In Broadcast - February 2013 - 37


ISSUE 16 - FEBRUARY 2013 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

N E W S

InFOCUS
Monitoring Moves In Video Visuals Cont.
switching panel with wide viewing
angle, multiple professional inputs
(including HD-SDI, 3G-SDI and
HDMI); true colour processing with
a 3D look-up table; HD/SD closed
captioning; 12V DC operation for
field use; and an eco-friendly panel
with mercury-free LED backlight
and low power consumption. The
LH2170 supports critical viewing
with 1920 x 1080 full HD resolution.
The LH2170 can display HD/SD
closed captioning with an SDI or
video input. It also supports the
EIA/CEA-708 and EIA/CEA-608 SDSDI closed captioning standards.
The LH2170’s 3D assist functions
include top and bottom display in
addition to side-by-side display (for
a 2D view of various 3D checks
including composition, convergence,
colour and luminance, focus and
zoom position, and parallax); and
a focus-in-red focus assist. Other
features include waveform and
vectorscope displays, pixel-to-pixel
mapping, a colour audio level meter,
worldwide 59.94/50Hz compatibility,
VESA screws for mounting and a
supplied stand.
Sony announced the PVM-X300, a
30-inch 4096 x 2160 resolution LCD
monitor capable of displaying over
four times standard HD resolution
in a single screen. The monitor also
incorporates a 10-bit RGB panel
and can display industry standard
colour space of ITU-R BT.709.
It features in-plane switching.
Other features include auto white
adjustment, a camera assist function
(focus in colour, zoom) and stereo
audio (stereo speaker, line out and
headphone jack.
Sony’s input to the CES 2013
was a clutch of new video displays
including what is claimed to be the
world’s first 4K organic-LED. OLEDs
require no separate backlight, each
pixel being an active light source
rather than being simply a red,
green or blue filter. This latest
Sony 4K OLED is 56 inches in

Samsung's Ultra-High Definition TV demonstration at CES

diagonal picture size. Sony has
monitors during 2012. The LVMalso recently introduced 65-inch
174W is a 17-inch 1366 x 768
resolution compact rack mount
and 85-inch 4K LED-backlit LCD
screens with obvious potential as
monitor designed to fit in a 6RU
multi-monitor displays in broadcast
space. The 21-inch LVM-212W is a
playout studios.
slim-bezel 1920 x 1080 LCD monitor
Samsung showed some
for a 19-inch rack mount. Designed
for broadcast OB, studio and quality
innovative thinking at CES with
a 55-inch OLED screen allowing
control racks, the LVM-174W and
two viewers to watch entirely
LVM-212W have A/B 3G SDI inputs,
different programmes at the same
component/composite, HDMI and
time, wearing shutter glasses with
DVI inputs, waveform/vectorscope,
closed captioning support (CEAintegrated headphones.
608/708), aspect
Sharp displayed at CES what it
claims is the largest commercially
available LED-backlit
LCD television. At
90-inches, it is
expected to be in
production by March.
Toshiba’s new
model 84L9300, also
introduced at CES, is
an 84-inch 4K LEDbacklit LCD screen
with an internal
upconverter in
case you happen
to be short
of 4K content.
T V L o g i c
introduced three
broadcast
TVLogic's LVM-247W offers a 24-inch 1LCD monitor

markers, eight-channel embedded
audio metering, timecode display
and auto colour calibration support.
The new LVM-247W is a 24-inch
1920x1080 10-bit LCD designed
for broadcast QC, production and
post-production. It has all the
features of the LVM-174W and
LVM-212W a built in 3D lookup
table, multiple colour space presets,
gamma control, and import/export
of popular 3D LUT formats.
Wohler’s RMQ-230-3G monitor
provides up to four displays in a
single 1920 x 1080 LED backlight
23-inch screen driven from four
autosensing 3G/HD/SD-SDI /
analogue composite inputs and
a HDMI/DVI-D video input. RMQ
Series models also have an HDMI/
DVI-D compatible output that allows
the external display to be ported
to another screen. In addition to
a quad split display of four equal
areas, the RMQ-230-3G can be
configured to a single full screen
or one large screen with three
smaller screens for simultaneous PC
workstation screen and audio/video
confidence applications. Each of the
four individual displays supports
waveform, vectorscope, audio deembedding and metering of up to
eights channels, UMD, timecode
and various markers.

Display Snapshot
The future of television viewing,
whether on camera viewfinders,
studio monitors, post-production
screens, mobile or household
receivers, high-street commercial
displays or in cinemas, can be
summarised quite confidently with
just two words: retina quality.
Hence the push towards 4K
which will take place at NAB and
IBC this year, followed in due
course by a second-wave push
towards 8K. But remember that
the biggest advances in the
media business often come in
very small packages.

37


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Table of Contents for the Digital Edition of In Broadcast - February 2013

In Broadcast - February 2013
Contents
InNews: Sony's F65 Shoots First UK 4K Feature
InNews: Channel 5 Russia Modernises with Orad Solutions
InSound:: Cobalt Digital's Loudness Solutions
InView: Agile IP Video Delivery: STB Software Architectur
InView: Boxx TV Squares Up to HD Video
InFocus: Real-Time Motion Graphics Workflows
InFocus: Meduza Set to Ship Titan 3D Camera System
InForm: Sintecmedia Acquires US-Based Storer TV
InPlay: Christie Shows Entero HB Displays Cubes
InTech: The Power Overheard of More Pixels
In Broadcast - February 2013 - Intro
In Broadcast - February 2013 - In Broadcast - February 2013
In Broadcast - February 2013 - Cover2
In Broadcast - February 2013 - Contents
In Broadcast - February 2013 - InNews: Sony's F65 Shoots First UK 4K Feature
In Broadcast - February 2013 - 5
In Broadcast - February 2013 - InNews: Channel 5 Russia Modernises with Orad Solutions
In Broadcast - February 2013 - 7
In Broadcast - February 2013 - 8
In Broadcast - February 2013 - 9
In Broadcast - February 2013 - 10
In Broadcast - February 2013 - 11
In Broadcast - February 2013 - 12
In Broadcast - February 2013 - 13
In Broadcast - February 2013 - 14
In Broadcast - February 2013 - 15
In Broadcast - February 2013 - 16
In Broadcast - February 2013 - 17
In Broadcast - February 2013 - 18
In Broadcast - February 2013 - 19
In Broadcast - February 2013 - 20
In Broadcast - February 2013 - 21
In Broadcast - February 2013 - 22
In Broadcast - February 2013 - 23
In Broadcast - February 2013 - InSound:: Cobalt Digital's Loudness Solutions
In Broadcast - February 2013 - 25
In Broadcast - February 2013 - 26
In Broadcast - February 2013 - 27
In Broadcast - February 2013 - InView: Agile IP Video Delivery: STB Software Architectur
In Broadcast - February 2013 - 29
In Broadcast - February 2013 - 30
In Broadcast - February 2013 - 31
In Broadcast - February 2013 - InView: Boxx TV Squares Up to HD Video
In Broadcast - February 2013 - 33
In Broadcast - February 2013 - 34
In Broadcast - February 2013 - 35
In Broadcast - February 2013 - 36
In Broadcast - February 2013 - 37
In Broadcast - February 2013 - InFocus: Real-Time Motion Graphics Workflows
In Broadcast - February 2013 - 39
In Broadcast - February 2013 - InFocus: Meduza Set to Ship Titan 3D Camera System
In Broadcast - February 2013 - 41
In Broadcast - February 2013 - 42
In Broadcast - February 2013 - 43
In Broadcast - February 2013 - 44
In Broadcast - February 2013 - 45
In Broadcast - February 2013 - 46
In Broadcast - February 2013 - 47
In Broadcast - February 2013 - 48
In Broadcast - February 2013 - 49
In Broadcast - February 2013 - 50
In Broadcast - February 2013 - 51
In Broadcast - February 2013 - 52
In Broadcast - February 2013 - 53
In Broadcast - February 2013 - InForm: Sintecmedia Acquires US-Based Storer TV
In Broadcast - February 2013 - 55
In Broadcast - February 2013 - 56
In Broadcast - February 2013 - 57
In Broadcast - February 2013 - 58
In Broadcast - February 2013 - 59
In Broadcast - February 2013 - 60
In Broadcast - February 2013 - 61
In Broadcast - February 2013 - 62
In Broadcast - February 2013 - 63
In Broadcast - February 2013 - 64
In Broadcast - February 2013 - InPlay: Christie Shows Entero HB Displays Cubes
In Broadcast - February 2013 - 66
In Broadcast - February 2013 - 67
In Broadcast - February 2013 - 68
In Broadcast - February 2013 - 69
In Broadcast - February 2013 - 70
In Broadcast - February 2013 - 71
In Broadcast - February 2013 - 72
In Broadcast - February 2013 - 73
In Broadcast - February 2013 - InTech: The Power Overheard of More Pixels
In Broadcast - February 2013 - 75
In Broadcast - February 2013 - 76
In Broadcast - February 2013 - 77
In Broadcast - February 2013 - S1
In Broadcast - February 2013 - S2
In Broadcast - February 2013 - S3
In Broadcast - February 2013 - S4
In Broadcast - February 2013 - S5
In Broadcast - February 2013 - S6
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