In Broadcast - October 2012 - S9
IBC Special Edition | FairFlash
9
VENICE View – the perfect overview of all your content
VENICE provides you with great flexibility in a wide field of applications
Centralized Content Ingest With its ability to handle baseband and file ingest, its format independent SDI video channels, powerful metadata handling and a large number of other features, VENICE is the ideal foundation for centralized content ingest. VENICE offers direct ingest into Avid ISIS® and Interplay editing environments with “frame chase editing.” Its codec variety (supporting, for example, Avid DNxHD®, Apple ProRes 422 or Panasonic AVC-Ultra) and its openness provide users with maximum flexibility in the organization of their workflows: VENICE accommodates each and every scenario – even mixed environments with Avid Media Composer® Apple Final Cut Pro®, Adobe® Premiere®. Multi camera recording VENICE paves the way for multi-camera recording – thus simplifying life in show and event production in both studio and mobile environments. Since multiple channels can be grouped and controlled with one single GUI, it is easy to gain control of all your video channels.
The Media Production Hub VENICE outperforms file-based broadcasting in all media operations
VENICE View allows to directly gain an overview of all your VENICE channels
Production/News Playout VENICE offers a rundown control and an integrated MOS gateway. The GUI shows a comprehensive overview of the playlist and offers back-to-back playout. With its ability for direct playout from internal or connected storage solutions, VENICE streamlines every broadcaster’s news workflow.
Monitoring all your VENICE video channels becomes a breeze with the new VENICE View software. VENICE View allows you to assemble an overview of all VENICE channels in your facility on a single system. Based on VENICE’s sophisticated network architecture, there is no need for extra multi-viewer equipment. VENICE View offers monitoring of video overlay, channel name and status, timecode information, as well as audio peakmeter of every connected VENICE video channel. VENICE View uses a sophisticated IP-based software architecture which can be utilized in existing IP networks without the need of extra SDI cabling and expensive multi-viewer equipment.
On-Air-Playout VENICE provides you with all the features for a comfortable on-air playout: VENICE is set up with redundant PSUs and RAID-6 protected storage to ensure data security and Content preparation “The new VENICE systems will integrity. You will benefit and distribution allow us to respond more quickly from extremely fast VENICE helps you to and flexibly to our production clireaction times thanks to prepare and distribute ents needs, and will provide them clip-prebuffering. With its content efficiently. With with an enhanced production work- comprehensive feature set its large portfolio of supflow saving considerable time.” for file-based workflows, ported codecs and forPaul Darbyshire, Pinewood’s Director of VENICE integrates easily mats, content becomes Television Operations into any existing infrastrucimmediately available. ture. It combines modern The Media Production file-based architectures with baseband SDIHub allows smooth and fast file conversion video environments – exceeding by far the (transcoding and transwrapping) as well as qualities of a traditional video server. trimming of video and audio clips.
http://www.dvs.de/products/video-systems/venice.html
http://www.dvs.de/products/video-systems/venice/venice/field-of-applications.html
http://www.dvs.de
http://www.dvs.de
In Broadcast - October 2012
Table of Contents for the Digital Edition of In Broadcast - October 2012
In Broadcast - October 2012
Contents
PO Group Invest in 4k SGO Mistika Solution
BBC Entertainment Launches in Malaysia
AJA KI Pro Eases Elton John Show Workflow Transition
Bolshoi Theatre Install RTS System
Canal+ Sports Opts for Orad Power Wall
SIS LIVE Rolls Out OB 14 HD Truck
OCC’s Bill Smith Answers on the Technical Challenges
4KTV? Not So Fast!
ChyronIP Powers Graphics on Newtek Tricaster
Take Control With Rascular’s Helm
In Broadcast - October 2012 - Intro
In Broadcast - October 2012 - In Broadcast - October 2012
In Broadcast - October 2012 - 2
In Broadcast - October 2012 - Contents
In Broadcast - October 2012 - PO Group Invest in 4k SGO Mistika Solution
In Broadcast - October 2012 - 5
In Broadcast - October 2012 - BBC Entertainment Launches in Malaysia
In Broadcast - October 2012 - 7
In Broadcast - October 2012 - 8
In Broadcast - October 2012 - 9
In Broadcast - October 2012 - 10
In Broadcast - October 2012 - 11
In Broadcast - October 2012 - 12
In Broadcast - October 2012 - 13
In Broadcast - October 2012 - 14
In Broadcast - October 2012 - 15
In Broadcast - October 2012 - 16
In Broadcast - October 2012 - 17
In Broadcast - October 2012 - 18
In Broadcast - October 2012 - 19
In Broadcast - October 2012 - 20
In Broadcast - October 2012 - 21
In Broadcast - October 2012 - 22
In Broadcast - October 2012 - 23
In Broadcast - October 2012 - 24
In Broadcast - October 2012 - 25
In Broadcast - October 2012 - 26
In Broadcast - October 2012 - 27
In Broadcast - October 2012 - 28
In Broadcast - October 2012 - 29
In Broadcast - October 2012 - AJA KI Pro Eases Elton John Show Workflow Transition
In Broadcast - October 2012 - 31
In Broadcast - October 2012 - 32
In Broadcast - October 2012 - 33
In Broadcast - October 2012 - 34
In Broadcast - October 2012 - 35
In Broadcast - October 2012 - 36
In Broadcast - October 2012 - 37
In Broadcast - October 2012 - Bolshoi Theatre Install RTS System
In Broadcast - October 2012 - 39
In Broadcast - October 2012 - 40
In Broadcast - October 2012 - 41
In Broadcast - October 2012 - Canal+ Sports Opts for Orad Power Wall
In Broadcast - October 2012 - 43
In Broadcast - October 2012 - 44
In Broadcast - October 2012 - 45
In Broadcast - October 2012 - 46
In Broadcast - October 2012 - 47
In Broadcast - October 2012 - 48
In Broadcast - October 2012 - SIS LIVE Rolls Out OB 14 HD Truck
In Broadcast - October 2012 - 50
In Broadcast - October 2012 - 51
In Broadcast - October 2012 - 52
In Broadcast - October 2012 - 53
In Broadcast - October 2012 - OCC’s Bill Smith Answers on the Technical Challenges
In Broadcast - October 2012 - 55
In Broadcast - October 2012 - 4KTV? Not So Fast!
In Broadcast - October 2012 - 57
In Broadcast - October 2012 - 58
In Broadcast - October 2012 - 59
In Broadcast - October 2012 - ChyronIP Powers Graphics on Newtek Tricaster
In Broadcast - October 2012 - 61
In Broadcast - October 2012 - 62
In Broadcast - October 2012 - 63
In Broadcast - October 2012 - Take Control With Rascular’s Helm
In Broadcast - October 2012 - 65
In Broadcast - October 2012 - 66
In Broadcast - October 2012 - 67
In Broadcast - October 2012 - 68
In Broadcast - October 2012 - 69
In Broadcast - October 2012 - 70
In Broadcast - October 2012 - 71
In Broadcast - October 2012 - 72
In Broadcast - October 2012 - 73
In Broadcast - October 2012 - 74
In Broadcast - October 2012 - S1
In Broadcast - October 2012 - S2
In Broadcast - October 2012 - S3
In Broadcast - October 2012 - S4
In Broadcast - October 2012 - S5
In Broadcast - October 2012 - S6
In Broadcast - October 2012 - S7
In Broadcast - October 2012 - S8
In Broadcast - October 2012 - S9
In Broadcast - October 2012 - S10
In Broadcast - October 2012 - S11
In Broadcast - October 2012 - S12
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