litepanels is
showing production models
of the largest members of its LED
Fresnel family – Inca 12 (tungsten
balanced) and Sola 12
(daylight balanced)
Inca 12 (Tungsten) and Sola 12
(Daylight) join Litepanels range
fixtures.
Both versions supply powerful
and controllable illumination
comparable to a 2K traditional
tungsten or daylight Fresnel
fixtures. With custom designed,
lightweight Fresnel lenses, they
emit even, collimated light that
is easily controlled manually or
via an integrated DMX module
to facilitate remote dimming
and flood-spot focusing
simultaneously.
The 1x1 LS Bi-Colour is
a versatile light providing soft,
directional output that is adjustable
from daylight to tungsten with 100%
to zero dimming claimed to have no
colour shift.
USA: Following on from its new
strategy and vision, EVS will introduce
advanced tools and solutions for
enriched live production at NAB.
Based on its XT3 server and
a new range of live browsing
software and web-based remote
production tools that stem from
C-Cast connectivity technology,
EVS will show practical innovations
to help broadcasters and content
owners maximise live content.
EVS will be presenting new
features and updates for sports,
entertainment, news and media.
AudioTools FOCUS
Loudness Control
Primestream’s Dig-IT monitoring
application
Litepanels Debut New LED Lighting Products
A
EVS Enlivens
XT3 Production
LS Series fixtures maintain
features such as flicker-free
analogue dimming and power by AC
or DC, but without studio-specific
components such as DMX control
for dimming and colour changes.
Litepanels has three new travelling
kits featuring the company’s new
cost-effective 1x1 LS fixtures: the
LS Traveller Duo Kit, with one 1x1
LS Flood and one 1x1 LS Spot; the
LS Traveller Trio Kit, with two 1x1
LS Floods and one 1x1 LS Spot;
and the LS Traveller Trio Plus Kit,
with two 1x1 LS Bi-Colours and one
1x1 LS Flood.
The kits come with light stands
for each fixture and a hard sided
carrying case.
USA: Minnetonka Audio Software,
I n c . ( M A S I ) h a s re l e a s e d
AudioTools FOCUS, a family of
standalone software processors.
First out is AudioTools FOCUS for
Loudness Control, a self-contained
application designed for automated,
intelligent loudness control.
Proven presets provide outof-the-box usability and the
simple user interface enables
rapid progress assessment.
MASI claim that the sophisticated
‘purPath’ signal processing yields
higher quality product, reduced
rework, fewer complaints, better
consistency, and faster turnaround.
DIONIC HD
Makes Debut
USA: Anton/Bauer is introducing
the DIONIC
HD at NAB
The DIONIC HD powers highcurrent applications in a lightweight
and robust package, making it
suited to digital cinema cameras.
Delivering up to 10 amps, this
183Wh battery has special-application
Li-Ion cell technology and can run
a 30-watt camera, monitors and
accessories for more than six hours.
Come and see us at NAB * Booth C8218 (Central Hall) * 8-11th April, Las Vegas
http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go
https://twitter.com/inbroadcast
http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player
https://www.facebook.com/InBroadcast
http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8
https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0
http://www.primestream.com/
http://www.youtube.com/litepanels
http://www.atomos.com
http://www.atomos.com
http://nab13.mapyourshow.com/5_0/exhibitor_details.cfm?exhid=404792
In Broadcast - April 2013
Table of Contents for the Digital Edition of In Broadcast - April 2013
In Broadcast - April 2013
Contents
InNEWS: Chyron to Merge With Hego Group
InNEWS: Studiovision Lebanon HD OB Truck
InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
InREPLY: Harmonic Answers on MPEG DASH
InGEAR: Camp Digital Hits the Road
InVIEW: Hyper-Local TV Channels
InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
InMEDIA: Understanding Media Asset Management
InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - In Broadcast - April 2013
In Broadcast - April 2013 - Cover2
In Broadcast - April 2013 - Contents
In Broadcast - April 2013 - InNEWS: Chyron to Merge With Hego Group
In Broadcast - April 2013 - 5
In Broadcast - April 2013 - InNEWS: Studiovision Lebanon HD OB Truck
In Broadcast - April 2013 - 7
In Broadcast - April 2013 - 8
In Broadcast - April 2013 - 9
In Broadcast - April 2013 - 10
In Broadcast - April 2013 - 11
In Broadcast - April 2013 - 12
In Broadcast - April 2013 - 13
In Broadcast - April 2013 - 14
In Broadcast - April 2013 - 15
In Broadcast - April 2013 - 16
In Broadcast - April 2013 - 17
In Broadcast - April 2013 - 18
In Broadcast - April 2013 - 19
In Broadcast - April 2013 - 20
In Broadcast - April 2013 - 21
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In Broadcast - April 2013 - 24
In Broadcast - April 2013 - 25
In Broadcast - April 2013 - 26
In Broadcast - April 2013 - 27
In Broadcast - April 2013 - 28
In Broadcast - April 2013 - 29
In Broadcast - April 2013 - InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
In Broadcast - April 2013 - 31
In Broadcast - April 2013 - 32
In Broadcast - April 2013 - 33
In Broadcast - April 2013 - InREPLY: Harmonic Answers on MPEG DASH
In Broadcast - April 2013 - 35
In Broadcast - April 2013 - 36
In Broadcast - April 2013 - 37
In Broadcast - April 2013 - InGEAR: Camp Digital Hits the Road
In Broadcast - April 2013 - 39
In Broadcast - April 2013 - 40
In Broadcast - April 2013 - 41
In Broadcast - April 2013 - InVIEW: Hyper-Local TV Channels
In Broadcast - April 2013 - 43
In Broadcast - April 2013 - 44
In Broadcast - April 2013 - 45
In Broadcast - April 2013 - 46
In Broadcast - April 2013 - 47
In Broadcast - April 2013 - 48
In Broadcast - April 2013 - 49
In Broadcast - April 2013 - 50
In Broadcast - April 2013 - 51
In Broadcast - April 2013 - 52
In Broadcast - April 2013 - 53
In Broadcast - April 2013 - 54
In Broadcast - April 2013 - 55
In Broadcast - April 2013 - InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
In Broadcast - April 2013 - 57
In Broadcast - April 2013 - 58
In Broadcast - April 2013 - InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
In Broadcast - April 2013 - 60
In Broadcast - April 2013 - 61
In Broadcast - April 2013 - 62
In Broadcast - April 2013 - 63
In Broadcast - April 2013 - 64
In Broadcast - April 2013 - 65
In Broadcast - April 2013 - 66
In Broadcast - April 2013 - InMEDIA: Understanding Media Asset Management
In Broadcast - April 2013 - 68
In Broadcast - April 2013 - 69
In Broadcast - April 2013 - 70
In Broadcast - April 2013 - 71
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In Broadcast - April 2013 - 85
In Broadcast - April 2013 - 86
In Broadcast - April 2013 - 87
In Broadcast - April 2013 - InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - 89
In Broadcast - April 2013 - 90
In Broadcast - April 2013 - Cover4
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