In Broadcast - April 2013 - 10

I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 18 - APRIL 2013

N E W S

InNEWS

Vizrt Outlines IP Future Of
Broadcast News Graphics
V

izrt has embarked on a product
roadmap for its next-generation
Viz Engine – the core of its realtime compositing technology –
that takes into account all of the
advantages of IP.
The creation, distribution and onair display of broadcast graphics are
perhaps the most complex, labour
and time intensive parts of the news
production process, says Vizrt. So
it’s important for news staff to work
collaboratively and in many cases
simultaneously to get the story out.
The key is a fully networked
operation that uses IP to send files
in a highly deterministic and reliable
way. An IP infrastructure also costs
less to deploy and often necessitates
less manpower to do so.
Petter Ole Jakobsen, Vizrt’s
Chief Technology Officer, said that
the industry needs to migrate to
a platform that can do more with
the same resources. IP is the most

10

oss Video and Unreel join forces
to offer a complete plug & play
solution that delivers networkquality augmented-reality graphics
that integrate seamlessly into any
broadcast environment, with no
green screen required.
The AR solution is designed for
broadcasters
who
wish
to enhance
their viewers’

Ross Video and Unreel collaborating
on an AR solution

USA: At NAB, I-MOVIX will debut
the X10+ real time continuous
ultra-motion system alongside its
sister the X10, introduced at IBC.
X10+ offers a two-in-one capability
– producers can use X10+ in
the same way as X10 to provide
continuous capture with 10x replay.
It can operate at frame rates up to
2,600 fps in 1080i50 or up to 5,600
fps in 720p60, with instant replay.
Developed in partnership with
EVS, X10 is combined with the EVS
XT3 production server.

Grass Valley Adds
LDX Flex Cameras
Vizrt heralds a newsroom running on IP

enabling part of the puzzle.
If new producers want to get
the story first, and with the most
comprehensive graphics support,
they have to move to a workflow that
requires the least amount of effort
and the most flexibility. Vizrt will be
displaying this technology at NAB.

Jakobsen has even bigger ideas
for IP – a day when IP triggers are
used to control a media server
to play out a rundown of stories,
complete with complex transitions,
without the need for a traditional
production switcher.

Ross Video And Unreel AR Solution
R

I-MOVIX Debut
X10+ Real-time

experience by adding virtual
monitors and other 3D-graphic AR
elements to their productions.
It allows them to deliver
graphics and live or stored video
into their existing studio or fieldbased programming.
The AR solution is suited to news,
weather, and sports productions,
allowing graphic elements to be
positioned in 3D space as the
camera moves, pans, tilts, or zooms.
Marcel Fontaine, Ross Robotics
Business Development, Ross Video,
said: “By combining Ross’ Furio
robotic head on a tripod, and its
XPression real-time graphics system
together with Unreel’s UX AR

camera-tracking and touchscreen
AR-control we have put together a
truly complete AR solution to get
you started.”
Unreel CEO Paul Lacombe
said: “Our goal at Unreel is to
deliver augmented-reality and
virtual-set solutions that are easy
for any broadcaster to install, set
up, and use.”
The UX AR Control Panel is
designed to easily enable “AR
Advertising” to deliver advertising
and sponsorships within AR designs.
The Plug & Play AR solution is preconfigured with a free set of included
AR elements, so broadcasters can
be on-air as quickly as possible.

USA: Grass Valley is adding
LDX Flex as an entry-level
offering to its LDX camera series.
Delivering the same quality and
performance, LDX Flex supports
the same accessories – as other
cameras in the LDX Series.
The LDX Flex provides a
wide range of gamma and knee
adjustments, and a powerful
secondary color corrector.
There is a choice of fibre or triax
using all the different versions of the
3G base stations, including the new
XCU WorldCam base station.

Bluebell Powers
Camera Links
USA: At NAB Bluebell will be showing:
Net Caddie transforms the entire
camera’s bidirectional linear control,
audio and HD-SDI video signals
into packet-based IP protocols for
standard Cat6 network connectivity.
TDM-700 provides an optical link for
an HD-SDI feed from a POV camera
with a reverse composite video feed
for genlock or monitoring plus bidirectional RS232 and RS422 data.
ShaxX provides power to remote
Sony cameras in a venue via standard
SMPTE Hybrid Cables up to 300m.

Post. Dramatically redefined.
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Uniting the elements of your post-production workflow into a seamless
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In Broadcast - April 2013

Table of Contents for the Digital Edition of In Broadcast - April 2013

In Broadcast - April 2013
Contents
InNEWS: Chyron to Merge With Hego Group
InNEWS: Studiovision Lebanon HD OB Truck
InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
InREPLY: Harmonic Answers on MPEG DASH
InGEAR: Camp Digital Hits the Road
InVIEW: Hyper-Local TV Channels
InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
InMEDIA: Understanding Media Asset Management
InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - In Broadcast - April 2013
In Broadcast - April 2013 - Cover2
In Broadcast - April 2013 - Contents
In Broadcast - April 2013 - InNEWS: Chyron to Merge With Hego Group
In Broadcast - April 2013 - 5
In Broadcast - April 2013 - InNEWS: Studiovision Lebanon HD OB Truck
In Broadcast - April 2013 - 7
In Broadcast - April 2013 - 8
In Broadcast - April 2013 - 9
In Broadcast - April 2013 - 10
In Broadcast - April 2013 - 11
In Broadcast - April 2013 - 12
In Broadcast - April 2013 - 13
In Broadcast - April 2013 - 14
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In Broadcast - April 2013 - 25
In Broadcast - April 2013 - 26
In Broadcast - April 2013 - 27
In Broadcast - April 2013 - 28
In Broadcast - April 2013 - 29
In Broadcast - April 2013 - InPREVIEW: Nab Show 2013 Keynote Address: Disruptive Media
In Broadcast - April 2013 - 31
In Broadcast - April 2013 - 32
In Broadcast - April 2013 - 33
In Broadcast - April 2013 - InREPLY: Harmonic Answers on MPEG DASH
In Broadcast - April 2013 - 35
In Broadcast - April 2013 - 36
In Broadcast - April 2013 - 37
In Broadcast - April 2013 - InGEAR: Camp Digital Hits the Road
In Broadcast - April 2013 - 39
In Broadcast - April 2013 - 40
In Broadcast - April 2013 - 41
In Broadcast - April 2013 - InVIEW: Hyper-Local TV Channels
In Broadcast - April 2013 - 43
In Broadcast - April 2013 - 44
In Broadcast - April 2013 - 45
In Broadcast - April 2013 - 46
In Broadcast - April 2013 - 47
In Broadcast - April 2013 - 48
In Broadcast - April 2013 - 49
In Broadcast - April 2013 - 50
In Broadcast - April 2013 - 51
In Broadcast - April 2013 - 52
In Broadcast - April 2013 - 53
In Broadcast - April 2013 - 54
In Broadcast - April 2013 - 55
In Broadcast - April 2013 - InMEDIA: Digital Nirvana’s Cloud Based Anystream IQ
In Broadcast - April 2013 - 57
In Broadcast - April 2013 - 58
In Broadcast - April 2013 - InMEDIA: Keeping One Step Ahead With on Demand Video Streaming Technology
In Broadcast - April 2013 - 60
In Broadcast - April 2013 - 61
In Broadcast - April 2013 - 62
In Broadcast - April 2013 - 63
In Broadcast - April 2013 - 64
In Broadcast - April 2013 - 65
In Broadcast - April 2013 - 66
In Broadcast - April 2013 - InMEDIA: Understanding Media Asset Management
In Broadcast - April 2013 - 68
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In Broadcast - April 2013 - 85
In Broadcast - April 2013 - 86
In Broadcast - April 2013 - 87
In Broadcast - April 2013 - InTEST: Oversight via Monitoring & Logging
In Broadcast - April 2013 - 89
In Broadcast - April 2013 - 90
In Broadcast - April 2013 - Cover4
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