In Broadcast - December 2011/January 2012 - 71


InFOCUS

Vaddio Specialist PTZ Camera Systems
Vaddio is one of the leading manufacturers and OEMdistributors of specialty pan, tilt, zoom (PTZ) cameras and camera control systems used in the audiovisual, videoconference and broadcast industries. Using a systems approach, Vaddio manufactures and OEM’s not only PTZ cameras, but also the peripherals needed for a complete solution. Initially, Vaddio created a unique cabling system to run power, video and control up to 500 feet over standard CAT-5 cables for Sony, Panasonic and Canon cameras. Over time, the peripherals expanded to controllers, switchers, mixers and even Vaddio’s own line of high definition PTZ cameras. As a manufacturer, we were able to design cameras that take advantage of our system integration strategy. The Vaddio line of ClearVIEW HD cameras do not need the external interfaces the OEM cameras require. This also meant that our control systems could now be more tightly integrated because both devices have the same control code. Vaddio’s ClearVIEW HD family of HD cameras is specifically designed for videoconferencing, broadcast and audio-visual environments. The ClearVIEW HD20 offers True Native HD in a singlechip PTZ camera built around the 6.49 mm diagonal (1/3-Type) Sony Exmor Sensor. The ClearVIEW HD19 features a 19x optical zoom, an Exmor CMOS sensor, and a total of 1.3MP for extreme detail and vibrancy. The ClearVIEW HD-18 comes equipped with a 1/3-Type, 1.3MP CCD sensor, an 18x zoom, tally light and a 1.8-lux rating. Our controllers and switchers are designed to provide integrators with an easy-to-operate, fully featured operator-controlled camera system. ProductionVIEW HD/MV-SDI-MV, ProductionVIEW HD/HD-SDI and ProductionVIEW FX make up the family of seamless switchers, while Precision Camera Controller and Super Joystick exclusively handle robotic camera control. Each ProductionVIEW switcher/ mixer console has an internal 6 x 2 seamless matrix video switcher. A 3-Axis Hall-Effect joystick controls up to six PTZ cameras through six discrete auto-sensing RS232 camera control ports. Input signals include HD, RGBHV and SD. The MV version also allows multiviewer capabilities and digital inputs/outputs. Combined with the TeleTouch multiviewer touchscreens, you can easily switch all live video feeds and create up to 12 stored “video thumbnails” to provide an easy way to identify and recall preset positions on a perinput basis. The Precision Camera Controller and Super Joystick use the camera control portion of the ProductionVIEW seamless switchers. Like the switchers, both

By Kelly Perkins, CTS, Marketing & Communications Specialist, Vaddio

Kelly Perkins

have discrete, auto-configuring RSHD Family of cameras – the only 232 control ports for direct control PTZ cameras manufactured in the of PTZ cameras – six in the Super United States – to our innovative Joystick and seven in the Precision Squiggle Video Whiteboards Camera Controller. The Precision and automated camera tracking Camera Controller integrates CCU systems, Vaddio manufactures image control functionality into the cutting-edge camera technology system allowing users to control that’s simple to use. Y o u r red and blue gain, detail, iris and customers demand cuttingfocus. edge technology that is simple to Add a Vaddio wall mount, INcontrol. You want equipment that Wall mount, ceiling mount or a is easy to install and reliable to dome enclosure and you have a operate. Vaddio serves integrators complete PTZ camera system. and operators alike – with Vaddio also manufactures a broadcast-quality PTZ cameras complete line of camera tracking and control systems that deliver systems that allow users to the performance you need with the automatically track a presenter convenience you demand. as they walk across a presentation area. Add a Squiggle Video Whiteboard and now you can convert your whiteboard notes into an HD or SD video signal – perfect for any videoconferencing, TelePresence or video media distribution system. Our products are integrated globally in facilities ranging from television studios to houses of worship. They are used in government facilities, educational institutions and corporate conference rooms. From the ClearVIEW Vaddio HD20 Front/ISO that allows users to access the best that OLED technology has to offer. The BVM-F series has full HD capability (1920x1080) and a RGB 10-bit driver, supporting a powerful 12-bit Professional Display Engine. They also include a range of leading edge features, including multi colour gamut and high quality I/P conversion, low video delay, interlace mode as well as HD Frame capture and Pixel Zoom functions. Both products are equipped with two SDI (3G/HD/SD), a HDMI and Display Port as standard inputs. These monitors are supported by an external remote controller, the BKM-16R for a greater operational flexibility.

71

Sony Extend OLED Monitor Range
monitor and high quality picture monitors took place earlier this year at NAB. But recognising the need to diversify its offering Sony now provide a range of OLED monitors suitable for the varied demands of the content creation market. T h e introduction of the BVM-F series opens up the possibility that OLED technology will be available to a wider range of applications within the broadcast industry. D a n i e l Dubreuil, Product Sony Professional BVM-E OLED monitors Sony Professional further extended their award-winning range of OLED monitors with the announcement of the BVM-F broadcast reference monitor. The launch of the BVM-E and PVM series of OLED master Manager at Sony Professional Solutions, said: “These new models ensure that we are able to offer the content creation industry the widest range of OLED products available on the market. The BVM-E, BVM-F and PVM series all bring unique qualities. This allows us to cater for all aspects of content creation, providing a layered family of OLED products that underlines our position as market leader in OLED technology.” The BVM-F series consists of the 17” BVM-F170 and the 25” BVMF250. Both models come with Sony TRIMASTER EL technology, providing the level of performance


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Table of Contents for the Digital Edition of In Broadcast - December 2011/January 2012

In Broadcast - December 2011/January 2012
Content
Immortal Images: Nuoda & Film Factory
Film Tails Out
IABM Report Revieals New Insights
Masstech Emerald 7.5 LE Preserves Vital Assets
Sneak Peek
Robotics in the Newsroom
Sislive America's World Cup
Expo World Travel Comments on Services
Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - In Broadcast - December 2011/January 2012
In Broadcast - December 2011/January 2012 - 2
In Broadcast - December 2011/January 2012 - Content
In Broadcast - December 2011/January 2012 - Immortal Images: Nuoda & Film Factory
In Broadcast - December 2011/January 2012 - 5
In Broadcast - December 2011/January 2012 - 6
In Broadcast - December 2011/January 2012 - 7
In Broadcast - December 2011/January 2012 - 8
In Broadcast - December 2011/January 2012 - 9
In Broadcast - December 2011/January 2012 - 10
In Broadcast - December 2011/January 2012 - 11
In Broadcast - December 2011/January 2012 - 12
In Broadcast - December 2011/January 2012 - 13
In Broadcast - December 2011/January 2012 - 14
In Broadcast - December 2011/January 2012 - 15
In Broadcast - December 2011/January 2012 - 16
In Broadcast - December 2011/January 2012 - 17
In Broadcast - December 2011/January 2012 - 18
In Broadcast - December 2011/January 2012 - 19
In Broadcast - December 2011/January 2012 - Film Tails Out
In Broadcast - December 2011/January 2012 - IABM Report Revieals New Insights
In Broadcast - December 2011/January 2012 - 22
In Broadcast - December 2011/January 2012 - 23
In Broadcast - December 2011/January 2012 - 24
In Broadcast - December 2011/January 2012 - 25
In Broadcast - December 2011/January 2012 - 26
In Broadcast - December 2011/January 2012 - Masstech Emerald 7.5 LE Preserves Vital Assets
In Broadcast - December 2011/January 2012 - Sneak Peek
In Broadcast - December 2011/January 2012 - 29
In Broadcast - December 2011/January 2012 - 30
In Broadcast - December 2011/January 2012 - 31
In Broadcast - December 2011/January 2012 - 32
In Broadcast - December 2011/January 2012 - 33
In Broadcast - December 2011/January 2012 - 34
In Broadcast - December 2011/January 2012 - 35
In Broadcast - December 2011/January 2012 - 36
In Broadcast - December 2011/January 2012 - 37
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In Broadcast - December 2011/January 2012 - 42
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In Broadcast - December 2011/January 2012 - 49
In Broadcast - December 2011/January 2012 - 50
In Broadcast - December 2011/January 2012 - 51
In Broadcast - December 2011/January 2012 - 52
In Broadcast - December 2011/January 2012 - 53
In Broadcast - December 2011/January 2012 - 54
In Broadcast - December 2011/January 2012 - Robotics in the Newsroom
In Broadcast - December 2011/January 2012 - 56
In Broadcast - December 2011/January 2012 - 57
In Broadcast - December 2011/January 2012 - 58
In Broadcast - December 2011/January 2012 - 59
In Broadcast - December 2011/January 2012 - 60
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In Broadcast - December 2011/January 2012 - 65
In Broadcast - December 2011/January 2012 - 66
In Broadcast - December 2011/January 2012 - 67
In Broadcast - December 2011/January 2012 - Sislive America's World Cup
In Broadcast - December 2011/January 2012 - 69
In Broadcast - December 2011/January 2012 - 70
In Broadcast - December 2011/January 2012 - 71
In Broadcast - December 2011/January 2012 - 72
In Broadcast - December 2011/January 2012 - 73
In Broadcast - December 2011/January 2012 - Expo World Travel Comments on Services
In Broadcast - December 2011/January 2012 - 75
In Broadcast - December 2011/January 2012 - 76
In Broadcast - December 2011/January 2012 - 77
In Broadcast - December 2011/January 2012 - 78
In Broadcast - December 2011/January 2012 - 79
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In Broadcast - December 2011/January 2012 - 88
In Broadcast - December 2011/January 2012 - 89
In Broadcast - December 2011/January 2012 - 90
In Broadcast - December 2011/January 2012 - 91
In Broadcast - December 2011/January 2012 - Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - 93
In Broadcast - December 2011/January 2012 - 94
In Broadcast - December 2011/January 2012 - 95
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