In Broadcast - December 2011/January 2012 - 30


InPREVIEW

The Evolution Of The Monitor Stack
Mode-AL have been designing and manufacturing monitor stacks for the world’s broadcasters and system integrators for over 10 years. With manufacturing plants in the UK and US, Mode-AL is acknowledged as a global supplier. Mode-AL’s Managing Director David Lees has seen all of those 10 years and has seen the replacement of the old cubbyhole MDF structure with the modern aluminium monitor stacks you see today. From the conception of the first, to the latest generation of flat screen mounting systems ModeAL has been there providing a unique service for their clientele throughout this time. David said: “It is a constantly shifting target to build a modern monitor stack with the two opposing factions being the client and the screen manufacturer. As clients become more familiar with our product they demand larger and more complex stacks with infill panels, 19” rack modules, motorised stacks that remove the requirement for the service area at the back of the stack, earthquake hardened versions and marinised versions for oil exploration vessels. “All of the screen manufacturers, whom Mode-AL maintain excellent working relationships with, are constantly updating and revising their technology requiring ModeAL to keep abreast of all of these

Mode-AL monitor stack

changes and revise their mounting and cable management designs to accommodate new innovations in screen technology. “As the monitor stack evolves, we are constantly finding new markets that have similar requirements to the broadcast industry and Mode-AL has reacted by producing the Media Wall; a cost effective solution for security and process monitoring applications, and last year the award winning Speed Rack initially designed for outside broadcast but now finding applications far beyond its initial brief,” he said. Mode-AL has built up an enviable reputation over the last 10 years for providing Monitor Stacks on time and on budget. With our

recent move in the UK to brand new facilities and the acquisition of increased manufacturing capabilities, Mode-AL are now in a position to design, manufacture, deliver and install from basic to complex monitor stacks all within four to six weeks. With the latest generation of LED backlit and OLED technology screens starting to hit the market, Mode-AL are positioning themselves for the next evolution of the monitor stack. Thinner, lighter and larger screens becoming the norm, Mode-AL are looking at ways to reduce the monitor stack footprint even further and having front serviceable monitor stacks to free up floor space in the gallery.

30

ABC Production Uses AXON Synapse
Netherlands-based AV conversion, processing and compliance recording specialist, AXON Digital Design, has been selected by ABC Productions in Greece to provide Synapse modular processing equipment for their new 10-camera HD OB van. ABC’s OB vehicle fleet standardises on AXON’s Synapse modular equipment, which is supplied through AXON’s Greek dealer PTS. ABC Production SA is a leading supplier of television programme production services and specialises in the live sports outside broadcast in Greece. The company provides a range of technological equipment for rental, including OB vans with or without personnel, standalone cameras, state-of-theart audio and video production units and experienced personnel. Its customer list includes many of Greece’s leading TV channels (ERT ,NOVA, OTE, MEGA CHANNEL, ANTENNA TV) as well as leading international production companies such as SPORTFIVE , TWI , Canal+ , MEDIAPRO and TF1. A single HXT10 card is capable of switching between two inputs, synchronising the video to external reference (with separate timing adjustments for HD and SD) and simultaneously providing two HDSDI, two SDI and two composite outputs. The SDI and Composite outputs possess colour correction and also a fully featured ARC. The HXT10 has four, independently controllable, group-based audio embedders on ABC Production Picture / ABD Production’s new both the HD and SD 10-camera HD OB van processing paths. the OB van market,” commented The HXT10 is a MasterCard and Harry Kanters, Director of Sales by installing cards in slots in a & Marketing at AXON. “With the Synapse frame, a wide range of nine OB vans at ANO, one for audio processing functionality can Siberia and these vehicles for ABC be added within the system. currently on our order book we “Synapse is the preferred glue for have the proof.”

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Table of Contents for the Digital Edition of In Broadcast - December 2011/January 2012

In Broadcast - December 2011/January 2012
Content
Immortal Images: Nuoda & Film Factory
Film Tails Out
IABM Report Revieals New Insights
Masstech Emerald 7.5 LE Preserves Vital Assets
Sneak Peek
Robotics in the Newsroom
Sislive America's World Cup
Expo World Travel Comments on Services
Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - In Broadcast - December 2011/January 2012
In Broadcast - December 2011/January 2012 - 2
In Broadcast - December 2011/January 2012 - Content
In Broadcast - December 2011/January 2012 - Immortal Images: Nuoda & Film Factory
In Broadcast - December 2011/January 2012 - 5
In Broadcast - December 2011/January 2012 - 6
In Broadcast - December 2011/January 2012 - 7
In Broadcast - December 2011/January 2012 - 8
In Broadcast - December 2011/January 2012 - 9
In Broadcast - December 2011/January 2012 - 10
In Broadcast - December 2011/January 2012 - 11
In Broadcast - December 2011/January 2012 - 12
In Broadcast - December 2011/January 2012 - 13
In Broadcast - December 2011/January 2012 - 14
In Broadcast - December 2011/January 2012 - 15
In Broadcast - December 2011/January 2012 - 16
In Broadcast - December 2011/January 2012 - 17
In Broadcast - December 2011/January 2012 - 18
In Broadcast - December 2011/January 2012 - 19
In Broadcast - December 2011/January 2012 - Film Tails Out
In Broadcast - December 2011/January 2012 - IABM Report Revieals New Insights
In Broadcast - December 2011/January 2012 - 22
In Broadcast - December 2011/January 2012 - 23
In Broadcast - December 2011/January 2012 - 24
In Broadcast - December 2011/January 2012 - 25
In Broadcast - December 2011/January 2012 - 26
In Broadcast - December 2011/January 2012 - Masstech Emerald 7.5 LE Preserves Vital Assets
In Broadcast - December 2011/January 2012 - Sneak Peek
In Broadcast - December 2011/January 2012 - 29
In Broadcast - December 2011/January 2012 - 30
In Broadcast - December 2011/January 2012 - 31
In Broadcast - December 2011/January 2012 - 32
In Broadcast - December 2011/January 2012 - 33
In Broadcast - December 2011/January 2012 - 34
In Broadcast - December 2011/January 2012 - 35
In Broadcast - December 2011/January 2012 - 36
In Broadcast - December 2011/January 2012 - 37
In Broadcast - December 2011/January 2012 - 38
In Broadcast - December 2011/January 2012 - 39
In Broadcast - December 2011/January 2012 - 40
In Broadcast - December 2011/January 2012 - 41
In Broadcast - December 2011/January 2012 - 42
In Broadcast - December 2011/January 2012 - 43
In Broadcast - December 2011/January 2012 - 44
In Broadcast - December 2011/January 2012 - 45
In Broadcast - December 2011/January 2012 - 46
In Broadcast - December 2011/January 2012 - 47
In Broadcast - December 2011/January 2012 - 48
In Broadcast - December 2011/January 2012 - 49
In Broadcast - December 2011/January 2012 - 50
In Broadcast - December 2011/January 2012 - 51
In Broadcast - December 2011/January 2012 - 52
In Broadcast - December 2011/January 2012 - 53
In Broadcast - December 2011/January 2012 - 54
In Broadcast - December 2011/January 2012 - Robotics in the Newsroom
In Broadcast - December 2011/January 2012 - 56
In Broadcast - December 2011/January 2012 - 57
In Broadcast - December 2011/January 2012 - 58
In Broadcast - December 2011/January 2012 - 59
In Broadcast - December 2011/January 2012 - 60
In Broadcast - December 2011/January 2012 - 61
In Broadcast - December 2011/January 2012 - 62
In Broadcast - December 2011/January 2012 - 63
In Broadcast - December 2011/January 2012 - 64
In Broadcast - December 2011/January 2012 - 65
In Broadcast - December 2011/January 2012 - 66
In Broadcast - December 2011/January 2012 - 67
In Broadcast - December 2011/January 2012 - Sislive America's World Cup
In Broadcast - December 2011/January 2012 - 69
In Broadcast - December 2011/January 2012 - 70
In Broadcast - December 2011/January 2012 - 71
In Broadcast - December 2011/January 2012 - 72
In Broadcast - December 2011/January 2012 - 73
In Broadcast - December 2011/January 2012 - Expo World Travel Comments on Services
In Broadcast - December 2011/January 2012 - 75
In Broadcast - December 2011/January 2012 - 76
In Broadcast - December 2011/January 2012 - 77
In Broadcast - December 2011/January 2012 - 78
In Broadcast - December 2011/January 2012 - 79
In Broadcast - December 2011/January 2012 - 80
In Broadcast - December 2011/January 2012 - 81
In Broadcast - December 2011/January 2012 - 82
In Broadcast - December 2011/January 2012 - 83
In Broadcast - December 2011/January 2012 - 84
In Broadcast - December 2011/January 2012 - 85
In Broadcast - December 2011/January 2012 - 86
In Broadcast - December 2011/January 2012 - 87
In Broadcast - December 2011/January 2012 - 88
In Broadcast - December 2011/January 2012 - 89
In Broadcast - December 2011/January 2012 - 90
In Broadcast - December 2011/January 2012 - 91
In Broadcast - December 2011/January 2012 - Transcoding: Getting There Faster
In Broadcast - December 2011/January 2012 - 93
In Broadcast - December 2011/January 2012 - 94
In Broadcast - December 2011/January 2012 - 95
In Broadcast - December 2011/January 2012 - 96
In Broadcast - December 2011/January 2012 - 97
In Broadcast - December 2011/January 2012 - 98
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