In Broadcast - March 2013 - 54


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 17 - MARCH 2013

N E W S

InGEAR

ARRI FRO Uses Telecast CopperHead
A

54

RRI has selected and deployed
Miranda Technologies’ Telecast
CopperHead Fibre Optic Camera
Transceiver system as an integral
component of ARRI’s new Fibre
Remote Option (FRO) for its ALEXA
and ALEXA Plus camera models.
Fibre connectivity permits the
ALEXA’s unparalleled image quality,
already highly sought after for filmstyle, single camera production,
to be used for live, multi-camera
productions. The FRO consists of
a Fibre Remote Box mounted on
top of the ALEXA camera, coupled
with a Telecast CopperHead 3400
system, which includes a cameramountable transceiver, base station
and CHRCP-2050 remote camera
control panel.
The CopperHead 3400 system is
ARRI-certified as an essential thirdparty accessory that enables the
ALEXA cameras to be connected
and remotely controlled via
SMPTE 311M fibre.
Proprietary software developed by
ARRI for the CopperHead remote
camera-control panel makes it
possible to control RGB gain,
gamma, shutter, iris and all other
parameters typically associated
with broadcast cameras while
retaining ALEXA’s 35mm filmic
look. Adding the ability to perform
live image painting enables ALEXA
camera users to extend its high
value image qualities to live, multi-

camera productions using familiar
broadcast-style joystick and
rotary controls.
Marco Lopez, Miranda’s President,
said: “The CopperHead-supported
Fibre Remote Option enables the
ALEXA camera system to operate
at its full dynamic range, delivering
a much broader range of options for
directors to capture the look and feel
they desire.”
CopperHead is specifically
designed to provide a robust fibre
link between camera
and truck or studio,
simultaneously
converting baseband
signals from 3G/HDSDI outputs to optical
and transferring
them over a single,
lightweight fibre optic
cable to a CopperHead base
station for insertion into a
live production. This provides the
ability to integrate live imagery
into any studio or production
room environment.
Markus Dürr, ARRI Product
Manager Camera Systems,
commented: “We are excited about
the greatly extended opportunities
for the ALEXA camera system with
our new Fibre Remote option.
The Telecast CopperHead
system is a well-established
and successful system in its
market and offers a great solution

to integrate the ALEXA Fibre Remote
camera system into TV studio or OB
van environments for full functional
live painting and highly reliable
video/audio signal transmission.”
Among other productions, the
ALEXA FRO was effectively used
to transfer images for the recently
released COLDPLAY LIVE 2012
DVD, capturing detailed highlights
and shadows, rich colour and
natural skin tones.

Telecast
CopperHead
integrated into
ARRI’s ALEXA

Belden Extends Mic Cables Line
Belden, a specialist in signal transmission solutions for mission-critical
applications, has extended its award-winning line of broadcast products in
the EMEA region…
he company has launched two
Brilliance microphone cables
that are hailed as setting new
benchmarks in strength and digital
audio performance.
Brilliance 1776 is Belden’s

T

Belden’s Brilliance microphone cables

strongest microphone cable to date,
and compact digital microphone
cable Brilliance 2221 offers
maximum toughness and flexibility
for analogue and digital applications.
Werner Eich, Vertical Marketing

ARRI is offering three options for
FRO-equipped ALEXA systems,
all requiring CopperHead, which
is serviced and supported
by Miranda.

Manager (Broadcast) for Belden
EMEA, said: “Brilliance 1776 and
2221 microphone cables are setting
new performance levels in their
respective fields, and in doing so
reflect Belden’s focus on delivering
broadcast products with the highquality and reliability to meet the
signalling transmission needs of
musicians, performers and the AV
industry as a whole.”
Brilliance 1776 is a super-strong
Analogue Microphone Cable
capable of withstanding the rough
handling and constant use of
studio and live environments. It is
the strongest microphone cable
manufactured by Belden, featuring
a minimum pull strength of 113kg.
Belden received an award for the
product in recognition of the 1776’s
pioneering strength performance.
The cable is engineered with high
strength custom alloy conductors

and a tough EPDM rubber jacket,
making it ideal for rental houses
and other applications where
microphone cables face repeat
use and damage. Brilliance 1776 is
available as a cost saving put-up of
75 meters (250 feet).
B e l d e n ’s s e c o n d c a b l e
introduction is an ideal solution
for applications where full-size
microphone cables are too large.
The Brilliance 2221 Compact
Digital Microphone Cable is small
enough for hand-held solid-state
recording devices (SSD) with
miniature microphone connectors,
such as those from Lemo, Neutrik or
Switchcraft, or those using Bantam
or TT jacks as the balanced line input.
With an impedance of 110 ohms,
the cable is able to carry digital
audio. Its ultra-low capacitance of
42.7pF/m makes it one of the finest
performing digital cables available
on the market.
Brilliance 2221 is suitable for
use as an analogue or digital patch
cable where Bantam or TT patch
connectors are used. It can also
be used as a DMX lighting control
cable when small size and flexibility
are required.


http://www.linkedin.com/pub/dir/?first=Phillip&last=Izzard&search=Go https://twitter.com/inbroadcast http://itunes.apple.com/gb/app/inbroadcast/id468652679?mt=8 https://play.google.com/store/apps/details?id=com.branded.inbroadcast&feature=search_result#?t=W251bGwsMSwyLDEsImNvbS5icmFuZGVkLmluYnJvYWRjYXN0Il0. http://www.youtube.com/watch?v=qpzEatLsHdE&feature=youtube_gdata_player https://www.facebook.com/InBroadcast http://WWW.INBROADCAST.COM http://WWW.INBROADCAST.COM http://www.arri.com/de/camera/digital_cameras/cameras/camera_details.html?product=9&subsection=fiber_remote_option&cHash=2ade8804a0db65f68be64f82fa24b55e http://www.belden.co.uk

Table of Contents for the Digital Edition of In Broadcast - March 2013

In Broadcast - March 2013
Contents
InNews: Red TX Records for War of the Worlds
InNews: Sky News Reports Live Using iPhone in China
InPreview: TV Connect – The Global Ecosystem Show
InView: in Good Company – Jump PR
InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
InGear: Belden Extends Mic Cables Line
InMedia: Post Asylum Centres on Smoke Workflow
InMedia: Carrier ID & Broadcasters
InMedia: Satellite Broadcasters’ Present United Front
InFile: Save Time on Video Management
In Broadcast - March 2013 - Intro
In Broadcast - March 2013 - In Broadcast - March 2013
In Broadcast - March 2013 - Cover2
In Broadcast - March 2013 - Contents
In Broadcast - March 2013 - InNews: Red TX Records for War of the Worlds
In Broadcast - March 2013 - 5
In Broadcast - March 2013 - InNews: Sky News Reports Live Using iPhone in China
In Broadcast - March 2013 - 7
In Broadcast - March 2013 - 8
In Broadcast - March 2013 - 9
In Broadcast - March 2013 - 10
In Broadcast - March 2013 - 11
In Broadcast - March 2013 - 12
In Broadcast - March 2013 - 13
In Broadcast - March 2013 - 14
In Broadcast - March 2013 - 15
In Broadcast - March 2013 - 16
In Broadcast - March 2013 - 17
In Broadcast - March 2013 - 18
In Broadcast - March 2013 - 19
In Broadcast - March 2013 - 20
In Broadcast - March 2013 - 21
In Broadcast - March 2013 - 22
In Broadcast - March 2013 - 23
In Broadcast - March 2013 - 24
In Broadcast - March 2013 - 25
In Broadcast - March 2013 - 26
In Broadcast - March 2013 - 27
In Broadcast - March 2013 - 28
In Broadcast - March 2013 - 29
In Broadcast - March 2013 - 30
In Broadcast - March 2013 - 31
In Broadcast - March 2013 - InPreview: TV Connect – The Global Ecosystem Show
In Broadcast - March 2013 - 33
In Broadcast - March 2013 - 34
In Broadcast - March 2013 - 35
In Broadcast - March 2013 - 36
In Broadcast - March 2013 - 37
In Broadcast - March 2013 - 38
In Broadcast - March 2013 - 39
In Broadcast - March 2013 - 40
In Broadcast - March 2013 - 41
In Broadcast - March 2013 - 42
In Broadcast - March 2013 - 43
In Broadcast - March 2013 - 44
In Broadcast - March 2013 - 45
In Broadcast - March 2013 - InView: in Good Company – Jump PR
In Broadcast - March 2013 - 47
In Broadcast - March 2013 - InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
In Broadcast - March 2013 - 49
In Broadcast - March 2013 - 50
In Broadcast - March 2013 - 51
In Broadcast - March 2013 - 52
In Broadcast - March 2013 - 53
In Broadcast - March 2013 - InGear: Belden Extends Mic Cables Line
In Broadcast - March 2013 - 55
In Broadcast - March 2013 - 56
In Broadcast - March 2013 - 57
In Broadcast - March 2013 - 58
In Broadcast - March 2013 - 59
In Broadcast - March 2013 - 60
In Broadcast - March 2013 - 61
In Broadcast - March 2013 - 62
In Broadcast - March 2013 - 63
In Broadcast - March 2013 - 64
In Broadcast - March 2013 - 65
In Broadcast - March 2013 - 66
In Broadcast - March 2013 - 67
In Broadcast - March 2013 - 68
In Broadcast - March 2013 - 69
In Broadcast - March 2013 - 70
In Broadcast - March 2013 - 71
In Broadcast - March 2013 - 72
In Broadcast - March 2013 - 73
In Broadcast - March 2013 - 74
In Broadcast - March 2013 - 75
In Broadcast - March 2013 - InMedia: Post Asylum Centres on Smoke Workflow
In Broadcast - March 2013 - 77
In Broadcast - March 2013 - 78
In Broadcast - March 2013 - 79
In Broadcast - March 2013 - 80
In Broadcast - March 2013 - 81
In Broadcast - March 2013 - 82
In Broadcast - March 2013 - 83
In Broadcast - March 2013 - 84
In Broadcast - March 2013 - 85
In Broadcast - March 2013 - 86
In Broadcast - March 2013 - 87
In Broadcast - March 2013 - InMedia: Carrier ID & Broadcasters
In Broadcast - March 2013 - InMedia: Satellite Broadcasters’ Present United Front
In Broadcast - March 2013 - 90
In Broadcast - March 2013 - 91
In Broadcast - March 2013 - InFile: Save Time on Video Management
In Broadcast - March 2013 - 93
In Broadcast - March 2013 - 94
In Broadcast - March 2013 - S1
In Broadcast - March 2013 - S2
In Broadcast - March 2013 - S3
In Broadcast - March 2013 - S4
In Broadcast - March 2013 - S5
In Broadcast - March 2013 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201710
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201507
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201506
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
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