In Broadcast - January 2013 - 64


I N T E R N A T I O N A L

N E W S

WWW.INBROADCAST.COM | ISSUE 15 - JANUARY 2013

InFORM
Major Moves In Post-Production Facilities Cont.
invested in an Avid Artist Mix control surface and ancillary equipment in order to offer Foley services. The new 5.1 suite is located in the audio department of the company’s Wardour Street location. The suite offers client accommodations and a voiceover booth. The suite will be used primarily for film trailers, promos, documentaries, TV mixing and deliverables. “We took our time with the spec for this room to make it as versatile as possible,” explains senior rerecording mixer Paul Cotterell. “It’s a great pre-mixing area where we can start to prepare projects in detail – even those that are still being cut – then mix them directly in the Pro Tools and transfer the files straight into our DFC consoles. We are also installing Edicue software for ADR work, as well as dialogue editing and cleaning and sound design plugins, and it’s a perfect room for the constant feed of theatrical trailer work from LipSync Creative, our creative agency.”

LipSync Post recently worked on the spot for the Ice Age 4 DVD/Blu-Ray release

Engineering, who also designed the studio with SSI Mixer Matt Guiler and noted studio designer

Relaunching
Back in the UK, full service postproduction company Evolutions has concluded a deal that will see the creative and technical team from Editworks re-launch the long-standing Light Entertainment and Comedy facility within its Berners Street HQ. The new facility will operate as a standalone boutique brand inside Evolutions, supplying picture editing and sound dubbing services to existing and new television producer clients but utilising Evolutions’ equipment, suites and engineering capabilities. Editors Mark Sangster and Perry Widdowson and dubbing mixer Adrian Smith are all involved in the new venture along with a further seven technical, support and client liaison staff from Editworks. Discussing the deal Evolutions Owner and Managing Director Simon Kanjee said: “Editworks is a highly respected brand that has great staff and a reputation for creative and technical excellence. When it became clear that there was an opportunity to bring Mark, Perry, Adrian and their team to Evolutions we jumped at it. This deal not only provides continuity for Editworks

64

SSI in Hollywood has recently installed a Genlec 7.1 monitoring system

Across the Atlantic, SSI, a leading Hollywood audio and video postproduction company specialising in cinema trailers, has purchased a new 7.1 monitoring system by Genelec. The new system, which was installed in September and consists of three Genelec 8260A Tri-Amplified Active Monitors for the L-C-R array, four Genelec 8250A Bi-Amplified Active Monitors for the rear and side surrounds, and a Genelec 7271A Active Subwoofer, was chosen to help SSI further expand its leading role as a postproduction resource for trailers for top Hollywood films. These include The Hobbit, Rise of the Guardians, Cloud Atlas and the upcoming Brad Pitt film World War Z. The decision to buy and install new Genelec monitoring was based on two key things, according to Gary Fradkin, SSI’s Director of

Scott Putnam. “We love the way Genelec active monitors sound, and the DSP system enables us to keep the studio tuned properly at all times,” Fradkin explains. “In the past, we’d have to have the room periodically analysed and re-tuned as things changed. Now, with SAM, the speakers literally take care of themselves.”

staff and clients but also adds new skills and ideas to Evolutions’ already extensive capabilities.” Sangster added: “Although we’ve been rivals in the past, with our strong entertainment television backgrounds there’s a real synchronicity between the two companies. By joining up with Evolutions we can maintain our identity and build on our heritage backed by a bigger, more efficient organisation. I strongly believe that by combining our excellent creative and technical skills with Evolutions’ highly adaptable, service-focused approach we will be hugely successful.” The original Editworks, based on Charlotte Street, was one of Soho’s longest standing post-production facilities. Formed in 1988 as part of Complete Communications, the company was sold to its management team in 2000. Its client base included Avalon, 12 Yard, So Television, Talkback Thames, On The Box, Indigo and Two Way Traffic. The company ceased trading recently citing a combination of rising business overheads and reduced post-production budgets.

Avid Artist Mix / LipSync has invested in Avid Artist Mix control surfaces for Foley


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Table of Contents for the Digital Edition of In Broadcast - January 2013

In Broadcast - January 2013
Contents
InNews: Harris Corporation Agree Sale of Broadcast Communications
InNews: Grass Valley Opens Solutions Center in Boulogne Office
InSound
InFocus
InStudio
InPlay
InFile
InTest
InMedia: Evolution of the Broadcast Systems Integrator
InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - Intro
In Broadcast - January 2013 - In Broadcast - January 2013
In Broadcast - January 2013 - Cover2
In Broadcast - January 2013 - Contents
In Broadcast - January 2013 - InNews: Harris Corporation Agree Sale of Broadcast Communications
In Broadcast - January 2013 - 5
In Broadcast - January 2013 - InNews: Grass Valley Opens Solutions Center in Boulogne Office
In Broadcast - January 2013 - 7
In Broadcast - January 2013 - 8
In Broadcast - January 2013 - 9
In Broadcast - January 2013 - 10
In Broadcast - January 2013 - 11
In Broadcast - January 2013 - 12
In Broadcast - January 2013 - 13
In Broadcast - January 2013 - 14
In Broadcast - January 2013 - 15
In Broadcast - January 2013 - 16
In Broadcast - January 2013 - 17
In Broadcast - January 2013 - 18
In Broadcast - January 2013 - 19
In Broadcast - January 2013 - 20
In Broadcast - January 2013 - 21
In Broadcast - January 2013 - 22
In Broadcast - January 2013 - 23
In Broadcast - January 2013 - 24
In Broadcast - January 2013 - 25
In Broadcast - January 2013 - 26
In Broadcast - January 2013 - 27
In Broadcast - January 2013 - InSound
In Broadcast - January 2013 - 29
In Broadcast - January 2013 - 30
In Broadcast - January 2013 - 31
In Broadcast - January 2013 - 32
In Broadcast - January 2013 - 33
In Broadcast - January 2013 - InFocus
In Broadcast - January 2013 - 35
In Broadcast - January 2013 - 36
In Broadcast - January 2013 - 37
In Broadcast - January 2013 - 38
In Broadcast - January 2013 - 39
In Broadcast - January 2013 - 40
In Broadcast - January 2013 - 41
In Broadcast - January 2013 - 42
In Broadcast - January 2013 - 43
In Broadcast - January 2013 - InStudio
In Broadcast - January 2013 - 45
In Broadcast - January 2013 - 46
In Broadcast - January 2013 - 47
In Broadcast - January 2013 - 48
In Broadcast - January 2013 - 49
In Broadcast - January 2013 - 50
In Broadcast - January 2013 - 51
In Broadcast - January 2013 - 52
In Broadcast - January 2013 - 53
In Broadcast - January 2013 - InPlay
In Broadcast - January 2013 - 55
In Broadcast - January 2013 - 56
In Broadcast - January 2013 - 57
In Broadcast - January 2013 - 58
In Broadcast - January 2013 - 59
In Broadcast - January 2013 - InFile
In Broadcast - January 2013 - 61
In Broadcast - January 2013 - 62
In Broadcast - January 2013 - 63
In Broadcast - January 2013 - 64
In Broadcast - January 2013 - 65
In Broadcast - January 2013 - 66
In Broadcast - January 2013 - 67
In Broadcast - January 2013 - 68
In Broadcast - January 2013 - 69
In Broadcast - January 2013 - InTest
In Broadcast - January 2013 - 71
In Broadcast - January 2013 - InMedia: Evolution of the Broadcast Systems Integrator
In Broadcast - January 2013 - 73
In Broadcast - January 2013 - 74
In Broadcast - January 2013 - 75
In Broadcast - January 2013 - 76
In Broadcast - January 2013 - 77
In Broadcast - January 2013 - 78
In Broadcast - January 2013 - 79
In Broadcast - January 2013 - 80
In Broadcast - January 2013 - 81
In Broadcast - January 2013 - InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - 83
In Broadcast - January 2013 - 84
In Broadcast - January 2013 - S1
In Broadcast - January 2013 - S2
In Broadcast - January 2013 - S3
In Broadcast - January 2013 - S4
In Broadcast - January 2013 - S5
In Broadcast - January 2013 - S6
In Broadcast - January 2013 - S7
In Broadcast - January 2013 - S8
In Broadcast - January 2013 - S9
In Broadcast - January 2013 - S10
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http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_INREVIEW2016
http://europe.nxtbook.com/nxteu/lesommet/inbroadcast_201612
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http://www.nxtbook.com/nxteu/lesommet/inbroadcast_NABSHOWNYexpo
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http://europe.nxtbook.com/nxtbooks/lesommet/inbroadcast_APAC03
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