In Broadcast - December 2011/January 2012 - 42


InREVIEW
SATIS 2011 – Extensive Show
By David Kirk
For the French video production community, Q4 means SATIS. Held every year in Paris during late October or early November, the exhibition and its integral tutorials are claimed to attract visitors from all over France plus the Francophone sections of Belgium, Switzerland and north Africa. Traditionally held at the Porte de Versailles exhibition centre on the city’s south-west fringe, SATIS this year moved to another venue: the Halle Freyssinet. Advantages include shorter walking distance not mentioned in the catalogue. Major manufacturers exhibiting in their own name included Adobe, AJA, Avid, Blackmagic Design, Canon, Cartoni, Christie Digital Systems, Euphonix, EVS Broadcast, Fougerolle, Ianiro, Isilon, JVC Professional, Manfrotto, Matrox, Miranda, Panasonic, Quantel, Sennheiser, Snell, Solid State Logic, Sony and Vitec. As ever, the SATIS show catalogue provided an outstanding amount of information for its size. Occupying just 24 A5 pages, it thumbnailed each exhibitor by name, stand number, URL and product category. The conferences and tutorial sessions were all listed and, if you were wondering what to focus on, 35 of the show’s hottest products were given a photo and paragraph description. These are nominated for a SATIS trophy by a team of independent observers from the French video production business. The only dodgy bit was the floorplan which labelled just nine of the show stands. Why not all of them? A useful trick at exhibitions is to follow the crowd. Heaviest assemblage was on the Canon stand where the new EOS C300 camcorder attracted huge interest. About the size of two back-toback SLRs, this incorporates an 8.3 megapixel Super 35 millimetre CMOS sensor and records to dual Compact Flash cards. With eight megapixel resolution a potential successor to today’s 1920 x 1080 (2 megapixel) ‘high definition’ standard for future broadcasting,

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from the nearest Metro (Chevaleret) and closer proximity to the mainline stations (including my own port of entry, Gare du Nord, just 1 hour 50 minutes by rail from Ashford International). 173 exhibitors supported the show, all accommodated in a single ground-floor hall augmented by a mezzanine. National shows inevitably attract a lot of resellers so many of the stands carried products from a variety of sources

this camera and others in Canon’s Cinema EOS range merit serious attention. On the nearby Panasonic stand, a massive 3.6 metres wide by nearly 2 metres high 4096 x 2160 pixel resolution plasma screen showed what eight megapixel images actually look like: breath-taking. With a screen diagonal of 152 inches, it was about the largest size that could be carried into a normal commercial or domestic building without first demolishing a wall. An excellent product even if currently expensive at US$500,000. And quite a bit of 3D kit to try, including camcorders from JVC and Panasonic (the latter with an on-stand golf-course as a stage set). Sony’s promotion centred on its new 24.5 inch OLED monitor, the BVM-E250, intended for highquality eyeballing in colour grading suites and MCRs. A short summary of a well attended, and (apart from the map) well-managed exhibition. SATIS returns to the Halle Freyssinet in 2012, November 13 to15.

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Table of Contents for the Digital Edition of In Broadcast - December 2011/January 2012

In Broadcast - December 2011/January 2012
Content
Immortal Images: Nuoda & Film Factory
Film Tails Out
IABM Report Revieals New Insights
Masstech Emerald 7.5 LE Preserves Vital Assets
Sneak Peek
Robotics in the Newsroom
Sislive America's World Cup
Expo World Travel Comments on Services
Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - In Broadcast - December 2011/January 2012
In Broadcast - December 2011/January 2012 - 2
In Broadcast - December 2011/January 2012 - Content
In Broadcast - December 2011/January 2012 - Immortal Images: Nuoda & Film Factory
In Broadcast - December 2011/January 2012 - 5
In Broadcast - December 2011/January 2012 - 6
In Broadcast - December 2011/January 2012 - 7
In Broadcast - December 2011/January 2012 - 8
In Broadcast - December 2011/January 2012 - 9
In Broadcast - December 2011/January 2012 - 10
In Broadcast - December 2011/January 2012 - 11
In Broadcast - December 2011/January 2012 - 12
In Broadcast - December 2011/January 2012 - 13
In Broadcast - December 2011/January 2012 - 14
In Broadcast - December 2011/January 2012 - 15
In Broadcast - December 2011/January 2012 - 16
In Broadcast - December 2011/January 2012 - 17
In Broadcast - December 2011/January 2012 - 18
In Broadcast - December 2011/January 2012 - 19
In Broadcast - December 2011/January 2012 - Film Tails Out
In Broadcast - December 2011/January 2012 - IABM Report Revieals New Insights
In Broadcast - December 2011/January 2012 - 22
In Broadcast - December 2011/January 2012 - 23
In Broadcast - December 2011/January 2012 - 24
In Broadcast - December 2011/January 2012 - 25
In Broadcast - December 2011/January 2012 - 26
In Broadcast - December 2011/January 2012 - Masstech Emerald 7.5 LE Preserves Vital Assets
In Broadcast - December 2011/January 2012 - Sneak Peek
In Broadcast - December 2011/January 2012 - 29
In Broadcast - December 2011/January 2012 - 30
In Broadcast - December 2011/January 2012 - 31
In Broadcast - December 2011/January 2012 - 32
In Broadcast - December 2011/January 2012 - 33
In Broadcast - December 2011/January 2012 - 34
In Broadcast - December 2011/January 2012 - 35
In Broadcast - December 2011/January 2012 - 36
In Broadcast - December 2011/January 2012 - 37
In Broadcast - December 2011/January 2012 - 38
In Broadcast - December 2011/January 2012 - 39
In Broadcast - December 2011/January 2012 - 40
In Broadcast - December 2011/January 2012 - 41
In Broadcast - December 2011/January 2012 - 42
In Broadcast - December 2011/January 2012 - 43
In Broadcast - December 2011/January 2012 - 44
In Broadcast - December 2011/January 2012 - 45
In Broadcast - December 2011/January 2012 - 46
In Broadcast - December 2011/January 2012 - 47
In Broadcast - December 2011/January 2012 - 48
In Broadcast - December 2011/January 2012 - 49
In Broadcast - December 2011/January 2012 - 50
In Broadcast - December 2011/January 2012 - 51
In Broadcast - December 2011/January 2012 - 52
In Broadcast - December 2011/January 2012 - 53
In Broadcast - December 2011/January 2012 - 54
In Broadcast - December 2011/January 2012 - Robotics in the Newsroom
In Broadcast - December 2011/January 2012 - 56
In Broadcast - December 2011/January 2012 - 57
In Broadcast - December 2011/January 2012 - 58
In Broadcast - December 2011/January 2012 - 59
In Broadcast - December 2011/January 2012 - 60
In Broadcast - December 2011/January 2012 - 61
In Broadcast - December 2011/January 2012 - 62
In Broadcast - December 2011/January 2012 - 63
In Broadcast - December 2011/January 2012 - 64
In Broadcast - December 2011/January 2012 - 65
In Broadcast - December 2011/January 2012 - 66
In Broadcast - December 2011/January 2012 - 67
In Broadcast - December 2011/January 2012 - Sislive America's World Cup
In Broadcast - December 2011/January 2012 - 69
In Broadcast - December 2011/January 2012 - 70
In Broadcast - December 2011/January 2012 - 71
In Broadcast - December 2011/January 2012 - 72
In Broadcast - December 2011/January 2012 - 73
In Broadcast - December 2011/January 2012 - Expo World Travel Comments on Services
In Broadcast - December 2011/January 2012 - 75
In Broadcast - December 2011/January 2012 - 76
In Broadcast - December 2011/January 2012 - 77
In Broadcast - December 2011/January 2012 - 78
In Broadcast - December 2011/January 2012 - 79
In Broadcast - December 2011/January 2012 - 80
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In Broadcast - December 2011/January 2012 - 88
In Broadcast - December 2011/January 2012 - 89
In Broadcast - December 2011/January 2012 - 90
In Broadcast - December 2011/January 2012 - 91
In Broadcast - December 2011/January 2012 - Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - 93
In Broadcast - December 2011/January 2012 - 94
In Broadcast - December 2011/January 2012 - 95
In Broadcast - December 2011/January 2012 - 96
In Broadcast - December 2011/January 2012 - 97
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