In Broadcast - March 2013 - 70


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 17 - MARCH 2013

N E W S

InSTUDIO
Live Production & Outside Broadcast Cont.

Theo Koojimans from TV Gelderland with the OB van built around Blackmagic
Design's ATEM 1 M/E switcher and bespoke software

70

mixed the music for the live-to-air
show from Floating Earth’s stateof-the-art mobile recording unit.
This is equipped with an SSL C200
digital console, linked to over 100
remote mic-amps connected by
fibre-optic cable which provide the
feeds to be mixed and broadcast
live on television. This was parked
alongside the picture outside
broadcast trucks at the O2 Arena
in Greenwich, where the starstudded event was held for its third
year in a row.
The BRIT Awards had originally
been broadcast live, culminating
in the memorable Samantha Fox
and Mick Fleetwood show in 1989.
From 1990, it was decided that the
show would be recorded, edited
and broadcast the following evening.
With overnight music mixing, and a
frantic audio visual post-production
schedule through the day of its
broadcast, the show was trimmed
and tweaked whilst retaining its aslive feel. With the re-introduction of
live-to-air broadcast of the BRITs in
2007, the broadcast team returned
to the pressures of live-broadcast.
Creative Technology Dubai, brings

major acts and sporting events to
the UAE. “The high profile nature
of our events demands the highest
quality equipment,” says Nick
Toale, Creative Technology’s Video
Technician for the region.
“We select it on a worldwide basis
according to how appropriate it is for
our purposes and which equipment
gives us the best value. We cover
jobs ranging from quite small venues
in hotels to the largest rock events
and major sporting events like the
Dubai Grand Prix.
“So the equipment we use has to
be extremely flexible and we need
to have a good stock of devices that
will allow us to meet any eventuality,
whether that is suddenly needing
to change a signal format or being
able to send signals hundreds of
meters to a remote display. We also
have to consider local support from
both dealers and head office to
counter any sudden problems that
may occur, which naturally happen
whilst we are at an event and during
antisocial hours.”
He continues: “Our philosophy for
the majority of events is to convert
source signals, whatever format they
start off as, to SDI and then route

them through a matrix switcher to
the display devices. This gives us
several advantages: it means that we
are working with robust, broadcast
quality signals, audio and video can
be combined together and routed
as one feed, we can use readily
available broadcast components
that are easily sourced, supported
and recognised throughout the
world and we can be certain that
they travel over known distances
with no degradation.”
When it comes to live news
reporting, there is no dress rehearsal.
Timeliness and having the right
technology to not only get it right the
first time, but every time, is critical.
TV Gelderland [Omroep Gelderland],
a regional public broadcaster in
Gelderland, Netherlands, knows this
all too well. Everyday TV Gelderland
provides live radio, television and
online programming to one of
the largest Dutch provinces in
the country.
The local television station is
keeping pace with its national
counterpart, Omroep Max, by
producing an impressive amount of

live and taped content for daily news
broadcasts and local programme
formats. Shows include deBuzz,
which provides a stage for residents
of the region to tell their story, as
well as a wide variety of political,
historical, and sports programming.
To cope with the volume of content
and to get the television station
closer to the heart of the action,
Senior Editor of TV Gelderland Theo
Kooijmans recognised the need
for a purpose built electronic news
gathering solution (ENG) and began
planning an OB van built around
Blackmagic Design’s DeckLink
capture and playback cards as
well as the ATEM 1 M/E Production
Switcher and Broadcast Panel, all of
which would be run using software
written by himself.
TV Gelderland required an all
in one OB solution, as everything
from production to broadcast would
be carried out inside the van. To
ease the transition of working
between the studio and out in
the field, Kooijmans mirrored the
studio setup at their headquarters
in Arnhem, Netherlands. Kooijmans

OB vans were fitted-out at NRK in Norway

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Table of Contents for the Digital Edition of In Broadcast - March 2013

In Broadcast - March 2013
Contents
InNews: Red TX Records for War of the Worlds
InNews: Sky News Reports Live Using iPhone in China
InPreview: TV Connect – The Global Ecosystem Show
InView: in Good Company – Jump PR
InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
InGear: Belden Extends Mic Cables Line
InMedia: Post Asylum Centres on Smoke Workflow
InMedia: Carrier ID & Broadcasters
InMedia: Satellite Broadcasters’ Present United Front
InFile: Save Time on Video Management
In Broadcast - March 2013 - Intro
In Broadcast - March 2013 - In Broadcast - March 2013
In Broadcast - March 2013 - Cover2
In Broadcast - March 2013 - Contents
In Broadcast - March 2013 - InNews: Red TX Records for War of the Worlds
In Broadcast - March 2013 - 5
In Broadcast - March 2013 - InNews: Sky News Reports Live Using iPhone in China
In Broadcast - March 2013 - 7
In Broadcast - March 2013 - 8
In Broadcast - March 2013 - 9
In Broadcast - March 2013 - 10
In Broadcast - March 2013 - 11
In Broadcast - March 2013 - 12
In Broadcast - March 2013 - 13
In Broadcast - March 2013 - 14
In Broadcast - March 2013 - 15
In Broadcast - March 2013 - 16
In Broadcast - March 2013 - 17
In Broadcast - March 2013 - 18
In Broadcast - March 2013 - 19
In Broadcast - March 2013 - 20
In Broadcast - March 2013 - 21
In Broadcast - March 2013 - 22
In Broadcast - March 2013 - 23
In Broadcast - March 2013 - 24
In Broadcast - March 2013 - 25
In Broadcast - March 2013 - 26
In Broadcast - March 2013 - 27
In Broadcast - March 2013 - 28
In Broadcast - March 2013 - 29
In Broadcast - March 2013 - 30
In Broadcast - March 2013 - 31
In Broadcast - March 2013 - InPreview: TV Connect – The Global Ecosystem Show
In Broadcast - March 2013 - 33
In Broadcast - March 2013 - 34
In Broadcast - March 2013 - 35
In Broadcast - March 2013 - 36
In Broadcast - March 2013 - 37
In Broadcast - March 2013 - 38
In Broadcast - March 2013 - 39
In Broadcast - March 2013 - 40
In Broadcast - March 2013 - 41
In Broadcast - March 2013 - 42
In Broadcast - March 2013 - 43
In Broadcast - March 2013 - 44
In Broadcast - March 2013 - 45
In Broadcast - March 2013 - InView: in Good Company – Jump PR
In Broadcast - March 2013 - 47
In Broadcast - March 2013 - InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
In Broadcast - March 2013 - 49
In Broadcast - March 2013 - 50
In Broadcast - March 2013 - 51
In Broadcast - March 2013 - 52
In Broadcast - March 2013 - 53
In Broadcast - March 2013 - InGear: Belden Extends Mic Cables Line
In Broadcast - March 2013 - 55
In Broadcast - March 2013 - 56
In Broadcast - March 2013 - 57
In Broadcast - March 2013 - 58
In Broadcast - March 2013 - 59
In Broadcast - March 2013 - 60
In Broadcast - March 2013 - 61
In Broadcast - March 2013 - 62
In Broadcast - March 2013 - 63
In Broadcast - March 2013 - 64
In Broadcast - March 2013 - 65
In Broadcast - March 2013 - 66
In Broadcast - March 2013 - 67
In Broadcast - March 2013 - 68
In Broadcast - March 2013 - 69
In Broadcast - March 2013 - 70
In Broadcast - March 2013 - 71
In Broadcast - March 2013 - 72
In Broadcast - March 2013 - 73
In Broadcast - March 2013 - 74
In Broadcast - March 2013 - 75
In Broadcast - March 2013 - InMedia: Post Asylum Centres on Smoke Workflow
In Broadcast - March 2013 - 77
In Broadcast - March 2013 - 78
In Broadcast - March 2013 - 79
In Broadcast - March 2013 - 80
In Broadcast - March 2013 - 81
In Broadcast - March 2013 - 82
In Broadcast - March 2013 - 83
In Broadcast - March 2013 - 84
In Broadcast - March 2013 - 85
In Broadcast - March 2013 - 86
In Broadcast - March 2013 - 87
In Broadcast - March 2013 - InMedia: Carrier ID & Broadcasters
In Broadcast - March 2013 - InMedia: Satellite Broadcasters’ Present United Front
In Broadcast - March 2013 - 90
In Broadcast - March 2013 - 91
In Broadcast - March 2013 - InFile: Save Time on Video Management
In Broadcast - March 2013 - 93
In Broadcast - March 2013 - 94
In Broadcast - March 2013 - S1
In Broadcast - March 2013 - S2
In Broadcast - March 2013 - S3
In Broadcast - March 2013 - S4
In Broadcast - March 2013 - S5
In Broadcast - March 2013 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
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http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
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