In Broadcast - March 2013 - 53


ISSUE 17 - MARCH 2013 | WWW.INBROADCAST.COM

InGEAR
Cable, Fibre And Connectors Cont.
3K.93C series, an SMPTE connector
widely used on professional fibre
cameras and in other broadcast
equipment. First introduced during
the 1996 Olympics in Atlanta, these
reliable push-pull connectors are to
IP 68, made of stainless steel and are
designed for repetitive usage.
In addition to their range of
connectors, LEMO also has the
Multishack, a copper elimination
system that allows sending via up
to 12 fibres over longer distance (up
to 10 km). This allows set up in a
remote location, for instance at the
top of a competition ski slope, of
up to six professional cameras and
sending the information back to the
OB vans near the arrival area right at
the bottom of the run.
Mohawk’s XGO F/UTP is a
shielded twisted four-pair Category
6A cable for use in horizontal cabling
configurations. A core separator
reduces internal crosstalk. A foil
shield and drain wire are included.
The cable can be used for 10 Gigabit
Ethernet applications over a 100
metre 4 connector channel and is
designed to be stable across the
entire 500 MHz frequency range.
MuxLab’s new 16 x 16 Matrix
Switch converts and switches
between a wide range of digital
and analog audio/video sources
to output HDMI via HDBaseT over
Cat5e/6 cable or fibre. The switch
has an 8-slot chassis housing up to
four input modules (HDMI, HD-SDI,
DVI, and VGA) and up to four output
modules (HDMI, HDBaseT, and fibre).
It can be controlled from the front
panel or via a web interface.
NTP Technology’s recently
introduced Penta 721 IP-compatible
audio router and distribution interface
allows distribution of digital audio
via AES/EBU and MADI as well as
routing via Dante IP Gigabit Ethernet
and optical fibre networks. A fullbandwidth uncompressed network
can be established quickly and easily,
connecting an entire remote site or
studio premises over a single Cat
5 Ethernet cable. Eight AES/EBU
input/output channels are provided,
plus up to three MADI input/outputs,
two IP Audio Ethernet inputs/outputs,
and an interface allowing control from
Avid Pro Tools.
A mini-module slot accommodates
ST optical MADI connection or dual
SFP MADI optical in/out. The IP Audio
protocol is based on Audinate’s Dante
and will interoperate with Dantecompliant third-party products. IP
Audio routing allows low-latency
tightly-synchronised transport of
uncompressed signals over Gigabit
IP Ethernet Layer 3 networks usingoff-the-shelf switches and routers.
A total of 512 channels can be
routed on a 1 Gigabit network; more
if the network capacity is higher.

I N T E R N A T I O N A L

N E W S

Fischer FiberOptic
Connect 2
Expertise

Reliability

Innovation

See us at NAB Show

April 8-11 - Las Vegas
Central Hall, Booth C11746
NTP Technology’s Penta 721
IP-compatible audio router and
distribution interface

The Penta 721 is TCP/IP controlled
via one or two Ethernet ports. IP
Audio routing of large systems is
manipulated via NTP Technology’s
RCCore router control system which
allows easy setting of connections
on Gigabit IP Ethernet. Dedicated
control software compatible with
Microsoft Windows can be used for
controlling and setting up the Penta
721 on a unit-to-unit basis when less
advanced operation is required. The
Penta 721 can also be controlled
via Audinate Dante IP Audio routing
controller software.
Studio Technologies Inc has
introduced a 4K version of its LiveLink remote camera Interface. The
camera end unit has four 3G-SDIcompatible inputs to accommodate
4K digital video streams plus an
additional 3G/HD/SD-SDI input.
It also includes a 3G/HD/SD-SDI
return from the control room unit for
confidence monitoring. All signals
are transported using two strands
of single-mode fibre, one each for
signals in each direction. Fibre runs of
up to 10 kilometres can be supported.
Power is from mains-powered 12 volt
direct current supplies or broadcaststandard rechargeable batteries.
Tajimi’s new OPS series of optical
hybrid connectors allows electrical
power as well as electrical and
optical signals to be carried on a
single cable. It incorporates a threeguide push-pull one-touch snap-lock
to ensure reliable connection.
VDC has announced new products
supporting HDMI v 1.4. The VDC
Contractor HDMI v1.4 is optimised
for 720p/1080i resolutions while
shorter lengths, typically up to 3m,
will support 1080p. The cable offers
expanded support for colour spaces
and audio return channel, and is
available in lengths up to 20m. The
Van Damme HDMI v1.4 high-speed
assembly supports 1080p, WUXGA
and 4K resolutions. It has metal shell
connectors and is available in lengths
of up to 7.5 metres, the maximum
recommended passive transmission
length for higher resolutions.

53

www.fischer-fiberoptic.com

Headquarters
Fischer Connectors SA
Saint-Prex - Switzerland
Phone +41 21 800 95 95
mail@fischerconnectors.ch


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Table of Contents for the Digital Edition of In Broadcast - March 2013

In Broadcast - March 2013
Contents
InNews: Red TX Records for War of the Worlds
InNews: Sky News Reports Live Using iPhone in China
InPreview: TV Connect – The Global Ecosystem Show
InView: in Good Company – Jump PR
InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
InGear: Belden Extends Mic Cables Line
InMedia: Post Asylum Centres on Smoke Workflow
InMedia: Carrier ID & Broadcasters
InMedia: Satellite Broadcasters’ Present United Front
InFile: Save Time on Video Management
In Broadcast - March 2013 - Intro
In Broadcast - March 2013 - In Broadcast - March 2013
In Broadcast - March 2013 - Cover2
In Broadcast - March 2013 - Contents
In Broadcast - March 2013 - InNews: Red TX Records for War of the Worlds
In Broadcast - March 2013 - 5
In Broadcast - March 2013 - InNews: Sky News Reports Live Using iPhone in China
In Broadcast - March 2013 - 7
In Broadcast - March 2013 - 8
In Broadcast - March 2013 - 9
In Broadcast - March 2013 - 10
In Broadcast - March 2013 - 11
In Broadcast - March 2013 - 12
In Broadcast - March 2013 - 13
In Broadcast - March 2013 - 14
In Broadcast - March 2013 - 15
In Broadcast - March 2013 - 16
In Broadcast - March 2013 - 17
In Broadcast - March 2013 - 18
In Broadcast - March 2013 - 19
In Broadcast - March 2013 - 20
In Broadcast - March 2013 - 21
In Broadcast - March 2013 - 22
In Broadcast - March 2013 - 23
In Broadcast - March 2013 - 24
In Broadcast - March 2013 - 25
In Broadcast - March 2013 - 26
In Broadcast - March 2013 - 27
In Broadcast - March 2013 - 28
In Broadcast - March 2013 - 29
In Broadcast - March 2013 - 30
In Broadcast - March 2013 - 31
In Broadcast - March 2013 - InPreview: TV Connect – The Global Ecosystem Show
In Broadcast - March 2013 - 33
In Broadcast - March 2013 - 34
In Broadcast - March 2013 - 35
In Broadcast - March 2013 - 36
In Broadcast - March 2013 - 37
In Broadcast - March 2013 - 38
In Broadcast - March 2013 - 39
In Broadcast - March 2013 - 40
In Broadcast - March 2013 - 41
In Broadcast - March 2013 - 42
In Broadcast - March 2013 - 43
In Broadcast - March 2013 - 44
In Broadcast - March 2013 - 45
In Broadcast - March 2013 - InView: in Good Company – Jump PR
In Broadcast - March 2013 - 47
In Broadcast - March 2013 - InGear: TSL Professional Products – Solutions for Acquisition Through to Delivery
In Broadcast - March 2013 - 49
In Broadcast - March 2013 - 50
In Broadcast - March 2013 - 51
In Broadcast - March 2013 - 52
In Broadcast - March 2013 - 53
In Broadcast - March 2013 - InGear: Belden Extends Mic Cables Line
In Broadcast - March 2013 - 55
In Broadcast - March 2013 - 56
In Broadcast - March 2013 - 57
In Broadcast - March 2013 - 58
In Broadcast - March 2013 - 59
In Broadcast - March 2013 - 60
In Broadcast - March 2013 - 61
In Broadcast - March 2013 - 62
In Broadcast - March 2013 - 63
In Broadcast - March 2013 - 64
In Broadcast - March 2013 - 65
In Broadcast - March 2013 - 66
In Broadcast - March 2013 - 67
In Broadcast - March 2013 - 68
In Broadcast - March 2013 - 69
In Broadcast - March 2013 - 70
In Broadcast - March 2013 - 71
In Broadcast - March 2013 - 72
In Broadcast - March 2013 - 73
In Broadcast - March 2013 - 74
In Broadcast - March 2013 - 75
In Broadcast - March 2013 - InMedia: Post Asylum Centres on Smoke Workflow
In Broadcast - March 2013 - 77
In Broadcast - March 2013 - 78
In Broadcast - March 2013 - 79
In Broadcast - March 2013 - 80
In Broadcast - March 2013 - 81
In Broadcast - March 2013 - 82
In Broadcast - March 2013 - 83
In Broadcast - March 2013 - 84
In Broadcast - March 2013 - 85
In Broadcast - March 2013 - 86
In Broadcast - March 2013 - 87
In Broadcast - March 2013 - InMedia: Carrier ID & Broadcasters
In Broadcast - March 2013 - InMedia: Satellite Broadcasters’ Present United Front
In Broadcast - March 2013 - 90
In Broadcast - March 2013 - 91
In Broadcast - March 2013 - InFile: Save Time on Video Management
In Broadcast - March 2013 - 93
In Broadcast - March 2013 - 94
In Broadcast - March 2013 - S1
In Broadcast - March 2013 - S2
In Broadcast - March 2013 - S3
In Broadcast - March 2013 - S4
In Broadcast - March 2013 - S5
In Broadcast - March 2013 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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