In Broadcast - December 2011/January 2012 - 64


InFOCUS
Specialist Cameras Systems Grab The Action Cont.
An Operation Control Panel (OCP) adds the ability to work “as if from a standard broadcast camera and forget that you’re using a technical hi-speed camera,” says Renard who adds that I-Movix develop the only turnkey solutions available in the world. “About 50 per cent of our team is made of R&D engineers. We develop inhouse electronic boards instead of the very localised rental houses that put bits and pieces to be able to work with Hi-Speed cameras.” The biggest development, in tandem with EVS, is a prototype system dubbed X10 capable of 250fps realtime continuous streaming. It integrates with the EVS XT3 production server under LSM remote control and is due next year. “The combination of continuous streaming at 10 times slower than live action, with the alternative of instant ultra-slow motion replays at thousands of frames per second, makes this the most versatile solution ever,” says Renard. UK rental house Editec has the largest stock of SprintCam’s in Europe. “Since taking delivery of our first systems in 2008, we’ve used them in a wide range of conditions and for events as varied as equestrian sports, athletics and speedway,” MD Steve Cotterill says. “Technically the system has performed well – it is truly a ‘plug and play’ device. Tally and full talkback facilities and dual outputs (live/replay) enable the camera to be used live at any time.” NAC designers of the ultra slo-mo camera, High-Motion II, switched system partners earlier this year from Panasonic to Ikegami. It is claimed to be the only threechip CMOS HD hi-speed camera system and capable of more than 10 times normal speed in full HD. The result is said to i m p r o v e light sensitivity flicker correction over the previous product. NAC claims it has addressed the challenges faced producing sports on HDTV by allowing the broadcaster to exactly match the workflow for the Hi-Motion II to that of the standard sports broadcast environment.

64

Antelope MkII runs at up to 5800fps

There are around 20 of the HiMotion I units worldwide but that number is expected to be boosted when the Hi-Motion II debuts in Q1 2012, ahead of the Olympic Games in London. “One of the key differences the Hi-Motion has over the competition is that it is designed as a broadcast camera and fits easily into an OB,”

said NAC’s Andy Hayford. “It has three sensors on an optical block and its colourimetry is similar to a Sony or Grass Valley camera. Other ultra-motion cameras are based on large single sensor Vision Research cameras which were originally made for missile testing or other applications.” IBC saw the debut of a pair of cameras designed to offer high-

end digital film capture plus hispeed recording in the same unit. The idea is that a production can save money by taking just one camera rather than operating a second unit for motion effects such as time-lapse or slow motion. P+S Technik’s PS-Cam X35 can record Super-35mm quality synced with sound as well as frame rates from 1-450fps. Meanwhile Weisscam’s T-1 has a 2/3 inch CCD with a B-mount for sports and broadcast and can record 1-350fps. A 4K version with PL mount is also being readied. It is much smaller than the P+S model, perhaps more suitable for crane, steadicam and 3D work. “The idea with the X35 is that this will be your A-camera, capable of shooting your entire project at 24fps (or 23.98, 25, 30, 60) as well as all your high speed shots,” explained filmmaker Joel Bergvall who has tested the X35. “If your A-camera can do 450 frames per second you probably won’t need to bring an extra camera out for the high speed stuff.” The Antelope Mk II from Live Motion Concept uses the Phantom V641 chip for two permanent HD SDI outputs (live and replay), two extra stops plus tally and return signals. It can shoot up to 5800
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Table of Contents for the Digital Edition of In Broadcast - December 2011/January 2012

In Broadcast - December 2011/January 2012
Content
Immortal Images: Nuoda & Film Factory
Film Tails Out
IABM Report Revieals New Insights
Masstech Emerald 7.5 LE Preserves Vital Assets
Sneak Peek
Robotics in the Newsroom
Sislive America's World Cup
Expo World Travel Comments on Services
Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - In Broadcast - December 2011/January 2012
In Broadcast - December 2011/January 2012 - 2
In Broadcast - December 2011/January 2012 - Content
In Broadcast - December 2011/January 2012 - Immortal Images: Nuoda & Film Factory
In Broadcast - December 2011/January 2012 - 5
In Broadcast - December 2011/January 2012 - 6
In Broadcast - December 2011/January 2012 - 7
In Broadcast - December 2011/January 2012 - 8
In Broadcast - December 2011/January 2012 - 9
In Broadcast - December 2011/January 2012 - 10
In Broadcast - December 2011/January 2012 - 11
In Broadcast - December 2011/January 2012 - 12
In Broadcast - December 2011/January 2012 - 13
In Broadcast - December 2011/January 2012 - 14
In Broadcast - December 2011/January 2012 - 15
In Broadcast - December 2011/January 2012 - 16
In Broadcast - December 2011/January 2012 - 17
In Broadcast - December 2011/January 2012 - 18
In Broadcast - December 2011/January 2012 - 19
In Broadcast - December 2011/January 2012 - Film Tails Out
In Broadcast - December 2011/January 2012 - IABM Report Revieals New Insights
In Broadcast - December 2011/January 2012 - 22
In Broadcast - December 2011/January 2012 - 23
In Broadcast - December 2011/January 2012 - 24
In Broadcast - December 2011/January 2012 - 25
In Broadcast - December 2011/January 2012 - 26
In Broadcast - December 2011/January 2012 - Masstech Emerald 7.5 LE Preserves Vital Assets
In Broadcast - December 2011/January 2012 - Sneak Peek
In Broadcast - December 2011/January 2012 - 29
In Broadcast - December 2011/January 2012 - 30
In Broadcast - December 2011/January 2012 - 31
In Broadcast - December 2011/January 2012 - 32
In Broadcast - December 2011/January 2012 - 33
In Broadcast - December 2011/January 2012 - 34
In Broadcast - December 2011/January 2012 - 35
In Broadcast - December 2011/January 2012 - 36
In Broadcast - December 2011/January 2012 - 37
In Broadcast - December 2011/January 2012 - 38
In Broadcast - December 2011/January 2012 - 39
In Broadcast - December 2011/January 2012 - 40
In Broadcast - December 2011/January 2012 - 41
In Broadcast - December 2011/January 2012 - 42
In Broadcast - December 2011/January 2012 - 43
In Broadcast - December 2011/January 2012 - 44
In Broadcast - December 2011/January 2012 - 45
In Broadcast - December 2011/January 2012 - 46
In Broadcast - December 2011/January 2012 - 47
In Broadcast - December 2011/January 2012 - 48
In Broadcast - December 2011/January 2012 - 49
In Broadcast - December 2011/January 2012 - 50
In Broadcast - December 2011/January 2012 - 51
In Broadcast - December 2011/January 2012 - 52
In Broadcast - December 2011/January 2012 - 53
In Broadcast - December 2011/January 2012 - 54
In Broadcast - December 2011/January 2012 - Robotics in the Newsroom
In Broadcast - December 2011/January 2012 - 56
In Broadcast - December 2011/January 2012 - 57
In Broadcast - December 2011/January 2012 - 58
In Broadcast - December 2011/January 2012 - 59
In Broadcast - December 2011/January 2012 - 60
In Broadcast - December 2011/January 2012 - 61
In Broadcast - December 2011/January 2012 - 62
In Broadcast - December 2011/January 2012 - 63
In Broadcast - December 2011/January 2012 - 64
In Broadcast - December 2011/January 2012 - 65
In Broadcast - December 2011/January 2012 - 66
In Broadcast - December 2011/January 2012 - 67
In Broadcast - December 2011/January 2012 - Sislive America's World Cup
In Broadcast - December 2011/January 2012 - 69
In Broadcast - December 2011/January 2012 - 70
In Broadcast - December 2011/January 2012 - 71
In Broadcast - December 2011/January 2012 - 72
In Broadcast - December 2011/January 2012 - 73
In Broadcast - December 2011/January 2012 - Expo World Travel Comments on Services
In Broadcast - December 2011/January 2012 - 75
In Broadcast - December 2011/January 2012 - 76
In Broadcast - December 2011/January 2012 - 77
In Broadcast - December 2011/January 2012 - 78
In Broadcast - December 2011/January 2012 - 79
In Broadcast - December 2011/January 2012 - 80
In Broadcast - December 2011/January 2012 - 81
In Broadcast - December 2011/January 2012 - 82
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In Broadcast - December 2011/January 2012 - 85
In Broadcast - December 2011/January 2012 - 86
In Broadcast - December 2011/January 2012 - 87
In Broadcast - December 2011/January 2012 - 88
In Broadcast - December 2011/January 2012 - 89
In Broadcast - December 2011/January 2012 - 90
In Broadcast - December 2011/January 2012 - 91
In Broadcast - December 2011/January 2012 - Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - 93
In Broadcast - December 2011/January 2012 - 94
In Broadcast - December 2011/January 2012 - 95
In Broadcast - December 2011/January 2012 - 96
In Broadcast - December 2011/January 2012 - 97
In Broadcast - December 2011/January 2012 - 98
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