In Broadcast - January 2013 - 63


ISSUE 15 - JANUARY 2013 | WWW.INBROADCAST.COM

I N T E R N A T I O N A L

N E W S

InFORM

Major Moves In Post-Production Facilities
These are interesting times in the world of post-production, particularly in the UK where the BBC has confirmed its move to new facilities and long-established post facility De Lane Lea has changed hands…
production facility De Lane Lea. A stalwart of the Soho film and TV production community for 65 years, By Jim Evans De Lane Lea, which will be renamed Contributing Editor Warner Bros. De Lane Lea, houses: three re-recording stages; two ADR stages; 40 picture editing suites; one TV mixing stage; a transfer bay n November 2012, BBC Studios have always wanted us to have a for the digital delivery, conversion and Post Production (BBC presence in W1, so the move from and ingestion of picture and sound; a 37-seater screening room; and S&PP) announced it will open Television Centre provided us with a standalone post-production the perfect opportunity to bring our a client lounge, all in Soho, the facility on Charlotte Street in the renowned services to this location. preferred central London location This move forms a key part of our heart of London’s vibrant W1 for creative professionals. post community. Open from early future plans and we are looking De Lane Lea has served as January 2013, the new HD-based, forward to welcoming our customers the post-production home of fully tapeless facility will give BBC to our new and vibrant home.” recent movies such as Skyfall, Studios and Post Production the Charlotte Forde, Frankenweenie, central London launch pad to Commercial Prometheus and offer full-service post-production Manager at BBC Dark Shadows. facilities to its growing range of TV Studios and Wa r n e r B ro s . ’ and corporate clients. Post Production, association The facility, formerly home to s a i d : “ We ’ r e with the facility Editworks, will be renovated extremely excited stretches as throughout and additional cutting to be opening far back as 40 rooms will be built in the basement. a standalone years with its Once renovations are complete next facility in the post-production month, it will initially house nine Avid heart of London’s De Lane Lea worked on two films work on John Media Composer offline suites, nine post-production shown as part of Film4’s FRIGHTFEST B o o r m a n ’ s Avid Symphony Nitris DX finishing community. With 1972 picture, suites, an Avid Pro Tools 5.1 audio the phased move out of Television Deliverance. The upcoming Warner suite and voiceover booth and an Centre we saw it as an opportunity to Bros. movie Gravity, directed by Autodesk Smoke visual effects and give our post-production operation a Alfonso Cuaron and starring George grading system. The facility will be new lease of life and a new home as Clooney and Sandra Bullock, is linked to BBC S&PP’s studios at we continue to expand our presence currently being post-produced BBC Elstree and Elstree Studios in the industry and service a wide at De Lane Lea. – and to BBC Television Centre range of clients.” Josh Berger, President and Managing Director, Warner Bros. until the company vacates the site BBC Studios and Post Production have already signed three postUK, Ireland and Spain said: “Just in March 2013 – so it can directly production projects for the new serve live studio productions that five months on from the opening of require inserts. site – including Mrs Brown’s Boys, Warner Bros. Studios Leavesden, A phased migration is currently in The Matt Lucas Awards and the this latest acquisition is further operation and BBC S&PP’s postupcoming series, Beat The Pack. evidence of our commitment to production facility on the fourth floor Recent BBC S&PP post projects the UK film industry and the world of BBC Television Centre will service have included Friday Download, leading Greater London media Watchdog, Rogue Traders, Yes productions into early 2013. The cluster. Through its many years of company will continue to operate Prime Minister, I Can Cook On The operating, De Lane Lea has earned a an editing and finishing facility at Go, Strictly Come Dancing and powerhouse reputation for servicing BBC Elstree to service its contract It Takes Two. tent-pole movies for us and other with EastEnders and also offers studios and, as we look to invest fast turnaround facilities to support US Links in the facility in the coming months studio operations. In another major London-based and years, this standing can only Anna Mallett, BBC Studios and development, Warner Bros. Studios grow even further.” Post Production’s CEO, said: Leavesden (WBSL) has acquired Dan Dark, Senior Vice President leading UK sound mixing and postand Managing Director, Warner Bros. “Our post-production customers Studios Leavesden, commented: “The exciting combination of our state-of-the-art facilities at Warner Bros. Studios Leavesden in Hertfordshire and those at Warner Bros. De Lane Lea in central London means that we will be able to provide a convenient one-stop shop for all kinds of production needs, both inhouse and external clients.” Kim Waugh, Senior Vice President, Post-Production Services, Warner Bros. Studio Facilities, added: “By BBC S&PP post projects for Charlotte Lane include Mrs Brown’s Boys owning and operating our own

I

Warner Bros. Studios Leavesden recently acquired De Lane Lea

post-production facility in the UK, we’re increasing the flexibility and scheduling of our own postproduction requirements, as well as those of other studios. De Lane Lea has long been the leader in the UK post-production market and we’re confident that its fine traditions and preferred location status will continue to prosper under our new ownership.” Based just outside Watford, Hertfordshire, Warner Bros. Studios Leavesden is the only film studio in the country to be owned and operated by a major Hollywood studio. It is available to all kinds of productions, not just Warner Bros., from commercials to music videos, TV shows to feature films. Formerly the production home of all eight Harry Potter films, Warner Bros. Studios Leavesden is spread across a secure 200-acre site and houses a collection of some of the largest sound stages in the UK, spanning over a quarter of a million square feet, including one of the largest heated underwater filming tanks in Europe. In addition, the site provides an unrivalled, clear horizon 100-acre back-lot, one of the most extensive in Europe, which can be adapted for any production need.

63

Sound Investments
Meanwhile, London’s LipSync Post has made a significant gear investment to help expand its audio services for film and television. The facility recently purchased an Avid C|24 control surface with Pro Tools|HDX software and a range of plug-ins and peripherals for an additional 5.1 suite. LipSync also
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Table of Contents for the Digital Edition of In Broadcast - January 2013

In Broadcast - January 2013
Contents
InNews: Harris Corporation Agree Sale of Broadcast Communications
InNews: Grass Valley Opens Solutions Center in Boulogne Office
InSound
InFocus
InStudio
InPlay
InFile
InTest
InMedia: Evolution of the Broadcast Systems Integrator
InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - Intro
In Broadcast - January 2013 - In Broadcast - January 2013
In Broadcast - January 2013 - Cover2
In Broadcast - January 2013 - Contents
In Broadcast - January 2013 - InNews: Harris Corporation Agree Sale of Broadcast Communications
In Broadcast - January 2013 - 5
In Broadcast - January 2013 - InNews: Grass Valley Opens Solutions Center in Boulogne Office
In Broadcast - January 2013 - 7
In Broadcast - January 2013 - 8
In Broadcast - January 2013 - 9
In Broadcast - January 2013 - 10
In Broadcast - January 2013 - 11
In Broadcast - January 2013 - 12
In Broadcast - January 2013 - 13
In Broadcast - January 2013 - 14
In Broadcast - January 2013 - 15
In Broadcast - January 2013 - 16
In Broadcast - January 2013 - 17
In Broadcast - January 2013 - 18
In Broadcast - January 2013 - 19
In Broadcast - January 2013 - 20
In Broadcast - January 2013 - 21
In Broadcast - January 2013 - 22
In Broadcast - January 2013 - 23
In Broadcast - January 2013 - 24
In Broadcast - January 2013 - 25
In Broadcast - January 2013 - 26
In Broadcast - January 2013 - 27
In Broadcast - January 2013 - InSound
In Broadcast - January 2013 - 29
In Broadcast - January 2013 - 30
In Broadcast - January 2013 - 31
In Broadcast - January 2013 - 32
In Broadcast - January 2013 - 33
In Broadcast - January 2013 - InFocus
In Broadcast - January 2013 - 35
In Broadcast - January 2013 - 36
In Broadcast - January 2013 - 37
In Broadcast - January 2013 - 38
In Broadcast - January 2013 - 39
In Broadcast - January 2013 - 40
In Broadcast - January 2013 - 41
In Broadcast - January 2013 - 42
In Broadcast - January 2013 - 43
In Broadcast - January 2013 - InStudio
In Broadcast - January 2013 - 45
In Broadcast - January 2013 - 46
In Broadcast - January 2013 - 47
In Broadcast - January 2013 - 48
In Broadcast - January 2013 - 49
In Broadcast - January 2013 - 50
In Broadcast - January 2013 - 51
In Broadcast - January 2013 - 52
In Broadcast - January 2013 - 53
In Broadcast - January 2013 - InPlay
In Broadcast - January 2013 - 55
In Broadcast - January 2013 - 56
In Broadcast - January 2013 - 57
In Broadcast - January 2013 - 58
In Broadcast - January 2013 - 59
In Broadcast - January 2013 - InFile
In Broadcast - January 2013 - 61
In Broadcast - January 2013 - 62
In Broadcast - January 2013 - 63
In Broadcast - January 2013 - 64
In Broadcast - January 2013 - 65
In Broadcast - January 2013 - 66
In Broadcast - January 2013 - 67
In Broadcast - January 2013 - 68
In Broadcast - January 2013 - 69
In Broadcast - January 2013 - InTest
In Broadcast - January 2013 - 71
In Broadcast - January 2013 - InMedia: Evolution of the Broadcast Systems Integrator
In Broadcast - January 2013 - 73
In Broadcast - January 2013 - 74
In Broadcast - January 2013 - 75
In Broadcast - January 2013 - 76
In Broadcast - January 2013 - 77
In Broadcast - January 2013 - 78
In Broadcast - January 2013 - 79
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In Broadcast - January 2013 - 81
In Broadcast - January 2013 - InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - 83
In Broadcast - January 2013 - 84
In Broadcast - January 2013 - S1
In Broadcast - January 2013 - S2
In Broadcast - January 2013 - S3
In Broadcast - January 2013 - S4
In Broadcast - January 2013 - S5
In Broadcast - January 2013 - S6
In Broadcast - January 2013 - S7
In Broadcast - January 2013 - S8
In Broadcast - January 2013 - S9
In Broadcast - January 2013 - S10
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