In Broadcast - February 2013 - 18


I N T E R N A T I O N A L

WWW.INBROADCAST.COM | ISSUE 16 - FEBRUARY 2013

N E W S

InNEWS

SGO Mistika Supports Grupo 7
Spanish Awards Nominations

Director Alberto Rodriguez’s latest film Grupo 7

T

he complete post-production
of Director Alberto Rodriguez’s
latest film Grupo 7 was achieved
using SGO’s Mistika.
The film has been nominated to
win 16 Spanish Academy Goya
Awards, for categories that include
‘Best Visual Effects’ and ‘Best
Photography’. The Mistika system

18

was selected for its advanced
toolsets for the entire visual effects
process, which included colour
grading, compositing, as well as
mastering and DCP creation.
Grupo 7 (Unit 7) was filmed using
various high-end digital cameras
with majority of the footage captured
on two Red One Mysterium X

cameras at 4K. “Due to a wide range
of formatted material, Mistika was
a huge help in matching different
shots from various formats, and
giving them a consistent look
throughout the film” says Juan
Ventura, Colourist and FX Supervisor.
“During post-production we were
a bit concerned with some of the
shots where the edge of the image
was too sharp and also some
aliasing had occurred.
"Mistika helped us to resolve this
in real-time at 4K, without rescaling
the material. The change to 2K was
achieved using Mistika to correct
these issues by adding blurs and
re-focusing areas, where required.”
Grupo 7 is a compelling action
movie about a police combat and
campaign against drug trafficking.
Since its release, box office
figures have already exceeded 2
million Euros.

DPA Records For Les Miserables
A

ward-winning Production
Sound Mixer Simon Hayes
selected DPA 4071 Lavalier
Microphones to capture live audio
for Les Miserables.
DPA Microphones played an
integral part in recording the
audio for the film version of the
hit musical Les Miserables, which
features an all-star cast including
Hugh Jackman, Russell Crowe, and
Anne Hathaway.
Nominated for nine BAFTA
Awards, including one for
Sound, Les Miserables used an
innovative technique that involved
recording vocals live on set with
the cast singing to a live piano

accompaniment played to them
through earpieces.
Production Sound Mixer Simon
Hayes, who was responsible for
capturing the film’s entire audio
content, says it was a truly unique
way of working and one that would
not have been possible without DPA
4071 lavalier microphones.
“When judging different lavaliers
I had always considered the
differences in sound between
various brands of lavalier to be a
matter of taste. That was until I
listened to a DPA up against the
competition. In my opinion the
DPA is better, more open sounding,
less chesty and sounds more like a

Adobe Unveils
Cloud Update
GBR: Adobe Systems Incorporated
has revealed a major update to its
Adobe Creative Cloud offering.
During the Create Now online
event, the company announced that
Creative Cloud members will now
have access to over a dozen exclusive
new features for Adobe Photoshop.
Adobe highlighted the customer
momentum behind Creative Cloud,
with more than a million free and
paid memberships, including
approximately 326,000 paid
individual members who have signed
up through November 2012.

Doremi China
Servers Deal
USA: Doremi has announced the
sale of 350 digital cinema servers
to China’s Wanda Cinema Line.
Wanda Cinema Line has 100
premium cinemas with plans to
have more than 1,000 screens
across China from this month.
It will add another 35
cinemas with 350 screens
in China by the end of 2013.
The acquisition of Doremi's
Integrated Media Block (IMB) with
ShowVault digital cinema servers
will supplement its continued rapid
expansion across Asia.

Calrec Audio For
Pinewood Studios
Simon Hayes on set with the Les
Miserables sound crew

boom mic than any other lavaliers
I have heard.”
Hayes had 50 DPA 4071 lavalier
microphones at his disposal during
the filming of Les Miserables, all of
which were supplied by Richmond
Films in conjunction with DPA’s UK
distributor Sound Network.

GBR: International production
powerhouse Pinewood Studios
Group has installed an Artemis
Beam console in its new
5.1-capable sound-control gallery
to mix audio for live and recorded
television shows, the first of which
was a children’s show for BBC.
The sound-control gallery is part
of a new television studio facility in
Buckinghamshire, England, which
includes all new control galleries
and equipment.


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Table of Contents for the Digital Edition of In Broadcast - February 2013

In Broadcast - February 2013
Contents
InNews: Sony's F65 Shoots First UK 4K Feature
InNews: Channel 5 Russia Modernises with Orad Solutions
InSound:: Cobalt Digital's Loudness Solutions
InView: Agile IP Video Delivery: STB Software Architectur
InView: Boxx TV Squares Up to HD Video
InFocus: Real-Time Motion Graphics Workflows
InFocus: Meduza Set to Ship Titan 3D Camera System
InForm: Sintecmedia Acquires US-Based Storer TV
InPlay: Christie Shows Entero HB Displays Cubes
InTech: The Power Overheard of More Pixels
In Broadcast - February 2013 - Intro
In Broadcast - February 2013 - In Broadcast - February 2013
In Broadcast - February 2013 - Cover2
In Broadcast - February 2013 - Contents
In Broadcast - February 2013 - InNews: Sony's F65 Shoots First UK 4K Feature
In Broadcast - February 2013 - 5
In Broadcast - February 2013 - InNews: Channel 5 Russia Modernises with Orad Solutions
In Broadcast - February 2013 - 7
In Broadcast - February 2013 - 8
In Broadcast - February 2013 - 9
In Broadcast - February 2013 - 10
In Broadcast - February 2013 - 11
In Broadcast - February 2013 - 12
In Broadcast - February 2013 - 13
In Broadcast - February 2013 - 14
In Broadcast - February 2013 - 15
In Broadcast - February 2013 - 16
In Broadcast - February 2013 - 17
In Broadcast - February 2013 - 18
In Broadcast - February 2013 - 19
In Broadcast - February 2013 - 20
In Broadcast - February 2013 - 21
In Broadcast - February 2013 - 22
In Broadcast - February 2013 - 23
In Broadcast - February 2013 - InSound:: Cobalt Digital's Loudness Solutions
In Broadcast - February 2013 - 25
In Broadcast - February 2013 - 26
In Broadcast - February 2013 - 27
In Broadcast - February 2013 - InView: Agile IP Video Delivery: STB Software Architectur
In Broadcast - February 2013 - 29
In Broadcast - February 2013 - 30
In Broadcast - February 2013 - 31
In Broadcast - February 2013 - InView: Boxx TV Squares Up to HD Video
In Broadcast - February 2013 - 33
In Broadcast - February 2013 - 34
In Broadcast - February 2013 - 35
In Broadcast - February 2013 - 36
In Broadcast - February 2013 - 37
In Broadcast - February 2013 - InFocus: Real-Time Motion Graphics Workflows
In Broadcast - February 2013 - 39
In Broadcast - February 2013 - InFocus: Meduza Set to Ship Titan 3D Camera System
In Broadcast - February 2013 - 41
In Broadcast - February 2013 - 42
In Broadcast - February 2013 - 43
In Broadcast - February 2013 - 44
In Broadcast - February 2013 - 45
In Broadcast - February 2013 - 46
In Broadcast - February 2013 - 47
In Broadcast - February 2013 - 48
In Broadcast - February 2013 - 49
In Broadcast - February 2013 - 50
In Broadcast - February 2013 - 51
In Broadcast - February 2013 - 52
In Broadcast - February 2013 - 53
In Broadcast - February 2013 - InForm: Sintecmedia Acquires US-Based Storer TV
In Broadcast - February 2013 - 55
In Broadcast - February 2013 - 56
In Broadcast - February 2013 - 57
In Broadcast - February 2013 - 58
In Broadcast - February 2013 - 59
In Broadcast - February 2013 - 60
In Broadcast - February 2013 - 61
In Broadcast - February 2013 - 62
In Broadcast - February 2013 - 63
In Broadcast - February 2013 - 64
In Broadcast - February 2013 - InPlay: Christie Shows Entero HB Displays Cubes
In Broadcast - February 2013 - 66
In Broadcast - February 2013 - 67
In Broadcast - February 2013 - 68
In Broadcast - February 2013 - 69
In Broadcast - February 2013 - 70
In Broadcast - February 2013 - 71
In Broadcast - February 2013 - 72
In Broadcast - February 2013 - 73
In Broadcast - February 2013 - InTech: The Power Overheard of More Pixels
In Broadcast - February 2013 - 75
In Broadcast - February 2013 - 76
In Broadcast - February 2013 - 77
In Broadcast - February 2013 - S1
In Broadcast - February 2013 - S2
In Broadcast - February 2013 - S3
In Broadcast - February 2013 - S4
In Broadcast - February 2013 - S5
In Broadcast - February 2013 - S6
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201812
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201811
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NewYork2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201810
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201809
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201808
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201806
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201805
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201804
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201803
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201802
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2018
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201801
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201712
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201711
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201710
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201709
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201708
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201707
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201705
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201704
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2017
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201703
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201702
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201701
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201611
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_20110708_DEMO
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201610
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_inshowguide2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201609
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201608
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201607
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201606
http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201605
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201604
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201603
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2016
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201602
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201601
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC02
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201512
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201511
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_CCW15expo
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201510
http://www.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC01
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201509
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_IBC2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201508
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201507
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201506
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_BROADCASTASIA2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201505
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201504
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOW2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201503
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_cabsat2015
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201502
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201501
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201412
http://www.nxtbook.com/nxteu/lesommet/inbroadcast_201411
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201410
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