In Broadcast - January 2013 - 20


I N T E R N A T I O N A L

N E W S

WWW.INBROADCAST.COM | ISSUE 15 - JANUARY 2013

InNEWS

4K London Invests In Leader Video Signal Test Instruments
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K London has invested in Leader LV5330 and LV5380 multistandard video signal analysers for integration into its highspecification electronic imaging systems. Designed for on-camera operation, the Leader LV5330 is compatible with over 20 HD-SDI/SD-SDI formats, including SMPTE 259M, 274M, 292M, and 296M. Its 6-inch XGA TFT screen can be set to display YCbCr, YRGB, YGBR, GBR or RGB luminance waveform, colour vector, five-bar, surround-sound level, status or video source. Freeze mode allows comparisons of different SDI input signals. Thumbnail picture display can be selected with other multidisplay operating modes for easy source identification. Input format, colorimetry, black burst or tri-level external reference input are auto-sensed. The LV5330’s display panel is framed on three sides by clearly labelled pushbutton function selectors, plus three rotary adjustment controls and a forwardfacing USB interface, making the LV5330 exceptionally easy to control. Additional features include signal status and protocol checks, user-settable error monitoring and detection, digital line-selection and menu control storage of 30 frontpanel configurations. Screen shots, personalised presets and software updates can be communicated via detachable USB memory. The LV5330 occupies a 215 x 128 x 63 millimetres housing, weighs 1.3 kilogrammes. It can be powered from mains or battery. Leader’s LV5380 has a similar specification to the LV5330 plus a larger 8.4-inch XGA screen allowing more precise picture and waveform evaluation.

Grass Valley Workflow On Show
JPN: Grass Valley has demonstrated how its full array of file-based, cost-effective HD technologies can help broadcasters. The Grass Valley exhibit at Inter BEE 2012 featured the company’s latest live production, multi-format editing, signal distribution, and multichannel playout solutions, where attendees received handson time with the equipment. This included the new Grass Valley LDX Series HD cameras, K2 Dyno S Replay Controller and Karrera Video Production Center switcher.

Wohler Impresses At Inter BEE 2012
JPN: Wohler continued its tradition of innovation at Inter BEE 2012 with new and awardwinning products on display. Commenting at the exhibition, Jhonny Maroun, Director, Wohler APAC said: “Our new RadiantGrid solution offers an intelligent filebased workflow that supports Japanese broadcasters’ growing need for multiplatform and multiformat content delivery.

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4K London’s Workflow Supervisor Tristan Hay with Leader LV5380 video test analyser alongside TV Logic picture monitor

Projectiondesign Prepares For Biggest ISE 2013
rojectiondesign is gearing up for its biggest Integrated Systems Europe (ISE) show. A founding ISE exhibitor, projectiondesign has been present at every show in the event’s history since it launched in Geneva in 2004 - making the company one of a select few to have access to ‘10 years’ branding on its ISE 2013 stand. Underlining just how far the company has come, projectiondesign will be showcasing, what they hail as, the world’s first panoramic projector for professional

Autodesk Ships Smoke 2013
USA: Autodesk’s revamped Smoke 2013, professional video editing software aims to meet the creative needs of the new breed of editors working in video production, corporate video, online video. Offering editing and effects within a single timeline-based workflow, Smoke 2013 runs on a wide variety of Apple MacBook Pro and Apple iMac computers. New features for Smoke 2013 include: clip drag and drop into the timeline, ability to expand/collapse the timeline FX pipeline area; and a streamlined UI.

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use - the F35 panorama. Using projectiondesign’s proven F35 DLP platform, the F35 panorama boasts 21:9 format, 2.7 megapixels (35% more than Full HD), and brightness of up to 7,000 ANSI lumens. Like all the company’s projectors, it is backed up by a 24/7 and intensiveuse warranty for up to five years. Another projector making its ISE debut is projectiondesign’s brightest-ever projector, the F85 3D 3-chip DLP projector. A threechip DLP design, the F85 boasts a brightness of up to 11,000 ANSI

Projectiondesign’s F35 panorama projector boasts 21:9 format images

lumens and a contrast ratio of 14,000:1 for ultra-crisp detailed images. The model is available in WUXGA or 1080p resolution, and can optically switch between REC709 and DCI P7 colour spaces.

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Table of Contents for the Digital Edition of In Broadcast - January 2013

In Broadcast - January 2013
Contents
InNews: Harris Corporation Agree Sale of Broadcast Communications
InNews: Grass Valley Opens Solutions Center in Boulogne Office
InSound
InFocus
InStudio
InPlay
InFile
InTest
InMedia: Evolution of the Broadcast Systems Integrator
InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - Intro
In Broadcast - January 2013 - In Broadcast - January 2013
In Broadcast - January 2013 - Cover2
In Broadcast - January 2013 - Contents
In Broadcast - January 2013 - InNews: Harris Corporation Agree Sale of Broadcast Communications
In Broadcast - January 2013 - 5
In Broadcast - January 2013 - InNews: Grass Valley Opens Solutions Center in Boulogne Office
In Broadcast - January 2013 - 7
In Broadcast - January 2013 - 8
In Broadcast - January 2013 - 9
In Broadcast - January 2013 - 10
In Broadcast - January 2013 - 11
In Broadcast - January 2013 - 12
In Broadcast - January 2013 - 13
In Broadcast - January 2013 - 14
In Broadcast - January 2013 - 15
In Broadcast - January 2013 - 16
In Broadcast - January 2013 - 17
In Broadcast - January 2013 - 18
In Broadcast - January 2013 - 19
In Broadcast - January 2013 - 20
In Broadcast - January 2013 - 21
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In Broadcast - January 2013 - 23
In Broadcast - January 2013 - 24
In Broadcast - January 2013 - 25
In Broadcast - January 2013 - 26
In Broadcast - January 2013 - 27
In Broadcast - January 2013 - InSound
In Broadcast - January 2013 - 29
In Broadcast - January 2013 - 30
In Broadcast - January 2013 - 31
In Broadcast - January 2013 - 32
In Broadcast - January 2013 - 33
In Broadcast - January 2013 - InFocus
In Broadcast - January 2013 - 35
In Broadcast - January 2013 - 36
In Broadcast - January 2013 - 37
In Broadcast - January 2013 - 38
In Broadcast - January 2013 - 39
In Broadcast - January 2013 - 40
In Broadcast - January 2013 - 41
In Broadcast - January 2013 - 42
In Broadcast - January 2013 - 43
In Broadcast - January 2013 - InStudio
In Broadcast - January 2013 - 45
In Broadcast - January 2013 - 46
In Broadcast - January 2013 - 47
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In Broadcast - January 2013 - 49
In Broadcast - January 2013 - 50
In Broadcast - January 2013 - 51
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In Broadcast - January 2013 - 53
In Broadcast - January 2013 - InPlay
In Broadcast - January 2013 - 55
In Broadcast - January 2013 - 56
In Broadcast - January 2013 - 57
In Broadcast - January 2013 - 58
In Broadcast - January 2013 - 59
In Broadcast - January 2013 - InFile
In Broadcast - January 2013 - 61
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In Broadcast - January 2013 - 67
In Broadcast - January 2013 - 68
In Broadcast - January 2013 - 69
In Broadcast - January 2013 - InTest
In Broadcast - January 2013 - 71
In Broadcast - January 2013 - InMedia: Evolution of the Broadcast Systems Integrator
In Broadcast - January 2013 - 73
In Broadcast - January 2013 - 74
In Broadcast - January 2013 - 75
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In Broadcast - January 2013 - 81
In Broadcast - January 2013 - InMedia: Swedish Film Institute Chooses Divarchive 7.0
In Broadcast - January 2013 - 83
In Broadcast - January 2013 - 84
In Broadcast - January 2013 - S1
In Broadcast - January 2013 - S2
In Broadcast - January 2013 - S3
In Broadcast - January 2013 - S4
In Broadcast - January 2013 - S5
In Broadcast - January 2013 - S6
In Broadcast - January 2013 - S7
In Broadcast - January 2013 - S8
In Broadcast - January 2013 - S9
In Broadcast - January 2013 - S10
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